The Annual World Fiddle Day Recital which takes place each May in Scartaglin Village Co Kerry is a fun event and features players of all ages,boys and girls, women and men sitting down together for a chat and a tune.The “Setlist” each year is chosen in advance so fiddle players can learn the tunes ahead of time.
The idea is simple , to honour the Sliabh Luachra  musicians of old and the music they played and to re- introduce some tunes back into the Community.
This year’s World Fiddle Day Scartaglin Fiddle Recital ‘ Handed Down … Through the Airwaves’ will be presented by  fiddle players Aoife Nic Chormaic and her husband Steve Larkin and their son Cuan
They have selected their choices from the Archives and  it’s going to be a great occasion with the following musicians honoured 
Willie O Connell, Sonny Riordan , Paddy Cronin, Julia Clifford , Mick Culloty,Seán Abeyta, Billy Clifford , Bridgie Kelliher, Denis Murphy , Seamus Ennis .
Aoife presents the Rolling Wave RTE Radio 1 programme every Sunday night at 9 pm .
She will follow in the footsteps of Seamus Ennis, Andrias O Gallachóir , Ciarán O MacMathuna, Pat Feeley and Peter Browne who all came from Radio Eireann to record in Scartaglin . 
They can be accessed on the Handed Down Sliabh Luachra Archive on SoundCloud or through the website worldfiddledayscartaglin.ie
“ Bring your fiddle and  join in “
Bio info on the musicians on worldfiddledayscartaglin.ie

World Fiddle Day Scartaglin 2022 Fiddle Recital “SETLIST” Sat May 21

The final set of the 2016 World Fiddle Day Concert introduced by MC Con Moynihan and recorded from the Rolling Wave RTÉ 1 radio broadcast.
This includes fiddle players of all ages  male and female and this has always been the motive behind World Fiddle Day Scartaglin .

Set 10  Sliabh Luachra National Anthem 2016 WFD

Set 5 Scatter The Mud,McMahons Fav,Tonra ‘s  JIGS

Tunes slightly slowed to aid learning.
O Rourke’s,Galtee Rangers,the Woman of the House

Set 4 Reels  May  1949  Dublin

Set 3 The Munster Jig And Tell Her I Am   JIGS

This was recorded in the eighties by a visitor to Bridgie’s house , he was an American Sliabh Luachra enthusiast called Jim Marsh .  Bridgie was of course a sister of Julia and a fine fiddle player herself .

Set 2 The Star Above The Garter And The Lisheen SLIDES

Set 1 Con Thadgos,The Gullane,Mikey Buckleys   POLKAS

Set 11 - Reels

Notes from Paul De Grae 
10. Barndances: Turkey in the Straw and The Glenbeigh.


Denis Murphy was fond of Turkey in the Straw, and his version of it, on the RTÉ CD "Denis Murphy – Music from Sliabh Luachra", is perhaps based on the setting in O'Neill, which in turn (according to O'Neill in "Waifs & Strays") is John McFadden's interpretation of how the tune was played by Dan Emmett, of Bryant's Minstrels, in slow reel time, with syncopations. As played by Denis, and by John Carty, it makes an ideal barndance. Johnny O'Leary played a somewhat different version, in a higher key. There is much disputation as to the origins of the tune, but perhaps all we need to say for now is that, wherever it started from, it has found a comfortable home in Sliabh Luachra.

 

Charlie Pigott christened the second tune as The Glenbeigh Hornpipe on the first De Danann album, which gives it a Kerry connection; and the tune is certainly popular here, though in its phrasing it's clearly a barndance rather than a hornpipe. James Morrison may have been the first to record it, in 1935, as Curlew Hills. Arguably it belongs more in the traditions of Donegal and Sligo (it was also recorded by Coleman and by Killoran), but again, it has settled in nicely here in the south-west. It also has cousins in the English tradition.

