Classique

Disposable Music and Collectible Razors is the second album by Labobros, realeased on the 20th December 2021. This is an experimental album in terms of sounds, music styles and languages.

So many collaborations from every part of the world like: Cesareo (Elio e le Storie Tese), Paolo Tofani (Area International Group), Mourad Musset (La Rue Ketanou), Jinian Wilde (David Cross Band), Peter Lacey, Jade Marie, Pasquale Nigro, Alfonso Sacchetti, Benigno Grillo, Roberto De Rosis, Natale Novellis, Serafino Zangaro, Vero Luz, Joe Figg, Gabriele Vignati.

Disposable Music and Collectible Razors

Percezione Tofaniana (Feat. Paolo Tofani)

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

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Title: A Festive Christmas Carol of Joy
Music by Michael Herter
Genre: Classical, Neoclassical, Holiday, Christmas Music
Free Download: https://bnd.link/sibviolin
Video:

Get ready to embark on a heartwarming journey into the enchanting world of the holidays with "A Festive Christmas Carol of Joy". This meticulously crafted musical masterpiece harkens back to the golden era of Hollywood film scores, where the magic of Christmas came to life on the big screen.

With sweeping orchestral arrangements and timeless melodies, this track exudes all the warmth, wonder, and nostalgia of a classic family Christmas. As the music unfolds, you'll be transported to a winter wonderland filled with twinkling lights, snowflakes, and the joyful laughter of loved ones.

The enchanting overture begins with delicate bells and strings, gradually building to a crescendo of orchestral brilliance, mirroring the crescendo of holiday spirit. It's as if the music itself is wrapping you in the comforting embrace of a festive, fireside celebration.

"A Festive Christmas Carol of Joy" captures the essence of the season, inviting listeners to relive cherished memories and create new ones. Whether accompanying a holiday film, setting the mood for a festive gathering, or simply providing the soundtrack for a cozy evening by the fireplace, this composition is a timeless treasure that will warm hearts and bring the magic of Christmas to life. Experience the joy, wonder, and togetherness of the season with every note, making this track a must-listen for anyone seeking the true spirit of Christmas.

D-Dur; 4/4; 70 bpm

► Support my Creativity: https://bnd.link/sibviolin

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Stay tuned as more tracks will be released in the coming weeks and months.

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Thanks For Listening!

A Festive Christmas Carol of Joy

By Stephanie Rodriguez M. https://it.fiverr.com/stephanie_music/

- Backing Vocals/Harmony
- Lead Vox
- Mix and Master
- Vocal Editing/Cleaning
- Final Master WAV – For streaming platforms

Piano part/melody (inspired by something by JS BACH and Fryderyk Chopin (Yamaha U3 acoustic piano tuned to 432 Hz), words and cover art by Ivano Bersini (painting by www.instagram.com/sedecaru_alina/)
                                               
                                                         °°°
We are the light in the world,
We are the colours in life

We are the Humanity again,
now in this moment
We in life
as a source of beauty
souls
souls

We are the Humanity again,
now in this moment
                                                 °°°

 (Original Italian version)

Noi siamo la luce nel mondo,
noi siamo i colori nella vita

Noi siamo ancora l'Umanità,
adesso in questo momento
Noi nella vita
come una sorgente di bellezza
anime
anime

Noi siamo ancora l'Umanità,
adesso in questo momento.

https://it.blurb.com/b/11878126-humanity-again?fbclid=PAAaYFbRwEC-CpNuGU8Ohy5rzBggfOqS4VJ5s1qQu1c1jfBwO-N6o4-Qb_oCw

Humanity Again

My first composition with wind instruments, and it was an extremely refreshing experience and a distraction from composing strictly with a piano the last few years.
The main theme itself is a long ago composed simple keyboard theme that I've always kept close at heart. 
I've rarely left B minor in this piece, save from some chromatic sections and D Major/ E minor restatements and an new F-sharp major and minor theme in the quasi development section.
I've tried to give prominence/independece to every instrument in different section, but since I know next to nothing about wind instruments, I probably made a ton of stylistic errors.
All in all, I've very pleased with how this piece turned out, it has a certain rustic or medieval feel to it, coupled with few sections that feel, at least to me, dark-folkloric or even eldritch.

