 A collaboration between two musical conspirators, The Atwood Machine really like to make strange cover versions of random songs they love.

Kim Guy sings and instrumentalises while http://soundcloud.com/paulmdye programs and twiddles with his shiny gadgets. 

Come Calling (Cowboy Junkies)

A ton Étoile - Noir Désir & Yann Tiersen

Walk On The Wild Side

Ry Cooder & Manuel Galban: "Mambo Sinuendo"

The 1920s was the decade that gave birth to the Jazz Age — a time of roaring rhythms, big brass bands, and smoky speakeasies. Jazz and blues exploded across dance halls, blending syncopated beats, improvisation, and soulful vocals. Ragtime faded into swing, while crooners and torch singers set the tone for romance. It was also the golden age of gramophones and radio, spreading music faster than ever before. Whether it was hot jazz in New Orleans, the Harlem Renaissance in New York, or the glamorous orchestras of Europe, the 1920s defined a sound of freedom, rebellion, and joy.


08, Category Is - Me - 1920's

taken from Where The Pyramid Meets The Eye: A Tribute to Roky Erickson a 1990 tribute album to singer-songwriter Roky Erickson, founder of the 13th Floor Elevators and solo artist, whose career has been subject to significant periods of challenge from schizophrenia.

I Walked With a Zombie - R.E.M.

first single off the record "We are fish" (AR15)

Clara Luzia - Vocals, Guitar
Ines Perschy - Drums, Percussion
Heidi Dokalik - Cello, Backing Vocals
pauT - Bass

Written by Clara Luzia, published by ink  Musikverlag
Recorded and mixed by Philipp Staufer
Mastered by Mischa Janisch
Artwork by Sarah Haas


My birth was televised on national TV
my first tooth, first step, first word was captured on tape
I was brought up thinking there must be an audience,
a witness to make life real

'Cause whatever I feel
it means nothing
when there's nobody watching

I built my own company, I'm my own brand now
I'm not skin or bones, nor heart and soul
but hits, and clicks, and rankings, and charts
and nothing I do is done because of joy or free will

'Cause whatever I do 
it means nothing
when there's nobody watching



iTunes

Clara Luzia - No one's watching

A story within a story, Blood Rushing is a glimpse into the world of Blushing, a heteronym of the artist Josephine Foster.  A rock-ballet chanté, the music is set to a Pueblo drum's metapulsing Pan-American heartbeat.

Recorded in Colorado by Andrija Tokic (Alabama Shakes) with the collaboration of her partner Spanish guitarist Victor Herrero, and musicians Paz Lenchantin (The Entrance Band), Heather Trost (A Hawk and a Hacksaw) and Ben Trimble (Fly Golden Eagle).

Josephine Foster - Blood Rushing

Dis-moi dimanche, c’est quand que t’arrives dimanche 
Moi y faut me r’poser 
Dis-moi dimanche, c’est quand que t’arrives dimanche 
Moi y faut respirer 

J’aime ça quand l’son d’vient lent 
Pour éteindre les jours bruyants 
Pis que le ciel y arrive en pleurant 
C’est comme un film en noir et blanc 

Dis-moi dimanche, c’est quand que t’arrives dimanche 
Moi j’peux pus continuer 
Dis-moi dimanche, c’est quand que t’arrives dimanche 
Moi j’peux pus m’endurer 

Sortir d’une zone de turbulences 
Pour faire taire le cri des ambulances 
Moi dans l’fond y’a pus rien qui m’dérange 
Mais je m’emmerde, juste quand j’y pense

Walk On The Wild Side

Pink Turtle

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