 

Turkey in the Straw

BA || GEEF EDB,A, | B,DDE D- GA | BCD' D'E' D'BGA | BAAB A- BA |

GEEF E- B,A, |B,DDE D- GA | BD'E'B D'BGA | BGAF G- BA || (1st time)

                                                                    | BGAF G-- A || (2nd time)

BD'D'E' D'BAD' | BD'D'E' D'- BA | BE'E'F' E'F'G' E'D' | BABD' E'- B'A' |

G'- G'E' D'G'E'D' | B- AG E- GA | BGAG EDB,D | EGGF G-- ||  (x 2)

 

The Glenbeigh

D- || GABC D'G'F'A' | G'- B- D'-- | CD'E' AB C-- | BD'GA B-- A |

G- BC D'G'F'A' | G'- B- D'-- | CE'AB CADF | A- G- G- D- ||  (1st time)

                                                                  | A- G- GABC || (2nd time)

D'- B'- C- A'- | B- G'F' G'D'BG | FGAB CAFD | GBAC B-- C |

D'B'B'D' CA'A'C | B- G'F' G'D'BG | FGAB CADF | A- G- GABC || (1st)

                                                                         | A- G- G-- || (2nd)

Set 10- Barndances

Notes from Paul De Grae 
9. Jig and reel: Morrison's and Tom Carmody's.
Two tunes from Kerry. James Morrison recorded the jig, which he got from North Kerry accordion and fiddle player Tom Carmody (1893-1986), who was a member of Morrison's band in New York in the 1930s. Tom had the tune from his father, Maurice, and the Morrison quartet recorded it as Maurice Carmody's Favorite (some pressings of the 78 record labelled it as Maurice Comedy's Favorite, perhaps as a result of someone's Noo Yawk accent?). Maurice Carmody called it The Stick Across the Hob, but this jig – one of the most popular in the repertoire – is so widely known as Morrison's that it would be pedantic to insist on the older name as the "correct" name (a largely illusory concept anyway).

 

The reel may be one of Tom Carmody's own compositions. It is the second of several tunes recorded by Breandán Breathnach from Tom Carmody at home in Ballybunnion at an unknown date (1970s?), now accessible on the ITMA website. The accompanying text mentions that two of the recorded tunes are Tom's own compositions and two others are by Martin Mulhaire; but unfortunately gremlins have been at work, and the attributions are not clear (track 4, attributed to Tom, is certainly one of Martin's tunes). So while I believe that this one is indeed a Tom Carmody composition, that's not 100% certain at the moment.

 

Tom Carmody's relative, Danny O'Mahony, had Tom's last accordion restored, and still plays it.

 

Morrison's

(F#, C#)

E-- BGB | EBE AFD | E-- B- C | D'CD' AFD |

E-- BGB | EBE AFD | GFE FGA | D'AG FED || (1st time)

                                               | D'AG FGA || (2nd time)

BE'E' F'E'E' | A'E'E' F'E'D' | BE'E' F'E'E' | A'- G' F'E'D' |

BE'E' F'E'E' | A'E'E' F'E'D' | G'F'E' D'- A | BAG FGA ||

BE'E' F'E'E' | A'E'E' F'E'D' | BE'E' F'E'E' | F'G'A'F' D'E'F' |

G'-- G'F'E' | D'E'F' G'F'G' | E'D'C D'- A | BAG FED ||

 

Tom Carmody's

D- FA F'D'D'B | ABAG FDDE | C,DEF G- BD' | C- E'D' CAGE |

D- FA F'D'D'B | ABAG FDDE | C,DEF GBE'D' | CAGE EDC,E || (1st time)

                                                                    | CAGE ED D- || (2nd)

F'D' D'- F'D'A'D' | BCD' E'F' G'- E'F' | G'E'E'F' G'- E'D' |CD'E'G' F'D'D'G' |

F'D' D'- F'D'AF | GBAG FDDE | C,DEF GBE'D' | CAGE ED D- ||  (x 2)

Set 9 - Jig and Reel

8. Waltz: I'll meet you on a day that never ends.





This was composed by Bryan O'Leary. Like many another musician with time on their hands during the pandemic lockdowns, Bryan turned to composition, spurred on by a commission from RTÉ Radio 1's Aoife Nic Cormaic (a good friend to World Fiddle Day Scartaglin, and co-presenter, with Steve Larkin, of the 2022 Fiddle Recital). The result was Bryan's 2021 album, "Tranquility in Tureencahill", featuring seventeen original tunes. This is one that John Carty particularly enjoys playing.

