Name: Pitch Black - Lost in Translation (International Observer meets Horace remix)(preview) by Pitch Black (NZ)
Duration: 2 min 30 s
Description: Taken from "Frequencies Fall", a collection of remixes of tracks from "Ape to Angel"

Xica Xica

Xica Xica (Live Edit) [feat. Barrio Lindo & Uji]

“Verte” is the first single from the upcoming collaboration EP between French producer Yeahman and Argentinian vocalist Aluminé Guerrero. The song was born during the confinement of the pandemic in 2020, inspired by the desire to be close to our friends, whether just down the block or around the world. Musically, the syncopated drums cross in with analog synthesizer loops that invite the listener into a sweet and melodic trance. A beautiful taste of what’s to come from this collab.

Pre - Order EP Here

Aluminé Guerrero & Yeahman - Verte

Go Buy Luzmila Carpio Meets ZZK:
➜ http://zzkrecords.com/luzmilaremixed
➜ http://zzkrecords.com/album/Luzmila_Carpio_Meets_ZZK 
➜ Bandcamp: https://zzkrecords.bandcamp.com/album/luzmila-carpio-meets-zzk
➜ iTunes: hyperurl.co/m6pjum

Watch on YouTube:
➜https://www.youtube.com/watch?v=4puoVGx62n4&list=PL97ISVilOoYAtLanUD-vdjDgI82UvDUm3

“…And all of a sudden, as the sun set on a Sunday, I felt the song of a bird, an extraordinary beautiful song.  You can believe me or not.  And it said to me:  Look, listen to Luzmila singing to the mothers, her songs of Bolivia…  We’re all irreplaceable, we’re unique, even though we are alone; the song protects us, it comes from wherever it comes and it rests in the soul, like this time with Luzmila…”  - Mercedes Sosa

Luzmila Carpio Meets ZZK		

Timeless songs meet digital vanguard in a cosmic explosion of LatAm beauty.
At the crossroads of the traditional and the modern, the folkloric and the futuristic, herein lies ZZK Records.
ZZK is incredibly honored and excited to announce the release of the Luzmila Carpio meets ZZK EP. Honored because we’ve had the opportunity to work with the most famous indigenous singer on the South American continent. Excited because the collaboration turned out really beautiful.  
Born in Qala-Qala, Potosi, Bolivia, Luzmila has been singing since the mid 1960’s of her homeland, of the Pachamama, of nature and her people in Quechua, a language thought to be more than 2,000 years old. The power of her stories transcends the boundaries of language; even without understanding the words, the listener can feel its beauty. Sit back and take a trip with Luzmila, remixed by some of the most innovative and creative producers experimenting with the new Latin music genre today.

"... The voice of Luzmila Carpio awakens the supernatural world of the Andes mountains...she is the heiress of an ancestral art…"  - Le Nouveau Quotidien, Switzerland

Almost Musique and Squirrel Thing Recordings are pleased to announce the international release of Luzmila Carpio's "Yuyay Jap'Ina Tapes," the source material behind this ZZK remix EP. 17 original Quechua songs by this singular voice from Bolivia.  Available worldwide on CD and double LP later this year.  It’s available now on digital and CD on Almost Musique. 





Ch'uwa yaku kawsaypuni (Nicola Cruz Remix)

bippers joint (afro boombap remix)

A Tribe Called Red - Look At This @a-tribe-called-red
Grupo Raizes - Desentoado (psilosamples Remix) @psilosamples
Jin Yerei - Peruvian Lost Lights @jinyerei

Todos los tracks fueron descargados de forma gratuita
Créditos: www.cassetteblog.com, @fertildiscos, @psilosamples
Foto: Origami Deco

https://theartistunion.com/tracks/ccce2f

A Tribe Called Red meets Jin Yerei & psilosamples (Barda mashup)

Adiós Morena is the first single off of Afro-Pacific super group, Rio Mira's forthcoming album, Marimba del Pacifico. Composed by Esteban Copete, the single also features remixes by Nicola Cruz, Kaleema & Chancha Via Circuito, Midnight Ravers and M. RUX. 

In 2015, UNESCO added the marimba to its Representative List of the Intangible Cultural Heritage of Humanity, observing that "Marimba music and traditional chants and dances are musical expressions integral to the family and community fabric of people of African descent in the Colombian South Pacific region and Esmeraldas Province of Ecuador." 

In celebration of this cultural heritage, and with a main goal of creating an intergenerational meeting between the sounds of Afro music from the Pacific, Rio Mira was founded. The project has a fundamental mission of revitalizing and strengthening bonds between the members of the Afro community from each side of the Colombia-Ecuador border. 

