Classical Guitarists of Reddit

Nikolai Rimsky-Korsakov: Scheherazade, Op. 35

Scheherazade, Op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks upon a Cliff Surmounted by a Bronze Horseman

Saint-Saëns Violin Concerto No.3 - 1st Movement

One of my contest songs for 2015s "Jugend Musiziert". 
Enjoy! :)

Johann Sebastian Bach - BWV 1006a: Suite in E (Cover)

"Damn," by John Mackey, for clarinet and percussion ensemble.  View the score here:
http://ostimusic.com/Damn-media.php

Garrick Zoeter, clarinet
Damien Bassman, John Kilkenny, James Swarts, and Sean Dolan, percussion

John Mackey: "Damn" for clarinet & percussion ensemble

"OPERA TUTELATA DA PLAGIO" SU patamu.com CON NUMERO DEPOSITO 39128.
FUOCO SOTTO LA CENERE
Stupendo tango argentino, un'opera favolosa del maestro Guerrino Lessio (testo e musica)composta nell'anno 1955 e rivista dal figlio Bruno ed  arrangiata con la collaborazione del bravo  musicista Siro Zilio ,che ringrazio.Qui di seguito il testo:
                                   TESTO
IERI HO VISTO PIANGERE
I TUOI OCCHI DI CENERE,
MA NON SO DIR COS'E'.
IL PERCHE' DEL TUO SOFFRIR;
BRACE SOTTO LA CENERE,
DENTRO IL TUO CUORE CHE LANGUIDA,
MA TU PIANGI PER ME
E MI DISPIACE TANTO. 
ritornello
PENSO AD UNA FANCIULLA BRUNA
SOTTO A UN CIELO SEREN
CHE TI STRINGA AL AL SUO SEN,
ALLO SPLENDOR DI LUNA;
E DICE IN QUELLA NOTTE INNARGENTATA
PAROLE APPASSIONATE
D'INNAMORATA CHE BRUCIA IN ME.
IERI T'HO VISTO LACRIMARE,
NON HO PIU' PACE IN CUORE
SE NON VUOI DIRMI
CHI SARA' IL TUO AMORE;
SU...DIMMI,SE MI VUOI BENE,
IL MIO CUORE CON ANSIA INFINITA
NON CERCA CHE TE.
Finalino
SU .....DIMMI,SE MI VUOI BENE,
IL MIO CUORE CON ANSIA INFINITA
NON CERCA CHE TE.
                                       FINE












FUOCO SOTTO LA CENERE  tango argentino di Guerrino Lessio (supervisor B.Lessio) COPYRIGHT

Bach: Complete Lute Suites

Guitar Suite in E Major, BWV 1006a: II. Loure

Guitar Suite in E Major, BWV 1006a: VI. Gigue

Schubert: The Complete Piano Sonatas Played on Period Instruments

Sonata No. 5 in A-Flat Major, D. 557: I. Allegro moderato

The Russian Souvenir

Sabre Danse

Album release: March 2017

William Carter’s exemplary musicianship is showcased to its fullest on this new recording of Bach’s own transcriptions for the lute.  Almost unplayable in parts many musicians take certain liberties with the music so that it flows more naturally, but Carter’s determined approach to authenticity sees the lutenist achieve the near impossible: playing the music as it was originally written. Carter very subtly enhances BWV 1001, originally for unaccompanied violin, in keeping with Bach’s own perceived style, namely to only add ‘as much harmony as he found necessary’. Bach’s own mild refashioning of BWV 1006, originally a Partita for solo violin, allows Carter to highlight the relaxed and intimate nature of the music. The final piece undergoes the most extensive reimagining as Bach expertly transforms the Fifth Cello Suite into a ‘new’ lute work; so successful is it that Carter considers it to be, in terms of understanding the essential nature and expressive qualities of the lute, ‘the most perfect piece of lute music in existence’.

Bach Reimagines Bach

BACH // Suite in E Major, BWV 1006a: I. Prelude

Johann Kaspar Mertz - Elegy

Cantata 147 di J. S. Bach per organo e tromba

Vivaldi - From Opera "La Fida Ninfa" (Verona 1732)

Alma Opressa

Chicago Symphony Orchestra
Pablo Heras-Casado, conductor
Simon Trpčeski, piano

Rachmaninov: Piano Concerto No. 3 in D Major, Op. 30 (February 2019)

Wolfgang Amadeus Mozart Oboe Quartet in F major, K. 370 III. Rondeau, Allegro

Classical guitarist, classical music ambassador-
I play themed programs and I am chairwoman of the Archiv Frau und Musik!

Johann Kaspar Mertz - Elegy

Piotr Pakhomkin, Classical Guitar

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