Tysm!! This mix is incredible!!! 🥺💕🧚🏻‍♀️

Oooof 🥵🥵🥵🥵🥵🥵🥵🥵🥵

@sharlese

For extended Q&A please visit our website ~~~~~> pipipi.life <~~~~~~~~

Introduce yourself? Pronouns? Where do you currently reside? 1 fun fact about yourself?

Hello, I’m Sharlese Jul-anetia Metcalf, she/her pronouns. My DJ name is Sharlese and on IG it’s Sh6rl6s6. One fun fact about me is I like to write fan mail. I’ve made many friends this way. I like to tell people that I like their music or their mixes so they feel appreciated. 

Who/what currently inspires you music-wise that has nothing to do with music?

Riding the bus. I ride the bus to and from work, mostly and sometimes I don’t listen to anything, but the natural noises from the bus. Sometimes it gets real wild with situations and other times, it’s just regular busy bus noises. 

Favorite sound in nature? Describe how it makes you feel. 

I love the sound of the wind. Sometimes she starts screaming and I feel like she’s telling me to stop overthinking. I find some comfort in hearing the wind, she’s moving things around and adding some texture to the world. 

What was your best moment on the dance floor?

Watching Pablo Bozzi at the XXX-Floor at Berghain and crying for his entire set. Questioning my life, my contribution as a DJ and my overall purpose and absolutely dying over his set. I kept dancing and I wore sunglasses and kept getting compliments on them. Some people noticed that I was crying and asked me if I was ok, others offered me drinks and the rest complimented me on my sunglasses. This entire situation might sound awkward, but crying felt good and thinking about my life felt necessary and seeing Pablo was essential because I love him. I was alone and I wouldn’t have had it any other way. I learned so much that day, about myself and a bit of the club world and I’ll never forget it. I’m still processing and also finding it a bit funny that I was so dramatic. 

Longest you've stayed up and why?

Three days because I was at Movement in Detroit and I didn’t want to miss one thing so I went for it and it was all worth it.  

What is your most recent favorite DJ mix and why?

Lobster Theremin Podcast 212 // DJ HEARTSTRING - https://soundcloud.com/lobster-theremin/lt-podcast-212-dj-heartstring

Pure, fucking, ravepop, happiness! 

Dream DJ gig?

XXX-Floor at Berghain or Dekmantel :) 

What was your first gig? How did it go? 

My first gig was at a space called Electric Tea Garden in Seattle. I played witch house, minimal synth and cold wave. They were a bunch of tracks I found on a blog site at the lowest of the low quality. I was trying to mix it, but I had no idea what I was doing. Someone actually came up to me and asked if I was a new DJ and I felt so embarrassed. Overall I give myself an A+ for cool tracks and knowledge, D- for the quality of the tracks and C- for not knowing how to handle the situation and an E+ for feeling embarrassed. 

Any advice to upcoming DJs?

Do it because you love it and you don’t have to say yes to everything and you don’t have to be at every after-party to get a gig. 

What would you like to see in the future for the dance community?

More headlining slots featuring black and trans women and the termination of hierarchical name positioning on event flyers.

Sharlese - 333˚

Imagine a world where you are lost in sound. A liminal space where you get fucked by the speaker or the speaker fucks you…

Experience purefastmoods Volume One featuring @fleet412: the perfect soundtrack for our way of life.

Direct from Pittsburgh, this “masterclass,” “clinic,” “best of the night,” literal name-chanting-at-the-end-of-the-set recording has won the hearts of partygoers everywhere. Set adrift with a timeless sonic journey of unknown proportions.