 

(F#, C#, G#)

E- C,- A,- | F-- AF | E- A- C- | B-- BAB |

C-- F'A' | E'C- CB | AF- FE | E-- BAF |

E- C,- A,- | F-- AF | E- A- C- | B-- AB |

CF'- F'A' | E'C- CB | AF-- | F-- GAB ||

C-- E'F'C | E'- C- B- | C-- E'F'G' | A'-- |

G'- E'- F' | E'- C- B- | C- E'- E'- | E'-- G'A'F' |

E'- C- A- | E'F'- A'F' | E'- C- A- | B-- BA |

B-- CD'E' | BC CB AE | F-- | F-- GAB || (1st time)

                                        | F- GAF || (2nd time)

Set 8 - Waltz

Notes from Paul De Grae

Set7. Reels: What Brought You in There? and Jimmy Batty's
 

These are two of John Carty's own compositions. The first one can be found on the 2008 At the Racket album, "It's Not Racket Science", and the second one is on John's 1994 album with Brian McGrath, "The Cat that Ate the Candle".

 

What brought you in there?

D- E || FEDB, A,B,DE | F- ED FAAE | FEDB, A,B,DE | F- EG FB,B,E |

FB,B,D A,B,DE | F- ED FAAE | FEDB, A,B,DE | F- EG FDDC ||

D'-- C B- D'B | A- FE FB B- | D'BAC BAFD | A,B,DE FDDC |

D'- E'D' B- D'B | A- FE FBBC | D'BAC B- B'F' | A'F'E'G' F'D' D- ||

 

Jimmy Batty's

D'AAB A- FE | DFAB A- FA | BEEA BD'E'F' | G'E'F'G' E'D'BC |

D'AAB A- FE | DFAB A- FA | BEEA BCD' E'G' | F'D'E'C D'E'F'E' || (1st)

                                                                     | F'D'E'C D'- C || (2nd)

D'AAB AGFG | A- A'E' F'A'E'D' | BE'E'F' E'-- F' | G'E'F'D' E'D'BC|

D'AAB AGFG | A- A'G' F'G'E'C | D'F'E'D' BAFB | AFAB D'- E' || (1st)

                                                                        | AFAB D'-- || (2nd)

Set 7 - Reels

Notes from Paul De Grae
Jigs - The Pilgrimage and The Mountcollins Jig
John Carty got these tunes in New York from fiddler and Shanachie co-founder, the late Dan Collins, whose mother Bridget came from Mountcollins, County Limerick; his father Bill came from Meelin, County Cork. As further evidence of Dan's connection to the south-west of Ireland, in 1961 when he brought out a paperback reprint of the then-hard-to-find "O'Neill's Music of Ireland", it was under the imprint of Rock Chapel Press. All the family were musical; Dan's sister Kathleen was an outstanding fiddler, whose solo album is a gem.
The first tune has various titles. The Pilgrimage is what James Morrison called it in manuscripts for his pupils, and he seems to be the source of the tune. One of those pupils was Jackie Roche, who recorded it as Morrison's Favourite on his 1958 Avoca LP, "The Kerry Dances", so it's known as Jackie Roche's Favourite as well. Paddy Cronin learned it from that LP, and played it often, so of course it's also known as Paddy Cronin's. Some people call it Dan Collins's or Dave Collins's (after his brother). I'm told it's in Josephine Keegan's collection, "A Drop in the Ocean", as Gone to the Dogs. Take your pick! It's arguably a cousin of The Rollicking Boys of Tandragee.

The second tune was composed by the late Eamonn Flynn, of Mountcollins, who spent many years in Boston and Vermont before returning to his native territory. Twenty-one of his compositions, including this one, can be found in Dan Herlihy's book, "Sliabh Luachra Music Masters: Volume 2", along with a great photo of Eamonn with Paddy Cronin, both wearing tuxedos, in an early 1960s ceili band.

