Øneheart x reidenshi - snowfall

POOR

Corporeal Carnage

Unruly ( 2006 )

Main track for Ludum Dare 32 rhythm game made in 3 days - http://rhythmranger.com.

Download it on bandcamp! https://bogdanrybak.bandcamp.com/

Download

The Rock the Paper and the Scissors (Ludum Dare 32)

Keep Quiet

'Us' is available on iTunes : itunes.apple.com/gb/album/the-pleasant-trees-vol.-3-ep/id1106541507

VIDEO : https://youtu.be/A1i1GN7qxYo

LYRICS : 

You said it was about the weather 
You said it was mostly the fuss 
You said it was about the nevers 
But i think it was about us. 

You said it was a combination 
Of factors found and lost 
You saw it in the constellations 
But i think it was about us 

And its gone before its gone 
It's lost before it's lost 
And you didn't see it coming cos no one ever does.
And its gone before its gone 
It's lost before it's lost and 
I don't know who killed the buzz buzz buzz buzz buzz 

You said it was about the old times 
You said it was about the rush 
Yo said it was the crazy headlines 
But i think it was about us 

And its gone before its gone 
It's lost before it's lost 
And you didn't see it coming cos no one ever does.
And its gone before its gone 
It's lost before it's lost and 
I don't know who killed the buzz buzz buzz buzz buzz 

Blah blah blah words words words 
Sentiments we've heard heard heard 
Blah blah blah war war war 
Endings we have seen before 

Blah blah blah words words words 
Sentiments we've heard heard heard 
Blah blah blah war war war 
Endings we have seen before 

And its gone before its gone 
It's lost before it's lost 
And you didn't see it coming cos no one ever does.
And its gone before its gone 
It's lost before it's lost and 
I don't know who killed the buzz buzz buzz buzz buzz 

You blamed it on the late arrivals 
You said it was about the end of the trust 
You said it was the love rivals 
But i think it was about us 

And its gone before its gone 
It's lost before it's lost 
And you didn't see it coming cos no one ever does. 
And its gone before its gone 
It's lost before it's lost and 
I don't know who killed the buzz buzz buzz buzz buzz 

You said it was a case of symbols 
Where the minus beats the plus 
You said we were just lonely people 
But i think it was about us 

Listen on Spotify

YouTube Audio Library

Fight or Flight - Ethan Meixsell

An original piece of music by Blake Robinson, again brought up to date with the latest technology. This was originally composed for the Multivaders videogame for a sudden unveiling of a traitor among the 'good guys'. This version has been recreated from scratch using the new Hans Zimmer Strings library that I had the privilege of working on at Spitfire Audio. It has been re-orchestrated and extended with new string parts. This is my original mix and master of the track to my taste, and is slightly drier than the official demo version.

Used: Spitfire Hans Zimmer Piano, Spitfire Hans Zimmer Strings, Spitfire Percussion, StyluxRMX, various FL Studio synths, Kontakt and FL Studio

Traitor's Motif 2018

Flanker

"The core of Fredrik is the duo of Fredrik Hultin and Ola Lindefelt, a pair of Malmö-based musicians who also happened to form the band the LK. The music they create on Na Na Ni, however, is quite a different animal from that group's buzzy electronic pop, applying the same ear for sonic detail and an unerring penchant for melody to a more folk-inflected and more resolutely understated set of compositions. The results are nothing short of enchanting, using a consistent, gently evocative sound palette -- Hultin's acoustic guitars, voice, and accordion, and Lindefelt's bells, drums, cello, and delicately wheezy electronics -- to balance deceptively complex, layered arrangements with a charming, lo-fi intimacy. March-like singalong "Black Fur" opens the album on an especially cheery note, which is taken up more modestly on the calmer but amply catchy "Alina's Place" (whose poetically cryptic lyrics make it somewhat less reassuring) -- no less winsome, though, are the more abstract instrumental pieces which make up half of the track list. The title of one, "Angora Sleepwalking," succinctly captures the softness and sweet, dreamlike strangeness of the prevailing mood; another, "Morr," intentionally or not provides a clue to Hultin's musical aesthetic, suggesting their similarities to the less overtly electronic end of that German label's output, and the work of Múm in particular. One might also draw comparisons to the gentle, textural experiments of Silje Nes, or, to name some non-Scandinavians, the fractured folk of Animal Collective, Tunng's woodsy whimsy, and even Sufjan Stevens' antiquarian-minded indie pop. Fans of any of these artists would do well to investigate Hultin's fine debut; they will discover not just a handful of hummable songs, but a curious and comforting sound world that's at once familiar and unique unto itself. Also worth noting is the Kora Records' elegant package design, which makes Na Na Ni a joy of a thing to hold, and the appropriately intriguing booklet etchings by Warren Hilt."

Allmusic.com 



Corporeal Carnage

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