Exorcising The Institution is the first part of the triptique, and uses a caption of a performance - I hold a note, while cycling along a canal, going to the residency with plants.  It turns a vocal challenge into a dark ritualistic dialogue.

The triptique is part of a multi-sensorial installation (the Witnesses), focusing on  the different temporalities of a landscape. The plants are important witnesses of these very site - specific ecologies. We can contemplate, foreage, preserve or eat these plants : ingest and reactivate the memories, and the propreties that the land gave to the plant (for the better or the worse).

Exorcising The Institution

Happy End is the third part of the triptique, and uses a remix of Katy Perry and a caption of a performance - I hold a note, while cycling along a canal, going to the residency with plants. 

Happy End is the last of the 3 audio pieces I did in Treviso, during my residency in Fabirca, and is also a festive wink to the overall residency experience. 
The triptique is part of a multi-sensorial installation (the Witnesses), focusing on  the different temporalities of a landscape. The plants are important witnesses of these very site - specific ecologies. We can contemplate, foreage, preserve or eat these plants : ingest and reactivate the memories, and the propreties that the land gave to the plant (for the better or the worse).

Happy End

A canal is one of the 3 audio pieces I did in Treviso, during my residency in Fabirca. The triptique is part of a multi-sensorial installation (the Witnesses), focusing on  the different temporalities of a landscape. The plants are important witnesses of these very site - specific ecologies. We can contemplate, foreage, preserve or eat these plants : ingest and reactivate the memories, and the propreties that the land gave to the plant (for the better or the worse)

Piotr Mikhaylov

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