Very interesting view of trees 🌳 👌🖤

bel ode électronique à ma principale source naturelle d'inspiration dans la vie - - - - -- - -  les arbres !!  - -- - - - - - ^ ^- - - - -- - ))

Related tracks: ANARS ! Pourquoi

Listen here↓
 https://linkco.re/YummYAza

Sierra Maestra

a little musical gift for my dear friend Francesco
@francescocartocci

la favola della buonanotte

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.161.059-4
Released : March 14th 1975
Publishers : Almo Music Corporation \ Universal Music
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The Carpenters are the Favourite band of all my celebrities.

Their songs have been a part of my childhood, my teenage years and even
now. Especially Karen's voice.
She had a fairly deep, medium-range voice, warm and colorful,
with an exceptional tone.
She was not only a singer, but also a very talented drummer.
Her brother Richard also has an extraordinary voice and does a lot of
backing vocals.

Their two voices alone amply cover the harmony of their tracks.
They're Unique.
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I love this song; it's well-paced, as well as the bass and especially the drums.
For me, this song is very hard to sing, 
because the key starts off very low and rises quite high,
and the tempo also increases.

Honestly, I struggled to keep up with the rhythm in both choruses.
As I was saying, my voice isn't what it was 20-30 years ago. 🙂
__________________________________________________________

Arrangement (Yamaha PSR SX900) : Phong
Vocal : Anh
Recorded : May 31st 2025
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Only Yesterday - Cover (Carpenters)

Having to destroy yourself in order to begin again.
From the album: "Curiosities Of Outsider Art" (Sept 2025)

Bandung, sea of flames
In 1946, the people of Bandung Indonesia
They had risen up against their British oppressors
Realizing that their army was weaker
And much less powerful
They decided to abandon the city
They adopted a scorched earth policy as they left the city
Burning the city to the ground
And one day start again...

Bandung, sea of flames

Bandung, Sea Of Flames

ANARS ! Pourquoi

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

I had the very good fortune to connect with Andy H aka “Noobly” a few months ago over music that we mutually admired and we agreed to find a future opportunity to collaborate. This is the result. Noobly’s beautifully rich track, propelled by his soaring guitar work, felt like a kind of call to prayer to my ear. I tried to echo this somewhat in singing the bridge. Lyrically, just for kicks I used the Socratic Method to construct the verses (persuasion through Q&A) so that this song’s meaning becomes self-evident and hopefully more of a personal experience for each listener. Thanks for checking it out!

Prideful Pride

Do you remember the day when pride took you for its own
When a thief stole something precious in you

Do you remember the day when pride took you for its own
When a thief stole something precious in you
Did it happen when all of your friends cut you out
Was your heart set on winning something, but you lost instead
And when you were maimed did the anger in you surge
Can you mark the moment when you became someone else
Is your truth under layers of scar and combat
Are you the new thief, looting joy from everywhere

Prideful pride keeps piling on, on, on
Building your walls, can’t go wrong, wrong, wrong
Finding it hard to get along, along, along
Your pride is killing you, long before you’re gone, gone, gone

And in the end you’ll be left with nothing
A bright light that’s gone too dim
I have been in a prison of my own before, just like you
Until I let the facade fall
And was set free, free

Are things more difficult now that you are going it alone
And do you leave enough room for both your sadness and your anger
Does that wall keep scary things in, and the invaders out
Are you winning this imaginary war you think you’re fighting

Prideful pride keeps piling on, on, on
Building your walls, ’can’t go wrong, wrong, wrong
Finding it hard to get along, along, along
Your pride is killing you, long before you’re gone, gone, gone


Music/production - Noobly @ https://soundcloud.com/noobly-1
Lyrics/vocals - Todd J McLean
Artwork - Fukushima Greed, 2011 (mixed media) by Todd J McLean

Prideful Pride

All instruments by Peter Hofland
Fender Stratocaster over NI Guitar Rig
Fodera Fretless Bass
Various Plugins

Artwork: Sebastião Salgado (8 February 1944 – 23 May 2025)

Work

Tenor saxophones and clarinets hard at it attempting a work/life balance......

Pic c/o Pinterest.

Factory Line Blues

Music by GRENZLICHT | Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe] | GOTH ROCK | YT VID

A fire burning dark-goth-rock song about how love is now dead & gone but the memory still remains! The forever longing continues to haunt but we can only re-visit the grave, re-visit the once cherished love of all loves...sadly, it's now, all-only-dust!

Music: Composed & Produced, Recorded & Performed, Mixed & Mastered by GRENZLICHT in Germany | Vocals: Composed & Produced, Recorded & Performed by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Cover Art Design & Video: Graphics & Light FX by REKHA - IYERN [Fe] | AI Royalty Free Heart/Thorn/Vines Image

Old Energy, YT Vid Here: https://www.youtube.com/watch?v=vja0TOjvfSU

Our other track, Bottle: https://www.youtube.com/watch?v=8vhVGS2PHi8

Listen to the amazing music of GRENZLICHT here: https://soundcloud.com/grenzlicht

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved

Old Energy - Music & Lyrics by REKHA - IYERN [Fe]
 
Wo Oh Oh Oh
Ah Ah Ah Ah Ow
Old times
When we were alive

Old time energy 
It's comin' over me, me
Just wanna feel you 
In my veins

Babe we are long gone
Eh Ee Yeah
Eh Ee Yeah
Eh Ee Yeah
In the grave, grave

Eh Ee Yeah
Ahn Wo Wo Wo
Oh Oh Oh Oh
Wo Oh How

Well, well, well
We are once alive
Heart to heart

Once alive 
In that old time energy
That keeps me movin' on
Even though we are 
Lost and gone, Yeah
Lost and gone Babe, Oo

Yeah Ee Yeah
Can you hear me callin'
Do you hear me call
Call your name, a name

And the fire burns me
In, in the grave
In the ground
It's only dust

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved



Old Energy 24 bit final

Old Energy

Old Energy - Music by GRENZLICHT | Music & Lyrics by REKHA - IYERN [Fe] | DARK GOTH ROCK| YT VID

A dark psychedelic rock track fused with industrial beats and hypnotic mantra-like vocals. Heavy, relentless, and immersive. Thank you for the listening.

