Deadline: 22nd March 2023

All submissions to Haiku 480:

https://www.naviarrecords.com/2023/03/15/naviarhaiku480-filling-my-shadows/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #480: filling my shadows / glorious rays bringing growth / heavenly ascent

Track created using software on iPad:
AUM, BLEASS SampleWiz/Phase Mutant, GeoShred, Sugar Bytes Aparillo, iceWorks Lagrange, Rozeta LFO, Altispace2 by Igor Vasiliev, AudioDamage RoughRider 3/OtherDesertCities, rymdigare by Erik Sight, Bram Bos Kosmonaut, Imaginando DLYM, Pagefall Ioniarics, 
Mixed and mastered in Cubase 12 with Ozone 10
Photo by zenbytes (2020, Bretagne, France)

summer night transforms - Naviarhaiku 479

filling my shadows
glorious rays bringing growth
heavenly ascent

haiku by Jennifer Doty https://twitter.com/jenncord

picture by Elton Sa https://unsplash.com/@bigeruta

For more information visit http://www.naviarrecords.com/about/naviar-haiku

heavy hell fan

halF heavenlY [naviarhaiku480]

This Haiku mix consists of several field recordings made from a resonating old iron bridge in the wind and falling melting snow in the morning sunlight.
Both these sources gave me this feeling of heavenly energy; both snow and wind being observed in the sky.

Heavely Ascent - naviarhaiku480

multiply layered drones. polyrhythmic drums. cymbal reverb.

[naviarhaiku480] ascent

Made for Naviar Records' 480th Haiku Challenge. Details at https://www.naviarrecords.com/2023/03/15/naviarhaiku480-filling-my-shadows/

Filling my shadows [naviarhaiku480]

The track is a performance on a modular synthesis system, recorded in real-time with no overdubbing or post-editing.

Gaetano Fiorin - Rays (naviarhaiku480)

An electronic composiition, sounds created in Pure Data.

Shadows & Rays (naviarhaiku480)

imperfect ascent [naviarhaiku480]

Disquiet Junto Project 0585: F9

The Assignment: Fast forward an old track to make a new one.

Step 1: Many media playback apps for laptops (among other devices) include the option to fast forward through a track manually. Some apps have settings that allow you to adjust the length of the gap that will be jumped. Find a tool that can do this. VLC (videolan.org/vlc 2) is recommended. In VLC you can jump forward in set lengths of time by repeatedly pressing (not holding, but repeatedly pressing) the right arrow on your keyboard.

Step 2: Try this process with a few of your own recordings: hitting the right arrow at a steady pace (as quickly as every split second, as slowly as every two or three seconds).

Step 3: Locate a track of your own where doing what is described in Step 2 yields a result you find pleasing.

Step 4: Record what the result of Step 3 sounds like for one of your pre-existing tracks. (This may be old hat, if you have used Loopback or similar software. You could also just record the output from your laptop’s speaker.)

Step 5: Use the result of Step 4 as the foundation for a new piece of music. You can add as little or as much as you would like to it.

Notes: (1) You may find you can simulate this effect. (2) You can loop the result of Step 4 if what it yields is too short.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0585” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0585” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0585-f9/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. Just because it’s fast forwarded doesn’t mean it needs to be short.

Deadline: This project’s deadline is the end of the day Monday, March 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

Summer forms - disquiet0585 Video here - https://youtu.be/cEbYttvD58g

naviarhaiku481:
travel home
even the air
has changed

haiku: Wai Mei Wong https://twitter.com/wmwongcreator
image: Kate Bezzubets https://unsplash.com/@k8_bzz
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Travelling Home [NaviarHaiku481]

Naviar mountain naviarhaiku487

🜁 SESSION IX – Aer Memoriae drifts between worlds — a breath between ruin and light.
This ethereal chapter in the Arkanæa series is built from falsetto sighs, reversed chant fragments, and airy drones that dissolve like veils in sacred wind.

Field recordings of wind harps, glass harmonics, and mist-filled sanctuaries blend with ghostly reverb tails from past sessions, reimagined as vapor.
Here, memory is not recalled — it breathes.

⟐ Genre: Sacred Ambient • Ritual Dream Music • Ethereal Vocal Soundscape
⟐ Mood: Floating • Introspective • Timeless • Reverent
⟐ Instrumentation: Falsetto hums • Aeolian flute • Glass harmonica • Harp harmonics • Mist field recordings

Close your eyes. Feel the veil pass.
You are inside the air of memory.

Velum Caeli

kind of proud to share these 11 songs from the Future, made with Mona Ellis and Alouma Aves. Water Memory is a experimental transmedia album related to my novel "The Other Version" (L'Autre version de l'Histoire") hope my first science fiction book will be published soon....
Remember the water, messages could flow to you

Rosika

Made with tape loops and synths in a cold tiny space.

BANDCAMP

Piccoli Rumori Tristi II

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

imperfect ascent [naviarhaiku480]

Pietro Zollo

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