(2018) Fanfare for a Production Company Logo Example

(2019) Il Circo Tra Le Stelle - Giochi di Clown

(2020) Epic Game Track Example

EPIC Two Steps From Hell Style Track Example (Modern Orchestral)

DRAMA Love Sitcom Track Example (Piano, Orchestral)

ARRANGEMENT Heroes (David Bowie) for Italian Band Xcorsi (VIDEO Link)

VIDEO: https://www.youtube.com/watch?v=5J_a3hT89s0

Composed, Orchestrated and Produced by Pietro Montanti

Original Soundtrack composed by Thomas Newman
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For contact & business inquires contact me on: pietromontanticomposer@gmail.com

@ All Rights Reserved Pietro Montanti 2021

ACTION Spectre - Helicopter Scene Rescored (Modern Orchestral)

VIDEO: https://www.youtube.com/watch?v=5SMCTHRTXso

Composed, Orchestrated and Produced by Pietro Montanti
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For contact & business inquires contact me on: pietromontanticomposer@gmail.com

@ All Rights Reserved Pietro Montanti 2022

SCI FI Ad Astra - Neptune Scene Rescored (Modern Orchestral, Epic)

HORROR Fada - Horror Track (Modern Orchestral)

ONLY AUDIO: 

Composed, Orchestrated and Produced by Pietro Montanti

Original Soundtrack composed by James Horner
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For contact & business inquires contact me on: pietromontanticomposer@gmail.com

@ All Rights Reserved Pietro Montanti 2022

FANTASY Avatar - Seeds of The Sacred Tree Rescored (Modern Orchestral)

VIDEO: https://drive.google.com/file/d/1b8yyb9sj8OYZ1byV-pN98TWIHyp9CBE-/view?usp=sharing

Composed, Orchestrated and Produced by Pietro Montanti

Original Soundtrack composed by Daniel Hart
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For contact & business inquires contact me on: pietromontanticomposer@gmail.com

@ All Rights Reserved Pietro Montanti 2022

DRAMA Ghost Story - Cake Scene Rescored (Piano, Strings, Synths, Percs)

TRAILER 7/8 Trailer Example

I was asked to create "Pirates of the Caribbean" style music in one day, I was given "Jack Sparrow" and "I Don't Think Now Is The Best Time" by Hans Zimmer as reference tracks. The result was much appreciated!

Mix & Master by Luca Zara

ADVENTURE Rogue Waves - POTC Style Track (Modern Orchestral)

This was a track made as a demo for an Amazon Prime movie contest. I reached the top 3 in the rankings out of 61 composers, lost due to the production's choice to entrust the soundtrack to a veteran composer.

Mix & Master by Luca Zara

DRAMA Save My Soul - For Amazon Prime Contest  2nd place (Strings, Synths)

DRAMA Nocturne Affairs - Political Drama (Piano, Strings, Synths)

DRAMA/FANTASY Talia’s Farewell (Piano, Strings, Synths)

HORROR/ACTION A Close Encounter In The Wood (Modern Orchestral, Celesta)

MISTERY/FANTASY The Mother’s Tale (Modern Orchestral)

HORROR/DRAMA Something Threatening (Modern Orchestral)

DRAMA Dark Dreams - Political Drama (Piano, Strings, Synths)

Official Demo for Zero G Elements Kepler https://zero-g.co.uk/products/elements-kepler

SCI FI The Doom - Official Demo for Zero G Elements Kepler

Original Soundtrack of the short movie "Soggetto Obsoleto"

DRAMA Ending Titles

DRAMA Obsolete Subject And Past Times

DRAMA Sitting On The Seashore

HYBRID ORCHESTRAL What If A Man Can't Regret

HYBRID ORCHESTRAL My Crown, My Ambition, My Queen

HYBRID ORCHESTRAL My Sin Is Rotten

HYBRID ORCHESTRAL The Storm

HYBRID ORCHESTRAL The Spectre

Nonostante tutto

Come sono, dove sono

Il mio ritmo

Occhi chiusi, cuore aperto

Composed for the documentary I Veneti Antichi – Cavalcando il Mito, this score follows a dramatic episode from the 3rd century BC, when the Spartan pirate Cleonimo led a raid into the Venetian lands and was met outside Patavium (modern Padua) by General Sekene and his army.

I wanted the music to feel as if it belonged to the battlefield itself. The writing draws on classic blockbuster harmonies for power and scale, but I reshaped it with modern sound design and mixing to create something personal and current.

The arc of the score mirrors the battle: the ominous calm before the clash, the advance of the Spartan phalanx, the chaotic melee, and the intimate tragedy of Veltikos’ death. It ends not with celebration, but with solemnity, echoing sacrifice and resilience rather than triumph.

Throughout the process I worked closely with the director, making room for sound effects, syncing with the cut, and refining details so that the music would always serve the story. For me, it was about translating ancient history into a cinematic language that feels both authentic and alive today.

Pietro Montanti - Composer

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