A Movement for Wind Trio, B Minor

A composition depicting perhaps the midst of snowy winter, where the encroaching cold is held at bay with a memory of a loved one. 
Harmonically I mostly stayed in D minor/major, with a brief excursion in G minor. I've attempeted to write a middle passage in F major, but the two themes I've managed to come up with simply didn't fit with the rest of the music, but hey, at least I have two new themes for next pieces. 
Completed in the March of 2025.

Intermezzo For Piano, D Minor

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Another piece based on the synth compositions from my long-past teenage years. The main theme (slightly rewritten) comes from a short piece I named The Mist Majesty, which, in my opinion, had a distinct autumnal flavor that I wanted to preserve and emphasize in this rewrite. It is also about something else, but autumn is unmistakably present, and I think the watercolor I chose as the cover fits perfectly.
Completed in April of 2025.

Morceaux For Piano, E Minor

https://myckalmarcovic.bandcamp.com/track/le-sommeil-du-matamore
translation above
Texte et voix de Jean-Paul Gaido-Daniel
Musique de Myckaël Marcovic
Illustration d'Annie Madec

Le sommeil du matamore

Messieurs, mesdames, mon moi et moi
Vont vous chanter leur oraison
Que j’ai vécue, enfant de chœur,
Dans mon sommeil de matamore

Je moissonne des capucines,
Des mandragores de couleur
Les soirs de brume sur la colline
Sur des losanges de sept lieues

Je pense à des mots de saisons
Comme l’amour jamais cassé
Comme l’extase des matins
Comme la pitié un vendredi

Je traverse des macadams
Dans des souliers de carabin
Rouges qui exhalent la mort 
Comm’ les bottes de Saint-Pierre

Les moralistes, parlons-en !
Ils nous tartinent le melon !
Allez pointer, mais allez donc
À vos comptoirs de xénophobes

Les prophètes ont signé un pacte :
Ces fous de Dieu qui puent de l’âme
Et qui refoulent du malheur,
Sonnent les cloches de leurs blâmes

Ils sont tous là comme des loups
Fumant des pieds sur leur empire
Pour Dieu, la mort c’est l’habitude
De nettoyer ses souvenirs

Quand la lumière se fait courage
C’est toujours l’autre qui a tort
Il n’aime que ce qu’il ignore
Ses essuie-glaces sont en panne

Tous leurs couloirs cassent la vie
Avec leurs portes colmatées
Surtout la nuit, elles me font mal.
Et j’entends ricaner les hyènes

Messieurs, mesdames, mon moi et moi
Vous ont chanté leur oraison
Que j’ai vécue, enfant de chœur,
Dans mon sommeil de matamore

Jean-Paul Gaido-Daniel, 25 07 2024
Musique : Myckaël Marcovic, 7 août 2024

The matamore's sleep

Gentlemen, ladies, me and I
Will sing you their oration
That I lived, choirboy,
In my matamore sleep

I harvest nasturtiums,
Colored mandragores
On foggy evenings on the hill
On seven-league rhombuses

I think of seasonal words
Like love never broken
Like the ecstasy of mornings
Like pity on a Friday

I cross macadams
In red shoes
Red with the smell of death 
Like Saint Peter's boots

Let's talk about moralists!
They're spreading the melon!
Go and punch the clock
To your xenophobic counters

The prophets have signed a pact:
God-fearing fools who stink of the soul
And repress misfortune,
Ring out their bells of blame

They're all out there like wolves
Smoking their empire with their feet
For God, death is the habit
To cleanse one's memories

When light becomes courage
It's always the other who's wrong
He only loves what he doesn't know
His windshield wipers are out of order

All their corridors break life
With their clogged doors
Especially at night, they hurt me.
And I hear the hyenas cackling

Gentlemen, ladies, me and I
Have sung their oration to you
That I lived, choirboy,
In my matamore sleep

Jean-Paul Gaido-Daniel, 25 07 2024
Music : Myckaël Marcovic, August 7, 2024

Translated with DeepL.com (free version)

Le sommeil du matamore (Jean-Paul Gaido-Daniel / Myckaël Marcovic), feat Jean-Paul Gaido-Daniel

Yellow Room (play) - Fleursonseaux
All rights reserved - © Copyright

Yellow Room (play)

انتصار aintisar - VICTORY song by Shannon Burchett in Arabic performed by feature artist ZAIN  زين  with orchestra. Arrangement and lyrics by Sebastian Morgan.
Inspired by Nessun Dorma, inspirational theme of Victory over death and despair.
© Copyright 2025, Nirvana Records.

