Chanson magnifique 👍 🙏 😍🍀🎶🎧

So like how this song portrays our attempts to grasp onto the ungraspable bliss of life, Pierre. Wonderful vocals and guitar.

love the chord shifts...the sounds on this recording are remarkable.

Very nice fretwork! Love the harmonies and flow. And this very cool electric guitar in the last part.

superbe et cool musique, relaxante, l'image est aussi très belle :)

This is so beautiful music and guitar solo

SHOUT IT TO THE WIND

Voice of the nation

This song was inspired by "The Cold Heart" (German: Das kalte Herz), a fairy tale written by Wilhelm Hauff. It was published in 1827 in a collection of fairy tales that take place within the narrative of The Spessart Inn.
Although written almost 200 years ago, the described conflicts of mankind are still up-to-date, maybe even more than before. Preferring status und prosperity over humanity is something which has become socially acceptable.

Special thanks for prelistening and precious ideas to my dear friend Gary Reeves!

Lyrics
Peter was in the charcoal business
never in peace with the live he was living
made a deal with the forest spirit
Three wishes and a new life given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity
 
Inside your stone cold heart
You‘ve built a world of disregard

It did not play out like you were whishing for
glassworks went down and you needed much more
sold your heart to Dutch Mike to keep living
a heart of stone and the fortune you were given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Flourishing business kept you going
but your smile was eternally frozen
when your drivers faded and you had murdered love
nothing left there but an empty heart

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Stone Cold Heart

Y tú no estás aquí

HELLO FRIENDS AND MUSICAL COMPADRES!  TO BE TRUTHFUL, I HAVENT BEEN VERY MOTIVATED TO CREATE MUSIC, ARRANGEMENTS, SOUNDZZZZZ, OR ANYTHNG MUSICAL REALLY....UNTIL LATELY, I TRY NOT TO MAKE ANYTHING UNLESS I FEEL IM DRAWN TO DO SO, OTHERWISE, IT SEEMS THE END RESULT FUCKING SUCKS MOST TIMES....I AM VERY HAPPY WITH THIS NEW ONE HERE, SO TAKE OFF, BLAST OFF INTO WHEREVER YOUR MIND TAKES YOU....BIGGGGGG LOVE ALWAYZZZZZZ, ROOTS!!!
P.S. IM GOING TO GO THROUGH AND CATCH UP AND TAKE THE NECESSARY TIME TO TRULY ENJOY YOUR PIECES THAT I AM VERY BEHIND ON....I TRULY LOOK FORWARD TO IT !!!!

SAMPLES:  AUDIO/SOUND BYTES FROM 1991"BOYZ IN DA HOOD" FILM BY JOHN SINGLETON 
*I DO NOT OWN THE RIGHTS TO THESE SAMPLES

FINALITY HAS NO DEATH

Five Years

Cast of Characters:

Cgmaness – https://on.soundcloud.com/4a2IWOT8tUQL3pbqdc – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify: https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....

Better Not Say (Eclectic Collective with Nyla K)

Sailing Away

Well’s track Glycerine with Llanpsych guitar

GLYCERINE - with WELL

Swamp Interactions

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

I'VE BEEN SEEN WITH NO SOUND
A HAS BEEN NOWHERE BOUND
I'VE BEEN LOST AND BABY I'VE BEEN FOUND

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

I'VE BEEN SEEN WITH NO SOUND
SHUFFLING WIND NOWHERE BOUND
I'VE BEEN LOST AND BABY I'VE BEEN FOUND

ONCE A KING TWICE A CLOWN
I'VE BEEN SNEAKING AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

WHISPERING TO THE WIND 
LOVELY SWEET LITTLE NOTHINGS
SOMETIMES LOVE IS A SOLITARY THING

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND





I'VE BEEN UP (Lyrics)

Golden Mountain by Pierre Bordetti 2018(C)
Photo du Mont Cervin prise ll y a 10 jours (Remerciements à FK).
at dawn the mountain is golden,
The temptation is great for men,
He wakes our dreams,
our desires for freedom, for peace,
At the summit,
fullness will finally prevail,
So attaining, the mountain attitude
___________________________________
Golden Mountain,
Golden Mountain,
Regenerate my mind,
Regenerate my mind...

