Name: Common Sense by Burnout Barbie TW
Duration: 1 min 31 s
Description: A preview since I don’t have a full recording yet

Rub And Tug Dub

A preview since I don’t have a full recording yet

Common Sense

Song from the rock opera Five Thousand Sasquatch

North American Rocketball

Industrial drums with noisy ambient and sax solo

1 - C

Horse like me

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
  Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning. 
  The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
  Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
  This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid at the back of your mind

how could I have been so blind?

 

It was so long ago now it’s just you and me 

it seems I've forgotten the way you like your tea

the house becomes quiet as the guests head for home 

the garden’s been gathered and the kids are all grown 

on their own


“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play” 

our leaders assured us we’d never go poor

and nobody questions the truth anymore 

but what did we do it all for?

 

Our science sustains us like fine works of art

but are we closer together or farther apart?

we’re each on an island alone on the sea

the ocean between us expands rapidly

is this where we wanted to be?

 

It was so long ago now it’s just you and me 

it seems we’ve forgotten the way it used to be

machines tried to help us but something went wrong

the future we wanted was here all along

 

The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid…

Faded Fortunes (Eclectic Collective)

Just having a bit of nostalgic fun for a song I wrote, during the Pandemic…The complete version is on my featured banner! I think I’ve @ finally reached that age.. where this can be a truism .. both in intended positive.. or unfortunate negative… inspired by MisterMark and his posts of isolated parts… hope you enjoy!🙌🕺🏼🙏

It’s All Downhill From Here-Isolated Vocals and Bass Guitar

Echotypy - "Bleach Spiral"

And now for something completely different...I had a lot of fun working on this track with the very talented JIM WEBCAMPRO https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Please note, ai may have been used for some elements of the music track.

With A Doctor's Note

Those kind men from across the sea
Really care about your family
Sent their bombs to you and me
To blow our town to smithereens

Tech bros to billionaires
Convincing us that they really care
While we’re all living on a partial share
No worries, they’ve got cash to spare

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

That nice king from over there
Let’s us know that life ain’t fair
Never to rise above our station
‘Cause we weren’t born in favoured nation

Another bully says might ain’t right
While devising new ways to smite
Media sayin’ all the wrong things
The feckless queue to kiss the ring
Media sayin’ all the wrong things
If there’s a God, he’s got justice to bring

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

Music & Production: Jim Webcampro https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Lyrics and Vocals:  Todd J McLean
Cover Art: Doctor Pepper (Mixed Media)

With A Doctor's Note

You just stand there (Piano Version) is the reduced, intimate version of my epic track DestKorn – You just stand there, released on Saturday, November 1, 2025.
In fact, the piano version came first, and from it the vocal version evolved - Link: https://soundcloud.com/destkorn/you-just-stand-there
No orchestra, no vocals – just one piano.

Performed on the legendary NOIRE piano (Native Instruments, VST), a custom grand recorded in Hall 3 at Funkhaus Berlin. The sound moves between “Pure” (clear, present) and “Felt” (soft, muted, almost like a whisper), so every note sits right in front of you.

The mood is vulnerable, reflective, but not without hope. The piano quietly says: “You just stand there,” and the melody drifts through sadness, closeness, fragility, and small traces of light. A lot of space, a lot of air, no distraction.

Musical style: minimalist solo piano with a cinematic feel. No beats, no layering – just keys, played slowly on purpose so every tone can breathe.

What is this track for?
For late hours. For thinking. For that moment where you don’t want words, only feeling.

🎧 Piano: NOIRE (Pure / Felt)
🎹 Tempo: 60 BPM
🎵 Genre: Cinematic / Emotional Piano

Deutsch / German
You just stand there (Piano Version) ist die reduzierte, intime Ausgabe meines  Tracks – You just stand there vom Samstag, 1. November 2025.
Eigentlich ist die Piano-Version zuerst entstanden / daraus entwickelte sich dann die Version mit Gesang - Link: https://soundcloud.com/destkorn/you-just-stand-there
Kein Orchester, kein Gesang – nur ein einzelnes Klavier.

Gespielt auf dem legendären NOIRE Piano (Native Instruments), einem speziell präparierten Konzertflügel aus Saal 3 des Berliner Funkhauses. Dieser Klang wechselt zwischen „Pure“ (klar, präsent) und „Felt“ (weich, gedämpft, fast flüsternd) und bringt jede Nuance direkt an die Oberfläche.

Die Stimmung ist verletzlich, nachdenklich, aber nicht hoffnungslos. Das Piano spricht leise: „Du stehst einfach da“ – und trotzdem wandert die Melodie durch Traurigkeit, Nähe, Zerbrechlichkeit und kleine Lichtpunkte. Viel Raum, viel Luft, keine Ablenkung.

Musikalischer Stil: minimalistisches Solo-Piano mit filmischem Charakter. Keine Beats, keine Layer, nur Tasten – bewusst langsam gespielt, damit jede Note wirken kann.

Wofür ist der Track gedacht?
Für ruhige Momente. Nachts allein. Zum Durchatmen. Für Szenen im Kopf, die eigentlich kein Wort vertragen. Genau dafür existiert diese Version.

💿 Credits
Music, lyrics, arrangement, mix & master: DestKorn (Matthias K.)
Vocal rendering: 
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.
SenneRecord2025

you just stand there (Piano Version)

cruelty of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime

they found him in his underwear and one black sock 
the coroner said the time of death was two o'clock
 his neck was bent and showed the signs
of multiple contusions 
his face was bruised and staring eyes
showed signs of his confusion
 oh can this really be, happening to me 
cruelty of fate, the irony of time

cruelties of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime 
one inch to the left or right or just one minute late 
and he'd have walked off down the street
and missed his first blind date 
or maybe you and he could never really see 
the cruelty of fate, the irony of time

victims never know their fate
they really don't suspect it 
but when they do it's much too late 
to know is to expect it 
what's that sound, do i hear someone 
laughing quite insanely 
no one gets out of here alive
your fate can be seen plainly
oh cruelty of fate, the irony of time .
....... 
written & produced by kid otari 
drums by greek god Yannis Alfiers 
keyboards by guillaume, guitars by naldo
 vocals by blind lemon pledge and lizzy
cover photo: Gun by William Klein 1955 NYC

......

Cruelty ozn-5shrtn

Cruelty of Fate

USA -> France 
Post Americana folk punk
I write songs for the revolution

Common Sense

Burnout Barbie TW

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