Video: Victory in English with piano accompaniment: youtu.be/71oAZE4Fm3I
Magazine article about the Victory song history: stereostickman.com/music/beatriz-villar-victory-finale/
Magazine review of Victory song: dailymusicspin.com/shannon-burchett-victory/
Victory song mentioned in Substream Magazine: substreammagazine.com/2024/12/victory-finale-release-inspired-by-the-classic-nessun-dorma/

انتصار!

انتصار!
طريقنا،
في طريقنا،
عبر الوديان والظلال،
ولكن في اليوم الجديد
يسوع هو نورنا.
لا ظلام ولا ليل.
بأمل جديد،
آمنوا بالمسيح واعلموا،
ان الحياة الأبدية لن تموت أبداً،
لا. 
من أجل الله الذي يعطيني 
آمنوا، أوه، آمنوا.
بحب الله التي نشاركه
عبر اليأس والموت.
من هذه اللحظة من الزمن،
سنستمر بفرح إلى الأبد 
ليوم أكثر إشراقًا،
في طريقنا،
إلى مجد السماء،
انتصار المسيح.
انتصار!
انتصار!
_______________________
Victory!

On the way,
On the way,
Between shadows and valleys,
But in the new day,
Christ is our light.
Neither dark nor evil,
In hope.
Believe in Jesus and you will see
Eternity will not die, no, no.
For the love of God,
Let it be so, oh let it be so.
The love of God that guides us
Beyond anguish and death
Today the fear vanishes,
With joy we will go to infinity.
For one more day,
On the way,
To His glory,
To victory.
Victory!
Victory!

Victory

Victory orchestra - Arabic انتصار Aintisar

Victory - ZAIN Arabic انتصار Aintisar Classic

Breathe

Sublime Strings

VICTORY song by Shannon Burchett performed by feature artist ZAIN in French with orchestra. Arrangement and lyrics by Sebastian Morgan.
Inspired by Nessun Dorma.
Producer: Will Carmack
Graphics artist: Dilshan Sulakkhana
© Copyright 2025, Nirvana Records.

Video: Victory in English with piano accompaniment: youtu.be/71oAZE4Fm3I
Magazine article about the Victory song history: https://stereostickman.com/music/beatriz-villar-victory-finale/
Magazine review of Victory song: dailymusicspin.com/shannon-burchett-victory/

Victoire!

Notre chemin,
Sur notre chemin,
À travers les vallées et les ombres,
Mais dans le nouveau jour,
Jésus est notre lumière.
Pas d'obscurité, pas de nuit.
Avec un nouvel espoir,
Croyez en Jésus-Christ et sachez,
Que la vie éternelle ne mourra jamais, non.
Pour Dieu qui me donne,
Croyez, oh, croyez.
Avec l'amour de Dieu que nous partageons,
À travers le désespoir et la mort.
À partir de ce moment dans le temps,
Nous continuerons avec joie pour toujours.
Pour un jour plus lumineux,
Sur notre chemin,
Vers la gloire du ciel,
La victoire du Christ.
Victoire!
Victoire!
_______________________
Victory!

Our way,
On our way,
Through valleys and shadows,
But in the new day,
Jesus is our light.
No darkness, no night.
With new hope,
Believe in Jesus Christ and know,
Eternal life will never die, no.
For God who gives me,
Believe, oh, Believe.
With the love of God that we share,
Over despair and death.
From this moment in time,
With joy we will go on forever.
For a brighter day,
On our way,
To Heaven’s glory,
Christ’s victory.
Victory!
Victory!

Victoire - Victory by ZAIN in French

Victoire by Shannon Burchett, Victory by ZAIN in French, classic

White Room (wellness) - Fleursonseaux
All rights reserved - © Copyright

White Room (wellness)

Introduction in English:

Manfred (‘Manne’) was my oldest friend. We used to play together in the sandpit. 
We were both very contrasting characters. I was ambitious for a long time and wanted to excel through special achievements. Manne, on the other hand, preached idleness and complete freedom from pressure even as a teenager.  He often laughed at me from his lotus position when I got bogged down in something. I secretly admired him for his attitude of pure being and complete freedom from purpose. 
Through him, I learnt about the benefits of slowness and pausing. And he was a sensitive companion when I came into contact with certain drugs such as cannabis, alcohol and cocaine in my early adulthood.     
Unfortunately, from his mid 20s onwards, he tipped more and more towards the destructive side of drug use. During this time, we both drifted further and further apart. The last time I saw him, he seemed like a wreck to me. I could already sense that things weren't going to be good with him for much longer. 
Nevertheless, I was shocked when I learnt of his early death at the age of just 31. 
Since then, I have visited his grave every year and see how many beautiful aspects of him live on in his son, who is my nephew. 
With this song, I would like to honour him with my own personal musical memorial.   

