There is such a wonderful depth and undercurrent of mystery...excellent!

the mystery is in the air...something weird is going to happen under the moonlight shadows... Fantastic atmosphere !

Ces "oiseaux" nocturnes exotiques sont bien intrigants  - - - - - - - - ; - - - - - - )

Can really feel the soft light dance on the water. Dark magic abounds. The witching hour. Fantastic work.

Laxin

Rain...too little of it and there is drought, too much of it and there are deadly, destructive floods, just the right amount and the earth flourishes; crops grow, gardens bloom, our spirits are refreshed and encouraged.  This song begs the questions; are mankind's plans, philosophies, charitable endeavors, or selfish goals like the rain that can benefit mankind or destroy it?  Do novel ideas work for the moral structure of humanity or is the ancient wisdom better? There are no easy answers to the questions Peter asks in the lyrics, but they are questions we should consider as we see the world aflame--which is another blessing of rain, it can put out fires.
Lyric/poem, singing and narration - Peter The Poet: @ soundcloud.com/user-264930040/tracks
Beautiful guitars left/right - David: @david-dunhamuser589535203
Music, e-guitar, mix, and masterful production - Seagull: @farout-music-studio
The gorgeous female voice: Clara Sorace.

Rain
And so it rains
Will it wash away tomorrow’s hopes,
Leave us stranded in our yesterdays
Clinging to the fraying ropes
Swinging helplessly in vain

And yet it rains
Both the means to life or drowning death
Spilling ‘cross the flooding plains
Sucking out the terminal breath
Forever and again

I stand here naked, cold and blue
Stripped of pride and freedom too
Aspirations drained, subdued
As heaven’s cloudbursts purge me through

And still it rains
Will it cleanse, refresh, renew the truth
Sanitise and ease the pain
Or launder filthy failure’s proof
To try and hide the liar’s stain

And it will rain
While lunatics still yield the whip
Indoctrination’s game remains
The crass politico’s iron grip
Will euthanise our children’s brains

……and so it rains

Rain (with Conny, Peter And David)

Can’t chase the days
They’re gone
You can find out what is left of you
trading your ways
for a life of gratitude
send her this song
before the train leaves out of Berney Arms

Play to this paltry rhyme
Stay near the edge of time
Tides of tears still drying
Fear so cold, melt the ice with fire

The glow
Of that darkened window
Save my soul
For the haunted kingdom
Hear the train, once again, my babe
Wring the nape of all that God creates

Hear the train once, again, my babe
Wring the nape of all that God creates

Element

East ember (on Common's rap version )

Recording sessions from 07/06/2024 - 03/12/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,
   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Meet at the Moonlight Oasis

Meet at the Moonlight Oasis 🌙

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet The New Bossa…-Eclectic Collective

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
J.J. Terrell-- @j-j-terrell—JJ-- organ
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering

This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves Bossa Nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collective in mind.
Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. Ken also added the solid percussion keeping things tight. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the table, bringing several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangements that joins in from JJ's organ around the middle, those funky percussion flourishes and fills, and then creating that percussion breakdown near the end, playing everything you hear in that break. 
This is an example of Josh exploring a less typical type of music, and it being picked up on and carried through expertly as a group unit. We all love bringing in different influences in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

And here’s a short excerpt of the the rhythm section with all the percussion action more isolated:

https://on.soundcloud.com/z7WcB9VvfZWHgAUu8

Meet The New Bossa (The Eclectic Collective)

method:  this is a version of this extremely evasive poem in simple, intertwined loops; sc mastred auora 67 per cent
narration: this is one of the sequential, reflexive poems in my DIE ODRADEK VARIATIONEN collection, in the section titled DAS BUCH DER ZUMUTUNGEN – I might add the lyrics or even an interlinear translation when time permits
image: copyright jo richter

zuflucht

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
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[ Facebook Page ]
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[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Colorless into Colorful

Don de nature, présent du printemps, abondante et pourtant discrète, la fleur de forsythia (une dernière petite balade piano/piano électrique/guitare/voix

la branche de forsythia

The Cost as we Speak Bends Away the Issue

🇬🇧 - The world of music, constantly evolving, is becoming, in my opinion, an empty universe and an empty art form, and it's terrifying to see, because here too, it's the triumph of greed.

I listen to a lot of music, and in just a few months, I've clearly felt the effects of artificial intelligence, which creates music on demand for artists, album covers, music videos, etc.

Of course, everyone is free to submit to it or not, but the easy option always appeals to those who no longer want to make the effort, the pleasure of personal research, the pleasure of creating a work from scratch by a unique human being, in their own style.

What will remain of us, what will become of our creativity, our sensibilities, our emotions? There's none of that in artificial intelligence, and it's not progress for humans, just an aid, and that's what it should be: an aid, not an end in itself to quickly produce a bland and impersonal work. So, you like it... or you don't.

I'm not a great musician, but my music and my musical universe belong entirely to me, and I will continue on this path with the firm intention of RESISTANCE; it will be my essential virtue, as always.

Long live music
◄┤❤️🕊️🙏├►
________________________________________________________________________
🇫🇷 - Le monde de la musique, toujours en évolution, devient à mon avis un univers et un art vides, et c'est terrifiant à voir, car là aussi, c'est le triomphe de la cupidité.

J'écoute beaucoup de musique, et en quelques mois seulement, j'ai clairement ressenti les effets de l'intelligence artificielle, qui crée de la musique à la demande pour des artistes, des pochettes d'album, des clips, etc.

Bien sûr, chacun est libre de s'y soumettre ou non, mais la facilité séduit toujours ceux qui ne veulent plus fournir d'efforts, le plaisir de la recherche personnelle, le plaisir de créer une œuvre de toutes pièces par un être humain unique, dans son propre style.

Que nous restera-t-il, que deviendront notre créativité, nos sensibilités, nos émotions ? Il n'y a rien de tout cela dans l'intelligence artificielle, et ce n'est pas un progrès pour l'humain, juste une aide, et c'est ce que cela doit être : une aide, pas une finalité pour produire rapidement une œuvre fade et impersonnelle. Alors, on aime… ou pas.

Je ne suis pas un grand musicien, mais ma musique et mon univers musical m'appartiennent entièrement et je continuerai dans cette voie avec la ferme intention d'entrer en RÉSISTANCE, ce sera ma vertu incontournable, comme toujours.

Vive la Musique
◄┤❤️🕊️🙏├►
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

Meet at the Moonlight Oasis 🌙

Pier WILL

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