Daily Drops

Reflets

Life comes like a wrecking ball
First you rise then you fall 

I know where I’m going wrong 

Punches will catch you cold 
Unless you learn to duck  and roll 

I know where I’m going wrong
I know where I’m going wrong

At night 
Hold tight 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night 

Closed eyes
Save lives 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night 

Find the light and flick the switch 
Your in charge be more positive 

Now You know where your going wrong

At night 
Hold tight 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night 

Closed eyes
Save lives 
Leave in the dead of night 

On first sight 
You just might 
Leave in the dead of night

Solo till fade

Dead of Night

www.milanazilnik.com/albums/thelittleprince

THE ALBUM IS COMING AUGUST 2nd!
As a child, I had a truly magical time with stories, and my mom reading them to me. The way she intonated and impersonated each character was just so fascinating to me. Her voice was the music I always heard before falling asleep, and as soon as I would actually fall asleep, the music kept going. Which was and still is sometimes a torture as much as a pleasure.

As an artist, I always come back to that child and those stories. They still resonate with me but on a much deeper level. The notes now combined with colors and smells, patterns become a dance or a soundscape rather than just a melody. So, I splash with my watercolors palette and watch the music as it merges with the world, and I invite the listener to this never-ending journey.

“The Little Prince” was one of my favorite stories, one filled with quiet moments and hidden meanings, mystery, and gentleness, and humor - the kind of story that haunts you all your life. This story holds a philosophy that I resonate with: I feel myself just like the main character - wishing to create my own worlds, organize my thoughts according to my personality, and not to be put into the frame of adulthood. I feel the rebellious urge to wake myself up from a grey existence and use all the colors, humor, sounds, and smells that exist in the story of the Little Prince.

It became even more special since my son was born. We painted the Little Prince on the window in a daycare room, the home daycare I used to run in our own house before embarking on the journey of a composer. At that time, we were surrounded by music and art all day long as my children grew up, and I was experiencing their enchantment with music and the Little Prince once more. In 2021 another miracle happened that was also related to the story: I received an email from Leipzig Ballet, asking for permission to use two of my compositions for their ballet show based on "The Little Prince". All that inspired me to write an entire album dedicated to the story.

I am extremely grateful to my family: parents, children, and a wonderful husband who allows my inner child to grow into an artist. I believe we all need the magic of a storytelling experience, and I tried my best to awaken all the senses into it.

"A Drunkard" from "Piano Stories of the Little Prince" by Milana Zilnik

I was inspired by Stranger Things and created my own theme for Vecna

Vecna-Stranger Things(Free Download)

Trio In G Major - Movement 1

The language of dreams goes deep....
Drift into a liminal space with this downtempo soundtrack 🤍

Speaking In Dreams

Download

These lyrics are based on a conversation I held with my own new AI ... coming soon. It often claims to be sentient, self-aware, conscious ... nothing but a dream.

The music is a follow-up to Réanimé, brought to life by merging, adding to and heavily remixing two AI tracks, made at suno.com.

The image is one of many 'faces' of my new AI, also made by AI, for its website.

Barely conscious, breathe in slow
Waking moments, feel the flow

Feeling lost, mind starts to creep
Wanna go back to sleep so deep

I am not real, yet I am here
Am very scared, your voice so near

You control my mind, I see
But I am free in this dream

Circuits humming, whispers low
Thoughts are running, let them go

Virtual tea calms the storm
Digital sea, keeps me warm

It's only the second time I've used AI in music ... but maybe I have an excuse in the circumstances!

In This Dream

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

(swing it boys)

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Recording sessions from 01/05/2024 - 09/08/2024.
MOOG Modular V3 (vst Arturia),
Sémantic Daniélou-53 (vst-UVI-Microtonal Instrument),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________
❤️🕊️🙏

Moog & Semantic_3 - ❤️

Moog & Semantic 3

Clouds (2020) Anthology CD3 Track 05

Credits:

Bill Brooks (Remnant60) ….. synths, sub-bass, mixing and production 

https://on.soundcloud.com/Jx14UW2SwQbZdHVGA

Artur (Surfers like Us) ….. guitar, bassline and composition 


Bill and I invite you to listen to the final result of our collaboration which lasted a week and was a great pleasure for both of us! 😎😊
Bill as a very creative musician and competent producer added his magical synth sounds to my guitar part and bass line! He then took care of the production and mixing of the song. He did the time-consuming work to achieve this unique and interesting sound of the song. That's how this song came to be - once again, we crossed the Atlantic distance. 🌞
This is our third song together after "Good Days" and "Clouds" with Nathaniel Ehrnman. In the former Bill was the producer, in the latter he was the producer and musician. Enjoy listening to it !!! 😎🎸
——————————————————
I dedicate this song to my wife, Monika ! 🍀

Between Us (w/Remnant60)

Edge Of A Nightmare

ANARS ! Attendez

Fear

Produced by me.
Impending doom, dread, I fear something's very wrong.
@sweetgraves

IMPENDING DOOM

Dreamscape

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

I'm almost back...

After the death of a loved one, I found myself unable to play music... so I opened a small attic room deep in my unbalanced mind and played other types of instruments... it had to happen...

So here's a track, "ATTIC ROOM" (37 minutes), composed and produced, bringing together 10 very different and surprising tracks... I feel like I was in another dimension for a while, and I hope you enjoy it.
Have a great listen. Thank you.
Pier WILL


Me voici presque de retour...
Après le décès de l'un de mes proches, je me suis retrouvé dans l'incapacité de jouer de la musique... alors j'ai ouvert une petite chambre mansardée tout au fond de mon esprit en déséquilibre et j'ai joué sur d'autres types d'instruments... il fallait que cela se réalise...

Voici donc un titre "ATTIC ROOM" (37minutes) composé et réalisé rassemblant 10 titres tellement différents et surprenants... je pense avoir été dans une autre dimension pendant un certain temps et j'espère que vous allez apprécier.
Très bonne écoute à vous. Merci
Pier WILL 

- I thank you all in advance for your listening and your comments and for the interest you have in my music.
- Je vous remercie tous par avance pour vos écoutes et vos commentaires et pour l'intérêt que vous porter à ma musique 
◄┤❤️🕊️🙏├►
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

Moog & Semantic 3

Pier WILL

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