Psy Rock Invocation

ALL TITLES ARE DOWNLOADABLE
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, 
Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

ECOLOGY 😮-😡😡😡

EVERY TREE CUT DOWN OR DELIBERATELY PRUNED (so that it falls on its own later...) GREATLY AMPLIFIES GLOBAL WARMING, THE CAUSES OF WHICH ARE VERY MULTIPLE, PRIMARILY THE ACTIVITY OF THE SUN.
YOU CAN SEE FOR YOURSELVES THAT THOSE WHO GOVERN US ARE NOT THE LAST TO GIVE THEIR AGREEMENT TO THIS DESTRUCTIVE MASSACRE... THIS HAS BEEN ESPECIALLY VERIFIABLE AND VISIBLE ON THE SEASIDE FOR MANY YEARS!!! A REAL SCANDAL!
THERE IS NO SURVEILLANCE, NO FINES, JUST LAXITY, LIKE EVERYTHING ELSE.
THIS INTENSIVE AND ORGANIZED DISAPPEARANCE OF TREES HAS MANY HARMFUL CONSEQUENCES FOR LIVING THINGS AND THE PLANET, UNDENIABLY ALTERING THE CLIMATE. 

ÉCOLOGIE 😮-😡😡😡

CHAQUE ARBRE COUPÉ OU TAILLÉ DÉLIBÉRÉMENT (pour qu'il tombe tout seul plus tard...) AMPLIFIE CONSIDÉRABLEMENT LE RÉCHAUFFEMENT CLIMATIQUE, DONT LES CAUSES SONT MULTIPLES, EN PREMIER LIEU L'ACTIVITÉ DU SOLEIL.
VOUS POUVEZ CONSTATER QUE CEUX QUI NOUS GOUVERNENT NE SONT PAS LES DERNIERS À DONNER LEUR ACCORD À CE MASSACRE DESTRUCTEUR... CELA EST PARTICULIÈREMENT VÉRIFIABLE ET VISIBLE SUR LES BORDS DE MER DEPUIS DE NOMBREUSES ANNÉES !!! UN VÉRITABLE SCANDALE !
IL N'Y A AUCUNE SURVEILLANCE, AUCUNE AMENDE, JUSTE DU LAXISME, COMME TOUT LE RESTE.
CETTE DISPARITION INTENSIVE ET ORGANISÉE DES ARBRES A DE NOMBREUSES CONSÉQUENCES NÉFASTES POUR LES ÊTRES VIVANTS ET LA PLANÈTE, MODIFIANT INDÉNIABLEMENT LE CLIMAT.

The Trees

🌳🌳  The Trees  🌳🌳

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitrar
This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honored than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums.l.Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Perfect Dark:
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain - The Eclectic Collective with The Beautiful Dark

Ocean Of Bad Memories

SHATTER

The One That Got Away

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Hello dear Soundcloud listeners,

I'm still determined to continue producing music, the music of Pier Will, which can only be heard on Soundcloud and which can also be recorded... for now.

The world of music is rapidly moving towards a huge upheaval where the true musician will very quickly become "rare," or even more and more of a shadow, a peculiarity, a memory. This time is not so far away, as AI takes a predominant place in everything that touches us and surrounds us and in Music, this can already be heard very clearly!

Apparently, everyone is taking this lightly, and the few diehards are being sneered at as anti-progress terrorists, for now. I already have two work computers disconnected from the internet, which house my software and everything I need to work. No more updates for them to work properly... updates are only necessary if you need to connect! Another computer is dedicated solely to internet connection and will be used exclusively for streaming the tracks.

This decision has serious consequences for my production, as there are no more options to add anything to it. It's a gamble, but for me, it's an obligation to remain completely independent and free from AI.

Pier WILL - ❤️🕊️🙏

________________________________________________________________________

Bonjour chers auditeurs Soundcloud,
Je suis toujours déterminé à continuer à produire de la musique, celle de Pier Will, que l'on ne peut écouter que sur Soundcloud et qui peut aussi être enregistrée… pour l'instant.

Le monde de la musique s'achemine rapidement vers un bouleversement majeur où le véritable musicien deviendra très vite « rare », voire de plus en plus une ombre, une singularité, un souvenir. Ce temps n'est pas si lointain, car l'IA prend une place prépondérante dans tout ce qui nous touche et nous entoure, et en musique, cela se voit déjà très clairement !

Apparemment, tout le monde prend cela à la légère, et les quelques irréductibles sont méprisés comme des terroristes anti-progrès, pour l'instant. J'ai déjà deux ordinateurs de travail déconnectés d'Internet, qui hébergent mes logiciels et tout ce dont j'ai besoin pour travailler. Plus besoin de mises à jour pour qu'ils fonctionnent correctement… les mises à jour ne sont nécessaires que si vous avez besoin de vous connecter ! Un autre ordinateur est dédié uniquement à la connexion Internet et sera utilisé exclusivement pour le streaming des morceaux.

Cette décision a de graves conséquences sur ma production, car il n'y a plus aucune possibilité d'y ajouter quoi que ce soit. C'est un pari risqué, mais pour moi, c'est une obligation de rester totalement indépendant et libre de toute IA.

Pier WILL - ❤️🕊️
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

🌳🌳 The Trees 🌳🌳

Pier WILL

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