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fateful kolín encounter

Electronic innovator Max Cooper steps up to Atomnation with one of his standout remixes.

https://atomnationrec.lnk.to/EveMaxCooperRemix

Cooper is someone who combines his academic background and science PhD with high concept electronic music-making. He has worked with machine learning specialists, often uses video to enhance his music and is someone who brings personal emotion as well as technical skill to his work. It comes on his own Mesh label as well as Fields and most recently in the form of his acclaimed Unspoken Words album back in March.

His take on Awe Kid's 'Eve' is built on breakbeats that float through space. Plunging bass dives down deep as the celestial ambient pads float up top. There is tension in that duality that tugs at you both emotionally and physically as well-crafted synth patterns unfold in their midst.

This is a heady, pensive track that is perfectly suited to those late-night moments on the dance floor and compliments Awe Kid's lush debut LP 'Body Logic' that was released in April this year.

Awe Kid - Eve (Max Cooper Remix)

🌌｡ 🎀 𝓈𝒽𝒾𝓉𝒻𝒾𝑒𝓁𝒹 𝒿𝒶𝓏𝓏 𝒸𝓁𝓊𝒷 𝓂𝓊𝓈𝒾𝒸 𝒷𝓇𝓊𝓉𝒶𝓁 𝓂𝓊𝓇𝒹𝑒𝓇 🎀 ｡🌌

Athens Pain Mix

The Sea's Only Gifts Are Harsh Blows

This was too much fun to write and record. Playing anything Nintendo related seems to bring some interesting ideas out of me.

Pixel Heart

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

Pre-order

Heinali - Rainbow Folding

Iketa came to my attention last year, and the more I delved into his work, the more amazing music I discovered. So when the chance came along to remix something, I chose his track Burn, which I love, and tried to put my own interpretation on it. The original was already so close to perfection melodically, that I found I couldn't do a lot to improve it. So instead I focused on trying to enhance what was already there, using contrasting sections of soundscapes and detailed sparse beats, and adding builds of saturation to exaggerate each melodic element. I found it was a really nice remix to work on, I hope you like it!

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