Rio Mira is co-produced by Ivis Flies (Co-Director and Creator of the musical and social heritage recovery Project "De Taitas y Mamas", nominated for a Latin Grammy in 2013. "Smile Ambassador" in 2010) and Ivan Benavides (Producer of Carlos Vives, Sidestepper, Chocquibtown, Grammy Winner Gaiteros de San Jacinto) and features a number of well known Cali and Esmeraldeña artists including Esteban Copete and Karla Kanora. Rio Mira's first album, Rio Mira - Marimba del Pacifico, will be released in 2017 on AYA Records.

Adios Morena

Rio Mira - Adios Morena (M.RUX Remix)

Fascination

This is an unofficial edit of 'Let Me Go' by Branko with the great vocals of Nonku Phiri.
You can download it for free by liking and sharing this song via Artist Union. 

All respect goes out to all the artists who worked on this beautiful track.

Kraut bootleg 

Free Download

Branko - Let me go (Kraut Edit) – Free Download

“A profound journey through rhythm and musical anthropology. On top of that: it’s danceable!” 
- Billboard Argentina

Uji’s years of traveling as an ethnomusicological globetrotter and documentarian are the deep roots that give form to his music. There is a story underlying every beat, echoing the unique cultural expressions encountered through his personal experiences.  

La Descarriá is a manifesto about freedom, specifically relating to the struggles of women and how they are often judged unfairly by society. The original track was written by Argentine vocalist Corina Lawrence, produced by Uji, and also features the provocative Buenos Aires rapper Miss Bolivia. Uji decided to put another spin on the original production for his solo album, giving the song a newfound dance floor groove. In La Descarriá, Uji paints an audio landscape that takes you to the high plains of Bolivia, pairing it  with a Tarantino style guitar riff and then brings you to a banging 808 inspired club beat.

In order to create the music video, Uji used archival footage that he filmed over the years while immersed in South America researching its rich musical and cultural heritage. In the “La Descarriá” video we find images from traditional festivities and rituals in which music plays an important role and shows Latin America’s deep rooted syncretism and amalgamation of influences. Images in the video shift from scenes from La Quebrada de Humahuaca’s Andean carnival in the north of Argentina to Montevideo’s Afro-Uruguayan Candombe llamadas, from the Pim Pim dances from the Wichi people on Argentina’s border with Bolivia; to the Afro-Peruvian festivities in Chincha, among others. 

“Having immersed myself so deeply into the heart of Latin America has been a life-changing experience. What I saw and heard during those intense journeys is now embedded in all the music I create. There is a real struggle for cultural diversity to survive and since these travels I’ve made it my personal mission to try and show the world how rich this continent and its people really are.”

Corina Lawrence - La Descarria feat. Miss Bolivia (Uji Remix)

Chancha Vía Circuito vuelve a la escena para presentar su nuevo single llamado "Ilaló", un track que mezcla el misticismo folklórico que lo caracteriza con sonidos electrónicos, logrando una fusión única entre ambos mundos. Las vocales de Mateo Kingman llevan esta canción a lo más alto y adelantan lo que será Bienaventuranza, nuevo álbum del artista.

Bienaventuranza

Chancha Vía Circuito - Ilaló (feat. Mateo Kingman)

Taken from "Frequencies Fall", a collection of remixes of tracks from "Ape to Angel"

Pitch Black - Lost in Translation (International Observer meets Horace remix)(preview)

Pitch Black are Michael Hodgson and Paddy Free. Having pumped their way through New Zealand’s electronic music scene since their inaugural performance at the annual Gathering New Year's eve festival in 1996, they have spent the subsequent years rousing dance floor punters, generating rave reviews, winning awards and gaining thousands of fans across the world. 

Hard to box into a single audio 'genre', Pitch Black is a combination of musical journeys. Their sound is distinctive; ranging from organic ambient beginnings and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds their sound together. One critic has described them as like "Orbital meets King Tubby, or Rhythm and Sound in Technicolor". 

It is their live show that really makes Pitch Black stand out from the rest of the crowd, both sonically and visually. Their tracks take on an added dynamism and their performances reveal the dialectic behind the band - Paddy wants to do it for the crowd, Michael wants to do it to the crowd. Visually they are in another dimension thanks to Michael's cutting edge visuals.

They have toured the world relentlessly, playing everywhere from Amsterdam to Zagreb and the streets of Las Vegas to the Australian outback, supporting acts such as Coldcut, Skream, Easy Dub All Stars and System 7 along the way.

NZ Bookings: h (at) strikeagency.co.nz
RoW Bookings: info (at) dubmissionrecords.com

Pitch Black - Lost in Translation (International Observer meets Horace remix)(preview)

Pitch Black (NZ)

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