 

The Pilgrimage

(C = C natural. C# = C sharp)

ABA DED | A- B C- A | GAG GEF | GAG EFG |

ABA DED | A- B C- A | GFG BAG | AFD D- B || (1st time)

                                                   | AFD D- E' || (2nd time)

F'- F' G'E'D | C#AG EFG | F'- F' G'E'D' | E'- A' E'F'G' |

F'- F' G'E'D | C#AG EFG | A- A BAG | AFD D-- || (x 2)

 

The Mountcollins Jig

F-- DFA | BAF AD'E' | F'E'D' BAF | B-- BAG |

F-- D- A | BAF A- G' | F'E'D' BAF | E-- EDE ||

F- A D- A | BAF AD'E' |F'E'D' BAF | B-- D-- |

F'G'A'F' E'F'E' | D'E'D' CBA | BAF EFA | B-- B- G' ||

F'-- D'- F' | A'F'D' E'D'E' | F'- E' D'E'F' | G'-- G'F'E' |

F'-- D'F'A' | B'A'F' G'F'E' | F'D'A DFA | B-- B- G' ||

F'-- D'- F' | A'F'D' E'D'E' | F'- E' D'E'F' | G'-- G'F'G' |

A'G'F' G'F'E' | F'E'D' E'D'C| BAF EFA | B- A D'- A ||

Set 6 - Jigs

Notes from Paul De Grae
 5. Reels: Paddy Cronin's 
This is a real treat: two reels that John Carty learned from the playing of Paddy Cronin, quite possibly composed by Paddy. They don't appear on any of Paddy's commercial recordings, and I can't find them in print in any of the O'Neill or Breathnach collections, nor in any of a dozen or so other books (the opening phrase of No. 2 has a slight resemblance to "Mullingar Races", but that's all). We hope to have more information before World Fiddle Day.

 

No. 1

F- EF D- DE | FED EF DB, B,- | A,B,DE F- BC | D'E'CD' B- AG |

F- EF D- DE | FED EF DB, B,- | A,B,DE FABA | F- EG FDDE ||  (1st time)

                                                                    | F- EG FDDC || (2nd time)

D'- E'C D'B B- | FBD'B FABC | D'- E'C D'BBA | FACE' D'BBC |

D'E'F'D' CD'E'C | D'CBA FB, B,- | A,B,DE FABA | F- EG FDDC || (1st)

                                                                        | F- EG FD D- ||  (2nd)

 

No. 2

DEFD EB, B,- | DEFA BCD'E' | D'BAF D'F F- | EDFE DB, B,- |

D- FD EB, B,- | DEFA BCD'E' | D'BAF D'F F- | EDFE D--- ||  (1st time)

                                                                   | EDFE D- AC ||  (2nd time)

D'CD'E' F'- D'F' | E'D'F'D' E'B B- | D'BAF D'F F- | EDFE DB,B,A |

D'CD'E' F'- D'F' | E'D'F'D' E'B B- | D'BAF D'F F- | EDFE D- AC ||

D'CD'E' F'- D'F' | E'D'F'D' E'B B- | D'BAF D'F F- | EDFE DB, B,- |

DEFD EB, B,- | DEFA BCD'E' | D'BAF D'F F- | EDFE D--- ||

Set 5 - Reels

Notes from Paul De Grae
4. Fling and slides: Turn Hill, Carrigkerry Slide, Con Cassidy's
John Carty learned these tunes from Dan Brouder, who kindly supplied some local information. The fling, Turn Hill, is named after a place in West Limerick, between Templeglantine and Rooskagh; the tune was played by John Joe Hartnett (flute player from Athea) and Moss Murphy (fiddler from Templegantine), from whom Dan learned it. Carrigkerry is a village, also in West Limerick, and this slide also comes from the playing of John Joe and Moss. Dan credits Donegal fiddler Con Cassidy with composing the third tune.