No other collection gives you the feeling of purefastmoods.

purefastmoods Volume One was mastered by Enya impersonator @otodojo

Sail away with purefastmoods: https://purefastmoods.com/get-on-the-list

purefastmoods Volume One: Paul Fleetwood

Week's end with pi pi pi curator and The Lot resident deep creep.

deep creep @ Kiosk Radio 04.05.2025

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

Kiosk and The Lot Radio proudly team up for a three-day broadcast from the Moon Ra stage at Horst Festival, highlighting the vibrant music scenes of New York and Brussels at one of Europe’s renowned festivals.

https://www.instagram.com/secondcousin_

www.kioskradio.com
www.thelotradio.com
www.horstartsandmusic.com

Cousin | Kiosk Radio x The Lot Radio at Horst Festival 2025

"Summer of Solstice 3055: 

I’d just returned from a long stint working the orbital docks, preparing to settle back into the life cycle routine that was Valkor Zenith. The last thing I expected was to reconnect with three old friends from my days at the Echo House orphanage. Sora had slipped back from exile on Neoterra Prime. Rion had fled the undercity of Crysalis after a grav-bike race gone bad. And Omrin, who I hadn’t seen or heard of in more than a decade, had shown up out of nowhere as if no time had passed with a stolen data map and a proposition: we’d go find the Dream Beacon.

We’d grown up with the story. A myth, really. Some ancient alien relic buried deep in the sand sea, spoken of in hushed tones in level D bars and back-alley data centres. The promise was simple, if you could reactivate its signal with your own transmission, you’d be granted your most longed-for dreams and unimaginable wealth. No one had ever found it.

I’m still not entirely sure what made us set off and follow Omrin so blindly that summer. Maybe it was grief, maybe hope. Or just that need to move, to do anything but sit still. Each of us were adrift in our own orbit of longing and loss, and somehow, we collided again, drawn together like shards of a broken constellation.

We had left the neon haze of Valkor Zenith behind at sunset, riding the wide stretches of plasma rail to the outer edges as the city lights faded behind us. Nights were lit by twin moons and we passed the time listening to old mixes we’d recorded in our youth, our playlists humming through our comms as we hurtled across other-worldly landscapes at 200mph. In the two months that followed, we would laugh in the ruins of the Oblivion Cradle, party with rogue miners in bioluminescent fungi caverns, feel the cold rush of air as our bikes skimmed the ridges of the Halcyon Scar, be chased by Karn bike gangs through synth-storms, and save a lone settler named Joyce trapped in a dust pocket whilst traversing the Ash Spires. 

As we hurtled towards the promise of the Dream Beacon, I often wondered, was the beacon even real? And if it was, what would I even upload as my transmission? Maybe one of those old mixes we used to make. I’m sure all these questions flickered across all our minds, unspoken. But that summer, deep down, none of it really mattered. I would’ve followed those three anywhere..."

@riccardovillella
@truants
IG: @villella303
truantsblog.com

Distant Signals 077: Villella

Under the Priori (@priori-ties) moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno — as a producer, DJ, and live artist. Across a sprawling discography that includes four full-length albums, several EPs, and a host of collaborative projects, he has crafted a sound that is richly textured and genre-defying.

Priori’s work spans the full spectrum of techno, from introspective and meditative passages to driving, dancefloor-oriented momentum. His productions blend elements of ambient, dub, IDM, and tech house, navigating fluidly between nature and technology with a signature sense of unresolved tension. Fractal-like rhythms, crystalline textures, and meticulous sound design define his sonic world — intricate, vibrant, and emotionally resonant.

Beyond his solo output, Priori is also an accomplished mixing engineer, having collaborated with artists such as james K, Bambii, Maara, Ex-Terrestrial, Roza Terenzi, and D.Tiffany. As a co-founder of both NAFF and Jump Source Studio, his influence continues to shape the contours of underground electronic music across Canada and Europe.

PURE Guest.087 Priori

https://www.instagram.com/kiasvs
https://www.soundcloud.com/kia-sydney



Kia @ The Lot Radio 07-20-2025

@matas0 8 - 10AM Earth Dog March 01 2025 

ED050: Matas @ Earth Dog March 01 2025

Klan Culture

Islands in the Sky

mix series and label by @deep_creep

Q&A's on ----> pipipi.life <------

label ~ https://pi-pi-pi.bandcamp.com

say it with me...
pi pi pi = (pie pie pie)

Sharlese - 333˚

pi pi pi

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