Lyrics in English (for those, who don`t speak German):

Manne Manne

Manne Manne, it hurts so much
Because I just don't quite understand
That you left so soon
You pissed off from one day to the next

Manne Manne, you were such a cool hero
In your anti-achievement world
Instead of storm and stress in a noble snail's pace
A bohemian with a song of lullabies

Believed in you for a long time,
In your ‘Let yourself go’ poem
Your vision of life without haste

Without any pressure and stressful scabies
Just stay lying there
Behind misty coloured windows
Against the compulsion to do!

Manne manne, you were once so beautiful
You could turn women's heads
With your deeply chilled charm
Even the proudest lay in your arms

Manne Manne, master of slowness
Of ‘I don't have to do anything, I always have time’
Of life beyond ‘Nine to Five’
Of twilight sleep in the realm of night owls

Lord of the drug world
Herring-hook-less tent
Invited us into

Strange magic worlds
Where no rules apply
Into dark shadowy spaces
Gave us a light there

Manne Manne, it hurts so much
Because I never quite understand
That you went down like that
I've missed you a few times

Manne Manne, I`ve dreamt of you sometimes
Damn, I missed it somehow
To stop your self-dissolution programme
At the last meeting it was already much too late

Manne Manne
Manne Manne
Manne Manne
 
 




Manne Manne

An avant-garde and ambient-oriented song inspired by Psalm 50, whose goal is to ask God for mercy and to prepare to be reborn to a new life. It's based on atmospheric electronic music, with classical guitar solos and a tenor choir singing in a large church.

Buy this track

Miserére

Black Room (jewelry)

Sunset, Aqueduct & Train

Death's Awake – The Jeremias Langsämmer Ensemble
A four-part classical chamber music piece, Death's Awake explores the profound journey from darkness to light, weaving elements of sorrow, contemplation, and ultimate transcendence. Each movement unfolds like a passage through the cycles of mourning and renewal, blending rich, evocative textures with hauntingly beautiful melodies.

Part I – Awakening in Dissonance
The piece begins in a state of unrest. A mournful cello cries out over a backdrop of discordant strings, evoking an eerie tension. A lo-fi, distant piano echoes in the background, its fragmented notes like fading memories. The harmonies are jagged and unresolved, shifting unpredictably, as if death itself is stirring. The movement is haunting and immersive, leading the listener into the abyss of uncertainty.

Part II – Shadows and Light
As the darkness settles, a hushed stillness takes over. The cellos, now subdued, breathe deeply in somber unison, their tones carrying a quiet yet growing warmth. The piano emerges from the mist, no longer distant but more melodic, its notes like glimmers of light breaking through the gloom. The harmonies, though restrained, begin to suggest the first traces of hope, as if dawn is approaching but not yet fully realized.

Part III – Echoes of Memory
A shift occurs as the piano takes center stage, unfolding a mellow, introspective solo. A lo-fi harp enters, its delicate plucked tones shimmering like raindrops on glass. Pizzicato strings dance around them, creating intricate movement and rhythm, as if life itself is beginning to weave back together. The interplay between instruments is intricate yet restrained, capturing a sense of quiet contemplation and acceptance.

Part IV – Ascension and Light
The final movement is a cathartic release, as the strings swell with newfound strength. The piano, no longer hesitant, soars with uplifting melodies, harmonizing with the ensemble in a triumphant yet tender resolution. Hope surges through the music as dissonance dissolves into radiant harmonies, evoking the warmth of sunrise after a long, restless night. The journey is complete—death has awakened, not as an end, but as a transformation into something luminous and eternal.

Death's Awake [Classical | Chamber Music]

It is an album that focuses on the good-evil duality and condenses it into a single sonic and metaphysical context where avant-garde sound textures reveal a strongly interconnected plot, where the enemies are, in fact, madly in love with each other.

Interlude à la Folie

Pater Noster

Visit my original project here:

RawStreetFish: https://soundcloud.com/rawstreetfish

Classique

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