 

As proof that good music knows no boundaries, both of these slides are very much associated with Con Cassidy and Donegal music; they are played as jigs in Donegal (Altan recorded Con Cassidy's on their album "The Red Crow"), and they have also become naturalised here in the south-west. I remember hearing Máire O'Keeffe and Michelle O'Sullivan playing them in Tralee in the early 1980s.

 

Turn Hill

E'F' G'  E'- D'  B- D'  G'-- | G- B  D'- B  G- B  D'- G' |

E'F' G'  E'- D'  B- D'  G'- A' | G'- E'  D'- E'  BA-  A-- ||  (x 2)

A'- E'  A'- B'  A'- E'  A'- B' | G'- E'  G'- A'  G'- E'  G'- B' |

A'- E'  A'- B'  A'- E'  A'- B' | G'- E'  D'- E'  BA-  A-- ||  (x 2)

 

The Carrigkerry Slide

F' | G'- F' E'F'G' | D'- B BAB | C- A AGA | B- G GBD' |

G'- F' E'F'G' | D'- B B- C | AA'A' D'E'F' | G'-- D'E'F' || (1st time)

                                                           |  G'-- G'- A' || (2nd time)

B'- G' G'F'G' | B'- G' G'F'G' | A'- F' F'E'F' | A'- F' D'- G' |

B'- G' G'F'G' | B'- G' G'F'G' | E'A'A' D'E'F' | G'-- G'- A' || (1st time)

                                                                | G'-- G'D'C || (last time)

 

Con Cassidy's

B-- BAB | D'- C A- F | G-- GFG | B- A A- B |

C-- CE'G' | E'- D' B- C | D'E'D' CAF | G-- D- A || (1st time)

                                                       | G-- G- G' || (2nd time)

F'- D' D'E'F' | G'F'G' A'- G' | F'- D' D'E'D' | C- A A- E' |

F'- D' D'E'F' | G'F'G' A'- G' | F'G'F' E'F'E' | D'-- D'- G' ||

F'- D' D'E'F' | G'F'G' A'- G' | F'- D' D'E'D' | C- A A- G' |

F'- D' D'E'F' | G'F'G' A'- G' | F'G'F' E'F'E' | D'E'D' CD'C ||

To finish | B-- ABA | G---- ||

Set 4 - Fling and 2 Slides

Notes from Paul De Grae
3. Polkas: Francie Campbell's and Out of the Ashes
Two polkas from County Mayo, for a change. This is a set from John Carty's live album with Matt Molloy and Arty McGlynn, "Out of the Ashes". According to the liner notes, they got that title from "a saying of the great Johnny Watt Henry who was a night owl who liked to keep musicians late into the night. If they made an attempt to leave he would delay them by declaring: 'What hurry is on ye lads? Hold on and I'll rake up the gríosach here and see if I can't pull another 'quare' tune out of the ashes for ye...to be bringing home with ye.'"

 

In the Irish context, polkas are often equated with Kerry music (which must irritate people from Cork and Limerick who are also citizens of Sliabh Luachra), but they are to be found here and there all over the country, with local differences in rhythm and in the associated dances. It's like the Kerry Cattle, a hardy breed that did not originate in Kerry but was once common throughout the west and south-west of Ireland; as farming practices changed, other breeds ousted these handsome black animals, until only a few remained in poor, remote parts of Kerry (it's now a recognised "Rare Breed", and a herd is maintained in the state-owned land at Farmleigh). Similarly, as tastes in music and dancing changed, polkas and set-dancing largely fell out of favour in other parts of Ireland, or were never very popular in the first place; but they remained strong (if officially ignored) in Sliabh Luachra… all of which is a roundabout way of saying there's nothing surprising in having polkas from Mayo.

 

About the ABCs: it's important to indicate the long and short notes in these tunes. Single letters separated by a space are quavers (1/8 notes); a single letter with a short dash after it is a dotted quaver; a single letter with a double dash after it is a crotchet (1/4 note); and single letters without spaces between are semiquavers (1/16 notes). If in doubt, listen to the recording (listen to the recording anyway!).