Golden Mountain

The other side of night(Mix 1, December 6, 2019)

Written, performed, and mixed by Tim Griffis at Princeton Studio. This is the last song on my "Drive Time" project.
Hope you like the melodies and the sound ;-)
Photo by Adrian Danciu at Kinocut Pictures (visual.kinocut.com)

Technical Details
Recorded at Princeton Studio
Guitars: Fender Strat; Fender Squire Bass

Mics: Neumann TLM 67 
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Eventide Eclipse effects

Lyrics
Verse 1
On the other side of night
We could take our chances there
It's a story to rewrite

Chorus
We could find our way
We could find our way
We could find our way tonight

Verse 2
Two spirits in the night
We're searching for daylight

Chorus
We could find our way
We could find our way
We could find our way tonight

Bridge
We're two spirits in the night
We're just searching for daylight
I thought I saw you there
I thought I saw you there
But you walked away in the night

outtro 
thought I saw you there
on the other side of night
thought I saw you there

The other side of night

I found this track in my archives recently was done a long time ago......I do not write many love songs, not a very good writer of love songs ..This song was  written by William Bell an American singer and songwriter , also covered by loads of artists globally  , however ,this my "own" version . ..This was "one of the 1st song" I posted on SC maybe 10 yrs ago or more but i took down all my songs in 2016  now obviously its uploaded again ......... Be safe !! Thank  y'all!!

Forgot To Be Your Lover By Jam York! (original verson )

Let Go of that Echo . 2019

Song, Vocals, Bass, Keys, Percussion, Piano:  Janine Levinson @janinelevinson
Keys: Jose Freitas
Mix: Doug Grean @terpsichords

Let Go of that Echo

Sing a song of sixpence, a pocket full of rye
My head’s full of blackbirds but they won’t fly

Gotta let go, let go  

Sang a song so quiet, nobody heard
Kept it in the cage with the sad blackbirds

Gotta say no, say no to that echo echo  
That just won’t let me be free
That just won’t let me let go  -- gotta say no, say no

Sing a pretty question, keep it in my clothes
Answer with a puzzle and weave my prose?  no!!   

I gotta let go, let go of that echo echo       
that just won’t let me be free
that won’t let me let go
Gotta say no, say no to the echo, echo   
Oh I gotta be free,
I don’t know If I can let go, let go 
And just be me!

Kiss me in a signal, tap me a song
Four and twenty codewords can’t be wrong. no!

Gotta let go, let go of that echo echo 
That just won’t let me be free
That just won’t let me let go -- gotta say no, say no

I’m gonna stand tall and speak up   
I gotta say yes to find love
I’m gonna be real and speak out   
I gotta say yes to find  out
I’ve gotta let go, let go, of that echo

Let Go of that Echo

This song first entered my mind while I was comparing translations of the poetry of the remarkable Song dynasty poet Li Qingzhao.

	The attraction I have to Li Qingzhao's work is twofold - firstly: the sheer power of her expression, which speaks to me through each and every translation (some translations being so different that I often fail to recognize them as being the same poem) - secondly: her “Ci” poetry, is, for all practical purposes, songwriting.   “Ci” poetry began as lyrics to be sung to tunes both popular and original, not unlike the “12 bar blues” or “rock and roll” songs of the modern world.

	The imagery used in this song largely comes from her Ci poem “Banana Trees”, but should in no way be thought of as a translation - I do not pretend to have that kind of scholarship or talent.   It is, at best, a re-working of theme and image for a contemporary context.

	I do not know the original source of the cover art I have used here, but I found it at http://www.chinesetimeschool.com/en-us/articles/li-qingzhao/.   There are no extent images of Li Qinqzhao from her own time.

Lyrics:
        looking from our door, I see the poplars that we planted
	their green shadows fill the lawn
	their green shadows fill the lawn, leaves a-flutter in the breeze,
	in the quiet of the moment, they seem to share my thoughts

	they seem to share my thoughts, I recall a last farewell
	at the gateway of our home
	at the gateway of our home I listen to the sound, 
	in the quiet of the moment, to the rustling of leaves

	the rustling of leaves, a sound you’ll never hear again
	it breaks my heart
	it breaks my heart we can no longer share our thoughts,
	in the quiet of the moment, looking from our door

Looking From Our Door

Download

Looking from Our Door

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

Golden Mountain

Pierre Bordetti

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