Love of Siam (Orchestra version)arranged by. Max Hongcharoen

performed by CCM Chamber Players on Jan. 29, 2014.




Prachan [ประชัน]: Concerto for small wind ensemble (2013)

世界初！便geanceコンピレーションアルバム！
こんな芳しいアルバム見た事無いっ！！
M3-2014秋 スペース:E21a
http://blog.livedoor.jp/o_gebo/archives/41546395.html

便geance Essential Crap Sounds Compilation Album Vol.1 Crossfade Demo

In the late 1960s and early 70s I was a devotee of rock ‘n’ roll, especially groups that took the genre into individual virtuosity and into creative extensions of the medium.  Over the last 25 years I’ve infused some elements of rock into my contemporary concert music, but have not wholeheartedly returned to my pre-music-school roots…until this piece.  When Paul Dresher asked me to write something for the ElectroAcoustic Band, in addition to being delighted to work with these exceptional musicians, I also could see the possibility of taking “Progressive Rock” as the basis of a new kind of fusion, extending rock in ways that are unique to my ear.  I decided to start with the things about Progressive Rock that were near and dear to me, such as Emerson, Lake, and Palmer’s fusion with classical music, the extended harmonies, asymmetrical meters, free forms, and contrapuntal treatments of groups like Utopia, and the spontaneity of the more improvisation -based ensembles like the Grateful Dead.   Two groups in particular were extremely important to my path into music as a life-long passion:  there are brief homages to tunes from Yes (Fragile)and the Mahavishnu Orchestra (Birds of Fire) that figure prominently in the melange of the final section.  To these re-contextualizations I’ve added harmonies that are more commonly associated with jazz, tighter control of the ensemble, more variety in repetition, further extension of harmony and texture, and my own sense of timing and flow.  And of course the ensemble itself, with its inclusion of violin, clarinet and mallets, extends the basic timbres of rock ‘n’ roll.  The result is, I hope, a wholly integrated fusion of rock, jazz, and contemporary classical idioms, textures and timbres – one that lives comfortably among all these worlds.

The title “Fusebox” seemed appropriate in several ways.  First, it captures the electricity of the medium and of this ensemble.  Second, the piece is a multi-faceted fusion of several disparate musics (“whole lotta fusion goin’ on”).  Third, these musics are fused together in several different ways, such as morphing, counterpoint, and slipping back and forth among themselves.  Finally, much of the piece is intended to go as fast as feasible, and therefore as close to the limit as the players dare.  Hence the whole thing could blow at any minute…


Fusebox (for the Paul Dresher Ensemble's EA Band)

Enjoy our first Thai song cover in Bossanova style.
All the sound from this track was made by body-percussion and flutes

juniper's Album

อ้าว atom bossanova cover by Happy Musicians

For Bass Clarinet, Tenor Saxophone, E-Guitar, Percussion and Piano 
Written for International Contemporary Ensemble(ICE). Premiere at Festival M.A.R.S. Los Angeles 2017

Infinite Configuration

Terje Mikkelsen, conductor
Thailand Philharmonic Orchestra
World Premiere, 15 December 2017, Prince Mahidol Hall, Salaya, Thailand

Particle Odyssey for Orchestra (2017)

Performed by Guillermo Presa, George W. Pruksavanich and Kerk Jaree
at Princess Galayani Vadhana Institute of Music
August 20, 2018

Tikatikatok (2018) for soprano saxophone, alto saxophone and piano

La Scaphandre et le Papillon

Born in Bangkok, Thailand. Graduated from Royal College of Music, London and now studying doctoral degree at Cornell University, New York. 
more about: www.piyawatmusic.com
curator at Thailand Music and Arts Organisation: www.tmaomusic.com

His music has been performed in KulturKontakt: Vienna Composer in Residence 2017, Lucerne Festival Academy 2016, Orkest Ereprijs Young Composer Meeting 2017, Gaudeamus Musikweek Academy 2016, Darmstadt New Music Festival 2014, London National Portrait 2015, Asian Composers League 2014, Musica y Arte: Correspondencias Sonoras 2016 and Dian Red Kechil Young Composers Residency 2015. He collaborated with several established ensembles and orchestras such as Lucerne Alumni Ensemble, Orkest Ereprijs, Oerknal!, Ensemble Platypus, Ensemble Surplus, Ensemble Mozaik, ASEAN Contemporary Ensemble, University Cincinnati Chamber Players, newEar, Siam Saxophone Quartet, Mahidol University Orchestras, Royal Northern Sinfonia, Royal College of Music Philharmonic Orchestra, and Thailand Philharmonic Orchestra.

Tikatikatok (2018) for soprano saxophone, alto saxophone and piano

Piyawat Louilarpprasert Composer

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