 

Francie Campbell's

B D' A- B | G E  E D | E G  GAGE | D G  A-- |

B--  A- B | G E  E D | E G  GAGE | D G  G- A ||  (x 2)

B D'  G'- F' | E' D'  G'- D' | B D'  E'F'G'E' | D' B  A-- |

B D'  G' G'F' | E' D'  G'- E'| D' B  A GA | B G  G-- ||  (x 2)

 

Out of the Ashes

E | D G  G A | B D'  G' F' | E' G'E'  D' B | A G  EFGE |

D G  G A | B D'  D' B | E'--  D'- B | A G  G-- ||  (x 2)

B D'  B D' | G'- G'  E' G' | D'--  B AG | E A  A C |

B D'  B- D' | G' F'  E'F'G'E' | D' A  B A | G--  G-- ||  (x 2)

Set 3 - Polkas

Notfrom Paul De Grae
The second set chosen by John Carty for the World Fiddle Day Scartaglin fiddle recital. ABCs at the end of this text.



2. Hornpipes: An Trí is a Rian, Cronin's.

 

Two fine Sliabh Luachra hornpipes, both from the Pádraig O'Keeffe repertoire. You can find POK's own version of the first one on the RTÉ CD, "The Sliabh Luachra Fiddle Master – Pádraig O'Keeffe", as one of a pair of hornpipes titled John Quinn's, named after POK's piccolo-playing neighbour; and POK recorded the second one with Denis Murphy and Julia Clifford on the "Kerry Fiddles" album.

 

Breandán Breathnach collected the first one from Denis Murphy as An Trí is a Rian and also as An Tí is a Rian, and people have been confused about the title ever since (Denis was not an Irish speaker, and was perhaps unsure himself of the meaning); the transcription of Denis's playing is in "Ceol Rince na hÉireann" vol. 5, no. 217. If you don't like the Irish title, you could follow POK and call it John Quinn's; also, Julia and Billy Clifford recorded it as The Sands. The first part is an adaptation, perhaps by POK, of Miss McLeod's Reel.

 

In the booklet accompanying the "Music from Sliabh Luachra" album series by Topic Records, Alan Ward writes that the second tune "is usually associated with Edward Cronin", the fiddler from Limerick Junction in Tipperary, later resident in Chicago, a major contributor to Francis O'Neill's collections. Certainly Edward Cronin played in a recognisably Sliabh Luachra style, as can be heard on the O'Neill cylinder recordings (isued on CD by Ward Irish Music Archives in 2010); but this tune is not one of the many sourced from Edward Cronin in O'Neill's books. A more likely candidate is Paddy Cronin, who recorded this tune as Cronin's Hornpipe in 1950 for Copley Records in Boston, that title probably being invented in the studio; after that the tune became associated with Paddy, and it would be unsurprising to find the "Kerry Fiddles" trio calling it Cronin's when they played it for Séamus Ennis in 1952 (the setting in Breathnach's CRÉ vol. 2, no. 303, is from Séamus). It's also sometimes called Denis Murphy's, for example on the "Paddy in the Smoke" album.

 

An Trí is a Rian

GABG EFGA | B- BA BCBA | GABG EFGB | ABA GFE DCBA |

GABG EFGA | BCD' E'F' G'- F'G' | E'CAG FAD'C | BCB G- G-- || (x 2)

D'-- B G'- G'E' | D'E'D'B GBD'B | C-- A B-- C | ABA GFE DCBA |

GABG EFGA | BCD' E'F' G'- F'G' | E'CAG FAD'C | B- G- G-- || (x 2)

 

Cronin's

D- | GABD' D'BD'E' | G'A'G'E' D'E'G'A' | B'A'G'E' D'BGA | BAAB A- BA |

GABD' D'BD'E' | G'A'G'E' D'E'G'A' | B'A'G'E' D'BAB | G- GF G- ||  (x 2)

F'G' | A'F'D'C# D'E'G'A' | B'G'E'B E'F'G'A' | B'G'A'F' G'E'D'B | BAAB A- BA |

GABD' D'BD'E' | G'A'G'E' D'E'G'A' | B'A'G'E' D'BAB | G- GF G- ||  (x 2)

Set 2 - Hornpipes

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