Name: Any Colour You Like by The Pink Floyd Show in Tripiante
Duration: 3 min 6 s
Description: Recorded live at The Brindley Arts Centre, Runcorn - 27.04.12

Tripiante

(FULL ALBUM)-Pink Floyd – A Momentary Lapse Of Reason 1987.mp3

No introduction needed for this soul train classic by Kool and The Gang. I have been messing with it for some time now trying to make a modern DJ friendly version and thought it would be nice to share. Initially I made the sorter 'hip cut' for me to play and mashup crossing over from soul and hip hop to disco but then I realized I could not do without the magical ARP synth solo so thus the 'extended version'. It took a while to tame and make it work and now here it is. Enjoy this fine piece of music and Merry Xmas peepz !

Bandcamp

Kool & The Gang - Summer Madness (DJ Butcher Hip Cut)

A good song I made with the fabulous American engineer Jason Kick

Psicodesia - Psicodelia

Only A True Spaceman (Me), 
Can Remix The Ultimate Space Man: (David (Jones) Bowie)
Billy's "Apollo 13" 2015 Remix Of "Space Oddity"

Billy's "Apollo13" 2015 Remix Of "Space Oddity"  By David Bowie 1969


Welcome to The Not Old Better Show on radio and podcast, I’m your host, Paul Vogelzang. Today, we’re turning back the clock to the summer of 1965, a time when music wasn’t just entertainment—it was a revolution. A single song hit the airwaves on July 24th of that year and changed everything. That song, of course, is Bob Dylan’s ‘Like a Rolling Stone.’ Whether you remember hearing it for the first time or are discovering it today, there’s no denying its power and influence.
To help us dive into this groundbreaking moment in music history, we have a very special guest:Scott G. Shea (https://scottsheaauthor.com/). Scott is a leading music historian and author of the best-selling book, ‘All the Leaves Are Brown: How the Mamas Came Together and Broke Apart.’ (https://scottsheaauthor.com/)He’s here to share his insights on how ‘Like a Rolling Stone’ shattered conventions, pushed boundaries, and paved the way for the folk-rock movement in America. We’ll explore how this six-minute masterpiece managed to captivate a nation and why its impact still resonates nearly 60 years later.
Scott brings a wealth of knowledge not only as an author but also as a longtime radio producer, currently working onSiriusXM’s ‘Seize the Day’ with Gus Lloyd (https://tantor.com/author/scott-g-shea.html). His expertise will give us a unique perspective on why ‘Like a Rolling Stone’ was more than just a song—it was a cultural moment. So, sit back, relax, and let’s take a trip down memory lane to the time when Bob Dylan turned the music world on its head.”
My thanks to Scott Shea (https://scottsheaauthor.com/) for all his work and expertise.  You’ll find out more about Scott on our website via the links, but I love to talk to Scott because he’s a preserver and lover of vintage music from the 1940s through the 1990s.  Scott will join us again soon.  My thanks to the Smithsonian team for all they do to support the show.  My thanks to you, our wonderful audience here on radio and podcast.  My thanks to Executive Producer, Sam Heninger (https://www.linkedin.com/in/sam-heninger-mba/).  Miranda Heninger our team admin we thank profusely for helping us stay on task! Please be well, be safe, and Let’s Talk About Better™. The Not Old Better Show, Smithsonian Associates Interview series (https://smithsonianassociates.org/ticketing/tickets/social-networks-animal-societies) on radio and podcast, thanks everybody and we’ll see you next week.



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How Bob Dylan’s ‘Like a Rolling Stone’ Revolutionized Music and Changed Culture Forever

Written, performed, produced, recorded, and mixed by Lance Huff at Big Nothing Recording in Portland, Oregon.

Drum loop performed by Austin Vaughn

Mastered by Micah Erenberg

Special thanks to School Of Song and Sam Evian

Caught Up In The Spin

Loving

Forgot Again

Recorded at N4N Santa Barbara.

Our first Notes For Notes Music Fest brought together the Santa Barbara West and East Boys & Girls Clubs for an evening of music to close out spring 2025 and welcome summer. This live album highlights the talent and creativity of our youth through a mix of covers, jams, and original songs, supported by staff, volunteers, and media partners.

Staff:
SB West: Producer Bret (drums), Intern Thierra (drums), Volunteer Zach (keyboard)
SB East: Producer Angel (guitar)

Youth:
SB West: Isaiah (vocals), Ruben (vocals), Athziri (vocals), Esmeralda (vocals), Ivanna (vocals), Delilah (vocals), Matthew (guitar), Dayton (guitar), Joshua (bass)
SB East: Kameron (bass), Olivia (drums), Elsie (vocals & guitar)

Media:
Joey (Island Fox Media, video), Sami (Sami Skye Photos, photography), Cousteau (CBC Productions, assisted with photo & video)

