OK THIS ONE. love this prog - ambient?! extraterrestrial track right from the start. superb!!

Love this choice of instrumentals, some mystic ethnic vibes in there, beat is utterly energizing - time tunnel effects.. love it!

Spellbinding meditative groove with wonderful textural atmospherics throughout.

When we wake up in the morning, a new day begins and we have to do everything we can to make it a good one for ourselves and for others...

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork  -  Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space 

❤️Love, 🕊️Peace, 🙏Respect

The Beautiful Mornings...

The Beautiful Mornings ...

God She Squeals

Purple Pansy Flowers

Part I of the 4 x track Control EP.  Best served with port and wine or three other tracks in the correct cooking order 🫠

Love / like / meh the track - feel free to check out the youtube video...pretty please :)

https://youtu.be/PPHXPB_DG-k?si=sLzyo96za5gvm0qH


Well you know that…
I woke up dreaming
Slipped into a thought
That the roof is on the ceiling
And chairs walk through doors
Then I try to change the way
Things shouldn’t have been
To turn back the clocks again
And make a smile reappear

Outta control / get outta control / 
Cos I’m outta control / way out of control
It got out of control / now we’re outta  control
So out of control / all out of control

Now what’s left don’t look right
Grey skies keep you down
So I bought a new plot play
To get these feet from the ground
I made up masquerade missions
But hiding as the real me
And the plan of the year?
Just to make the world feel
Well if I’m still dreaming
Can better ones still be taught
Cos this reality is too costly
To not jump overboard 

Outta control / get outta control / 
Cos I’m outta control / way out of control
It got out of control / now we’re outta  control
So out of control / all out of control
Outta control / getting
Outta control / getting
Outta control / I’m getting
Out of control
Outta control / getting 
Outta control / getting 
Outta control / you’re getting
Out of control
Outta control / I’m getting
Outta control / you’re getting
Outta control / we’re getting
Out of control

Out of control
We’re out of control
All out of control
We’re all out of control

Out of Control (still)

Spotify: https://open.spotify.com/intl-de/track/5FsPCoQ2Y9Z0OuG5kWDxDs?si=c03ccc558021498a
Youtube: https://www.youtube.com/watch?v=EUxKzif8IKI
Soundcloud: https://soundcloud.com/konrad-spittelberg/yearning

Yearning. The pain when you long for something and yet can't get it. When periods of depression and self-immersion are interrupted by outbursts of hearfelt desire and longing, only to collapse into themselves again. And yet, excruciating as this bittersweet state of mind is, the heart nevertheless seems to also derive pleasure from it.

Compositionwise: 
The track is of the form Intro (@0:00) - Main1 (@0:33) - Main2 (@1:29) - Diversion (@2:19) - Main3(@2:53) - Outro (@3:17)
Overall, the track lives from its sequence of low-energy parts and muffled outbursts. Over time, the track increases in intensity, in two ways: First, its speed increases from the Intro in the Mid 60s to the Low 70s lateron. Moreoever, the melodical intensity of the variations gets increasingly dense (see below) 

The track starts with a low-paced introspect Intro where the left melody line goes up and the right hand down. This contraction in the used space of tones resembles the seclusion of the proponent of our story. The desparation is underlined by sudden crescendos and abrupt falling back into pian(issim)o. This effect is held up throughout the remainder of the track. The left hand in the Intro follows a low-paced half note beat. The right hand first introduces the lead theme that is later varied in the parts (M, M', M'') but then modulates in a unique way that is not repeated throughout the track again.
@ 0:33, the Intro is over and the first of the main parts, Main1, starts. The left hand increases its intensity from here on throughout the track by switching to quarters instead of halfs. The lead theme is modulated with more energy (and will be ever more intense in the later variations of Main). After that, the track goes @0:57 into a series of outbursts and resignations. This series is repeated in Main2 @1:57 in more intensity and a chord inversion higher.
The Diversion is characterised by chord inversions that gently fall down, just like rain that pours down that window that our protagonist stares through. And then reaches the biggest outburst of the whole track.
Finally, after Main3, which includes the most intense version of the lead theme and harmonically altered variation, the piece finishes with a questioning yet pieceful end.

In mastering the piece, after MIDI editing, one of the challenges was to find the right balance between the plaintive metallic overtone-rich outbursts versus a rich and full sound for the resignative parts. I chose the Pianoteq Warm Peterov Mistral (with some minor tweaks) as the piano. On this, I used three basic Cubase-inate effects: (1) some light-touch EQ (a scaled-downversion of Basic Piano), (2) compression (Ratio of 1.8) and (3) Reverb (the Cubase-equivalent of the Goldener Musikvereinssaal in Vienna of course :-)). The mix has been balanced at -1db to allow enough headroom for the streaming services' normalization magic to happen ;-).

Yearning (Piano Miniature)

breathe to some ambient, ethereal jazz from the jh0st archives. (originally released 1986)

more info:
www.jh0st.com/animus/

Animus

Dance of the Nymphs

Dance Of The Nymphs (Animus 1986)

Cosmic Dreams

Recently, I've been thinking about what seems to be a global race to the bottom. Escalating wars and unchecked technologies threaten our future, raising concerns about possible human extinction. I can't claim to have solutions to these dire scenarios, but it's clear our current path isn't sustainable. Perhaps we need a new approach—a Plan "B". 

Written, Produced and Mixed by COtu.
Mastered By Marc Felish

Plan B

My thanks to the Amazing Russell Laing aka Xitb for playing with me on this sound scape
April 27th is the the 1o anniversary of the tornado in Vilonia Arkansas We dedicate this piece to all the victim's and their families.....  and to my son.

I love you Jeff miss you,  look for you in the stars Love Mom

for more outstanding music please visit Xitb at his page https://soundcloud.com/0pentrax

We Fly To The Stars GWXITB 2

MODERN TIMES feat. IPG1 & Paploviante
IPG1: Vocals
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm
Paploviante: E Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Arrangement and Production

Modern Times feat. IPG1 & Paploviante

My humble contribution to this project by: https://soundcloud.com/couch-king-presents 
Here the results: https://soundcloud.com/couch-king-presents/sets/deeper-heartscore-remix-and

Also thanks for patient work to *MASTERING TRUE MUSIC* https://soundcloud.com/fredtracks

D E E P E R  (with The Couch King)

AMBIENT, CREATIVE, EXPERIMENTAL MUSIC...
Sassy, unconventional but so free...

The remarkable precision of our electronic music is far too perfect, it lacks colors, emotions, imperceptible details of imprecision which gives it a different flavor.
So I inflict hours of torment on myself in this area to break and circumvent this precision, which is certainly a good thing, but which harms the development of my music which I wish to be human.

Enjoy reading and don’t hesitate to leave a little comment ❤️🕊️🙏
________________________________________________________________________
MUSIQUE D'AMBIANCE, CRÉATIVE, EXPÉRIMENTALE... 
impertinente, non conventionnelle mais tellement libre...

La précision remarquable de notre musique électronique et beaucoup trop parfaite, elle manque de couleurs, d'émotions, de détails imperceptibles de l’imprécision qui lui donne une saveur différente. Alors je m'applique dans ce domaine des heures de tourmentes pour briser et contourner cette précision, qui est certes une bonne chose, mais qui nuit au développement de ma musique que je désire être humaine.

Bonne lecture à vous et n'hésitez pas un laisser un petit commentaire ❤️🕊️🙏
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________

*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

The Beautiful Mornings ...

Pier WILL

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