A nouveau une belle réalisation Pier. Superbe ambiance prenante. Du beau travail. Chapeau l'artiste.

Very creative and deep track. Great sound design!

Complètement conquis par ces fluctuations spatiales et oniriques!

Great discovery beautiful soundscape 👌

Really great an fascinating soundscape, I particularly like the kind of brass sounding tones that ring out here and there.

Nicely illustrative and deeply spacious journey through stylish grim soundscape... :)

Space rock prog. This track, "Safe Space", is a collaborative effort conceived and developed by David. k. A. Spencer and cgmaness. 
David Spencer @ on.soundcloud.com/akXnp
cgmaness @ on.soundcloud.com/P8e3u 
Original music (Guitar, bass, flute) cgmaness.  (Guitar, bass synths drums, percussion & co arrangement, production) D. k. A Spencer

Safe Space. (collab) cgmaness

I feel so lucky that Dave Orestes 1 allowed me to record a rendition of his wonderful song " What Is Rich" ! 

Written by Dave Orestes 1 
https://on.soundcloud.com/JG7gH

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini
Tam Jennifer: Interpretation, Vocals, Guitar, Mix & Master

Lyrics (Dave Orestes):

What is rich? You're asking me
Rich is so simple, don't you see
It's not what you own but what you do and say
.
What is rich? You're asking me
It's not hard to explain
It's all about what you feel
And not what you touch
Every day
.
Rich is how well you sleep at night and
your thoughts on your own death bed
when you have few regrets
few regrets
.
Rich is passing on
the prospect of hope
so that all have a chance
to prosper and grow
Rich is not how tall 
Your sky scrapers grow
no no no no
.
Or the number of seats
in your stadium row 
It's not how many toys
in the attic you've stowed 
oh no no
that's not it
.
What is rich? You're asking me
Oh it's not hard to explain
It's all about what you feel
Not what you touch every day 
.
Rich is when
All the children are fed
And each of them has 
A warm safe bed
Rich is how 
You care for people 
That, you've never met
.
It's not hard to explain 
It's all about what you feel 
And not what you touch
Every day
.
Doo da doo da doo
Laa la laa la laa
Laa la laa la laa
Laa la laa
La laa la la
.
© Dave Orestes 1, Tam Jennifer Hastings, 2024. All rights reserved.

What Is Rich (with Dave Orestes, 2024)

Impressions from the Celestial Couch

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

Lyrics:-
Almost there yeah we're almost there we keep hanging on

Hold on tight , 'cause it's feelin' right we keep hanging on

Almost there , We're almost there

winkandwoo 2024

Almost There

Hespérides

Recording sessions from 11/11/2023 - 13/11/2023.
3 tracks *** MOOG Modular V3 & V2 (vst Arturia),
1 track Spark (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

Happy Friday to my SC friends. Today’s musical offering is very special to me because it signifies a breaking away from my old patterns. Long story short… old Justin was pretty set in his music making/production routines (solo work belongs on solo albums. Collab work belongs on collab albums. And never the two shall meet). 

But new Justin is proving to be surprisingly more flexible in his thinking; an interesting (I might even go as far as to say… shocking) result of my new paradigm. And while it might seem like a ‘nothing burger’ to most people… the way my brain is wired, this is a huge change… and one I am grateful for.

So today I happily offer my first collab song, also intended for my first hybrid album. The song is called ‘Life In Twilight’… and my guest artist is our dear friend, Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com), offering up the lovely Alto Sax and Guitar you hear in this piece

If you haven’t already crossed paths with Carlos, you are missing out. He is one of the most prolific people I have encountered in my travels. He plays about 30+ instruments, each with impressive skill. And if the instrument doesn’t exist... he creates it himself. And 'musician' is just one aspect of his inspiring and adventurous life. He is a great example of a person who discovered his passions early, and is now living a beautiful life pursuing those passions. We need more people like him in this world, reminding us of what is truly important.

On a personal level, the stuff Carlos has taught me over the years has helped me ease into this new sober life with tremendous grace. The music theory and instrumental lessons have helped make my sonic worlds more sophisticated (and therefore more rewarding to craft). And the moving and breathing meditations (Chi energy exercises) have proven fundamental to my mental/spiritual well being too. Needless to say, he has been a major influence in my evolving life; and I will be forever grateful. 

Carlos, I am honored beyond words that you are the guest artist on my first hybrid album. It signifies a great new direction for me. I’m excited to be on this path, and I’m glad you agreed to join me. 

To everyone else, we hope you enjoy “Life In Twilight”, the first of two new songs with Carlos that will ultimately wrap up my upcoming album “What Color Is Your Paradox?” 

(And yes... this is the last song I still had in the archives from my little break; originally finished on 1/20/2024. It's all going to be new content from here on out). :)

Paradox?

Life In Twilight | Carlos Vivanco & GrevusAnjl

2024/2/26

Website

koyomi

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Take You Down

This track was inspired by this week's Disquiet Junto project: Putting the ageing of a stone into music.
Stones can live for a very long time, but there are also external influences on a much shorter time scale. In my composition I included the monotonous phases, but also these external events, and tried to put them into appropriate music.

More on the 643rd weekly Disquiet Junto project, Stone Out of Focus — The Assignment: Make music inspired by a poem — at https://disquiet.com/0643/

This week’s project is based on a text by Yoko Ono, originally published in her book Grapefruit 60 years ago, back in 1964.

A Day In The Life Of Stone (Disquiet0643)

AMBIENT, CREATIVE, EXPERIMENTAL MUSIC...
Sassy, unconventional but so free...

The remarkable precision of our electronic music is far too perfect, it lacks colors, emotions, imperceptible details of imprecision which gives it a different flavor.
So I inflict hours of torment on myself in this area to break and circumvent this precision, which is certainly a good thing, but which harms the development of my music which I wish to be human.

Enjoy reading and don’t hesitate to leave a little comment ❤️🕊️🙏
________________________________________________________________________
MUSIQUE D'AMBIANCE, CRÉATIVE, EXPÉRIMENTALE... 
impertinente, non conventionnelle mais tellement libre...

La précision remarquable de notre musique électronique et beaucoup trop parfaite, elle manque de couleurs, d'émotions, de détails imperceptibles de l’imprécision qui lui donne une saveur différente. Alors je m'applique dans ce domaine des heures de tourmentes pour briser et contourner cette précision, qui est certes une bonne chose, mais qui nuit au développement de ma musique que je désire être humaine.

Bonne lecture à vous et n'hésitez pas un laisser un petit commentaire ❤️🕊️🙏
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________

*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

W32

Pier WILL

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