Tracklist:
 01. Intro – Bret
 02. Die With a Smile (Bruno Mars & Lady Gaga) – Isaiah, Ruben, Thierra, Zach, Bret
 03. Amor (Emmanuel Cortes) – Athziri, Esmeralda, Ivanna, Zach, Bret
 04. Good Luck Babe (Chappel Roan) – Delilah, Matthew, Zach, Bret
 05. Sugar, We're Goin Down (Fall Out Boy) – Delilah, Matthew, Zach, Bret
 06. Helena (My Chemical Romance) – Delilah, Matthew, Zach, Bret
 07. Bohemian Rhapsody – Matthew, Zach, Bret
 08. Master of Puppets (Metallica) – Dayton
 09. 5-HTP (Intervals) – Joshua
 10. Vantablack (Intervals) – Joshua
 11. D.O.S.E. (Intervals) – Joshua
 12. Jam 1 – Kameron, Olivia, Angel
 13. Jam 2 – Kameron, Olivia, Angel
 14. Jam 3 – Kameron, Olivia, Angel
 15. Original 1 – Elsie
 16. Original 2 – Elsie
 17. Original 3 – Elsie
 18. Outro – Bret

Album Credits:
Thierra – live sound & tracking, editing
Bret – live sound & tracking, mixing

Bohemian Rhapsody - Matthew

This song is one of the most emblematic songs of the British band Pink Floyd , besides being one of the subjects axes of the album "The dark side of the moon"...
Produced by Dougstoff18
Art by Dougstoff18
Voices and Guitars: Douglas Córdova
Bass, Drum and keyboard they are a backing track for guitar.
----------------------------------------Stereo Sound----------------------------------------

Breathe In The Air [Pink Floyd] "Headphones"

Recorded live at The Brindley Arts Centre, Runcorn - 27.04.12

Any Colour You Like

Recorded live at Theatre on the Steps 25.02.12

Shine On You Crazy Diamond (Parts 1-5)

Shine On You Crazy Diamond (Parts 6-9)

Thanks you For Your Support!
Part 1 
Edit Unofficial work for Fans
Pink Floyd - Shine On You Crazy Diamond (Findike Edit)
Mastered 

Model Artist Support
Via Picture By Adel Posohova
https://www.instagram.com/adelqaqadel/

Artist Support
https://www.facebook.com/findikeofficial/
https://www.instagram.com/findike.official/

Pink Floyd Shine On You Crazy Diamond (Findike Edit) Part 1 Master

Pink Floyd - Poles Apart [Bootlegging the Bootleggers Remastered]
From Bonuses Track of P•U•L•S•E Double Cd Edition

Pink Floyd - Poles Apart [Bootlegging the Bootleggers Remastered]

uploaded from 8-Track tape recorded in 1973

"Us And Them" - Pink Floyd  (8-track tape)

Vocals, Synths: Allison Deleo
Vocals, Guitar: Francis Hooper
Additional Vocals: Lindsay Sjoberg
Drums: Kai Basanta
Saxophone: Mark Sutherland
Bass: Gaelan McMillan
Recorded, mixed and mastered at the Juniper Room by Francis Hooper

Milano Sport

The band was formed in the summer of 2005 by guitarists Andy Baker and Chris Clowsley as a result of their desire to not only play but perform the music of Pink Floyd with the same sense of adventure and experimentalism that made the band so unique in the Sixties and Seventies. From the outset their concept has been to capture both the spirit and the tonality of the music without being afraid to add to or adapt the originals to provide that genuine 'live' feel.

Andy and Chris have over sixty years of playing experience between them and grew up to the sounds of Gilmour bending guitar notes to perfection and spending hours working out just how you get 'that' sound.

They are joined by Jim Cooper, a fantastic young musician who can find his way around the five-string and fretless bass with the same sense of space and timing as Waters, Andy Dyehouse who has the ability to nail the right keyboard sound and also blows a mean sax on tracks like 'Money', 'Us and Them' and 'Shine On You Crazy Diamond', his son Sam Dyehouse, duelling basses with Jim for 'One of These Days' also lends a hand on the keys while Andy takes to the sax, and the powerhouse that is Stevie G featuring on percussion. Steve has been on the rock circuit for longer than he cares to admit to but is relishing the new challenge that Mason's unique and quirky drum style is presenting. He has also invested in what he calls some 'Girlie sticks' for the gentler tracks.

Darkside utilise a vast array of lighting, laser and pyrotechnic effects that form the basis of their stage show. A performance inspired by the shows that made Pink Floyd famous from their debut in the late 1960s, throughout the Seventies and into the 1980s with the blockbusting tours of 'The Wall'. Light projections and moving images complement the band's act and are provided by a dedicated team of sound and lighting engineers that accompany the group, their behind-the-scenes role being an essential part of each gig.

Catering the set list of each night's show to each individual venue or theatre, Darkside cover the Floyd's immense back catalogue of records almost to its entirety. Playing tracks from what is affectionately referred to as the 'Barrett Era' with hits like 'Arnold Layne' and 'See Emily Play' all the way to the later Roger Waters driven albums of 'Animals' and 'The Wall'. 

Any Colour You Like

The Pink Floyd Show

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