Eternal

misdirected anger. | untitled project 001 sessions | ambient industrial ocean horror WIP | shifty 103024 take 3 36 bpm

and ice [disquiet0679]

This week's Disquiet Junto prompt, "Reverse Resolution", challenged us to finish something that we had left unfinished in 2024. 

During the holiday break I wrote a new piece for an upcoming album from my Sudre's Violin postpunk project, and just for fun produced it as a recording of a "rare live performance". My intention was to also record a canonical "studio version" of the song at some point. So why not now?

If you try to dance to this song, I will not be held responsible for any damages or injuries that occur. Features Yamaha piano, a lead instrument made from a tortured dobro sample, synthethic bass, hand-programmed drums, and some vintage pads. 

(If you want to hear the original "live" version, it's here: https://soundcloud.com/coralineada/the-puzzle-box-waltz-live)

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

The Puzzle Box Waltz (disquiet0680)

day 10 of jamnuary, 1 short demo track every day of the month.

day 10 - sparkling_dance_beast_01102025

Recorded, mixed & mastered on 28/29 Apr 2023 & 12 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

©2025 Jim Lemanowicz

The original material is a bit of mystery to me - Cecelia5, FL Studio, PaulXStretch, Reason, Thor, Fracture. To this I added Collision and Massive X & Arturia Fragments. I created this track after organizing the raw material for a future album. This was the second track I completed. I completed the first track yesterday for this week’s Disquiet Junto. 

This original version of "Friction And Fluoride" was submitted as part of Naviar Haiku 575, Even Though Afar.

Even though afar
a feeling of coolness comes
from those mountain pines

by: Kagami Shikō

Kagami Shikō was a Japanese poet, considered one of the ten outstanding disciples (Shōmon jittetsu 蕉門十哲) of Matsuo Bashō. He was in turn the master of the famous poetess Fukuda Chiyo-ni.

Originally from the present-day Gifu Prefecture, Kagami Shikō became a monk at Daichi-ji Temple, and in 1690 he became a pupil of Bashō, later accompanying him on some of his journeys and recording his last will in 1694.

After Basho's death, he kept travelling around Japan, writing several essays on haiku and collections of writings until his death in 1731.

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 19 Nov 2017

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

Friction And Fluoride (naviarhaiku575)

Text (C) Menelaos Fischer 2024. Used with permission. Music (c) Susanne Maurer 2025. 

CORE/VERZERRUNG [disquiet0680]

If you go even deeper, you'll find a canyon that cradles a river of icy brine. When you get that deep, no sound escapes, no light lingers. It is an unhealed scar upon the seafloor.

Lyskae (Demo)

a slightly modified version that appears on this free post-witch house compilation https://www.reverbnation.com/9057273/album/326831

help not forthcoming (dr▲g lit3)

breath in (instrumental)

This is an experimental electronic music project performed and produced by Saif. He has been creating music since the age of 16.   with various instruments and methods – mainly focusing on playing guitar and using multi-track analogue equipment for recording and production. 

His approach to music is a daringly beautiful combination of atmospheric music with emphasis on rhythms, variety of tone and the layering of electronic textures over a more traditional approach. 
Saif describes his song writing method as being vertical "I add layers and subtract others over shifting and interlocking rhythmic parts. The main theme of the track is always there in one form or another. it's usually the first idea I start with. everything around it is a result of that first spark" 

Welcome to my “musical” diary…. A Sonic sketch book of feelings and impressions.

One!

nXt

No Mind No Form

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