A tender, piano-driven farewell wrapped in the warmth of jazz and the subtle grace of Korean melodic sensibility, "See You Again" lingers in the space between love and loss. With lyrics that trace the ache of memories—summer nights, careless smiles—and the quiet resolve to carry on ("Like sunshine after the rain"), the song unfolds like a handwritten letter soaked in late-night introspection. The harmonies sway between melancholy and hope, while sparse, resonant piano notes and hints of Korean phrasing paint a soundscape that’s both intimate and expansive. For those who’ve loved, let go, and still whisper "but love remains."

[Verse 1]
How do I let go
Of all we shared
Those summer nights, your careless smile
The way you cared

[Chorus]
I thought forever was ours to keep
But time just slipped away
It’s so hard to say goodbye
To yesterday

[Verse 2]
I don’t know where this road
Will lead me now
Just echoes where your laugh once was
And empty vows

[Chorus]
If we get to see tomorrow
I’ll pray it heals the ache
It’s so hard to say goodbye
To yesterday

[Bridge]
And I’ll take with me the memories
Like sunshine after the rain
It’s so hard to say goodbye
But I’ll try again

[Outro]
So I’ll hold the joy, I’ll face the pain
Like sunshine after the rain
It’s so hard to say goodbye
But love remains

[End]


See You Again

"Waking Up in Love" is a hauntingly smooth bossa nova jazz ballad that paints an intimate portrait of a fractured love. The lyrics weave a melancholic tale of two lovers trapped in the echoes of their past mistakes—too weary to mend what’s broken, yet unable to fully let go. Against a backdrop of smoky, late-night rhythms, the song explores the fragile space between longing and resignation, where love lingers as a ghost of what it once was. The chorus drifts like a half-remembered dream, hinting at redemption just out of reach, while the outro sighs with quiet, unresolved hope: "Maybe tomorrow."

[Verse 1]
There’s a man and a woman lying still
Too haunted by the ghosts of what they did
Too tired to untangle all the lies
Too broken just to say, "I’m sorry"

[Verse 2] 
If words could turn back time like hands on clocks
They’d rewrite every wound into a touch
But fate keeps dealing crooked hands to them
So love’s just… almost… not enough

[Chorus]
They’re both living the dream
(At least, that’s how it seems)
But shadows dance where light should be
If they could close their eyes and just… let go
Maybe they’d wake up in love

[Post-Chorus] 
Sleep won’t come, love won’t stay…
They’re dancing on the edge of yesterday

[Break]

[Verse 3]
One more song (the slow, sad kind)
One more smoke (to kill the time)
One more drink ("Just one," they lie)
Then maybe sleep will set them right

[Bridge]
They held the sun, they fought the storm
They bled the best, they bore the worst
Now all they want’s the past rewritten
But the night won’t let them sleep till it’s…

[Final Chorus]
They’re still living the dream
But the dream’s a hollow scene
They’ll keep chasing yesterday
‘Cause waking up would mean…
They’re really out of love

[Break]

[Outro]
Sleep won’t come, love won’t stay…
Maybe tomorrow

[End]


Waking Up in Love

"Scenic Route" is a soulful, introspective ballad that weaves together the warmth of Japanese jazz with the modern textures of electronic production. The song reflects on the journey of self-discovery, embracing the beauty of taking life at your own pace. With poetic lyrics that explore themes of growth, resilience, and finding one’s true path, the track builds from a reflective verse to an uplifting chorus, anchored by a bridge that contrasts the fast lane with the scenic route. The outro leaves listeners with a sense of hope and fulfillment, reminding them that the journey itself is as valuable as the destination. Perfect for late-night drives or moments of quiet contemplation, *Scenic Route* is a timeless ode to individuality and the power of patience.

[Verse 1]
I've been lookin' for the wrong kind of answers  
I've been askin' questions that don’t lead me home  
I've been dancin' in the wrong kind of circles  
Countin' blessings that don’t add up on my own  
I've been livin' with the weight of my mistakes  
But I’ve been writin’ songs that set my spirit free  
I’ve been findin’ friends who light the way ahead  
And I’ve been startin’ trends that feel like destiny  

[Chorus]
So if it seems like I'm not keepin' pace
If it looks like I’m fallin’ behind  
It’s ’cause I took the scenic route  
And I’ll get there in my own time  

[Verse 2]
I’ve been findin’ pieces of the real kind of me  
I’ve been searchin’ for a love that sets me right  
I’ve been tryin’ every wrong that leads me true  
And I’ve been reachin’ for a higher kind of light  

[Chorus]
So if it seems like I'm not keepin' pace
If it looks like I’m fallin’ behind  
It’s ’cause I took the scenic route  
And I’ll get there in my own time  

[Bridge] 
You can take the fast lane, I’ll take the backroads  
You’ll take the blacktop, I’ll take the dirt roads  
You’ll drive the Corvette, I’ll take the Ford truck  
You’ll get there first, but I’ll know the way by heart  

[Chorus]
So if it seems like I'm not keepin' pace
If it looks like I’m fallin’ behind  
It’s ’cause I took the scenic route  
And I’ll get there with my soul aligned  

[Outro]
And the view’s worth the climb.  

[End]



Scenic Route

"October All the Time" is a wistful folk ballad that wraps the ache of fleeting time in the golden haze of autumn. Gentle fingerpicked guitar weaves through soft percussion brushes and a mournful violin, evoking crackling leaves and distant frost. The lyrics—wistful yet warm—paint October as a metaphor for moments too beautiful to hold onto, where "the weight off our minds" clashes with the quiet truth of "isn’t it funny how time flies." Perfect for fans of quiet grandeur or intimate storytelling, this song feels like a sunset you’re desperate to remember.

[Verse 1]
Don’t we wish it was October all the time
With the wind in our hair like a whispered goodbye
And the weight off our minds
Leaves like embers underfoot
Rain like tears in our eyes
Well, isn’t it funny
How time flies

[Verse 2]
Don’t we wish it was October all the time
With the frost painting ghosts on the windowpane
And the weight off our minds
Wishing the past would rewind
But the future won’t wait
Well, isn’t it funny
How time flies

[Chorus]
‘Cause don’t we wish it was October all the time
With the stars in our hearts like a fading light
And the weight off our minds
Maybe one day, we’ll wake up and find
That the years were kind
Well, isn’t it funny
How time flies

[Bridge]
But the thing about the leaves
Is they fall just to rise
Every year, like a promise
That love never dies
And what we have now
Is the autumn, the now, the why

[Final Chorus]
Don’t we wish it was October all the time
With the wind on our faces
And the weight off our minds
With the leaves underfoot
And the rain in our eyes
Well, isn’t it funny
How time flies

[Outro]
And isn’t it funny
How time flies
But October still lives
In the corners of our eyes

[End]


October All the Time

"Laws of Life" is a playfully sardonic jazz ballad that turns the rules of physics into a late-night barstool confession. Over smoky piano, loose brushed drums, and a meandering guitar, the song chronicles love, regret, and bad decisions with a wink.

The lyrics twist scientific laws into metaphors for human chaos (gravity = falling off a barstool, entropy = a bartender’s phone number), while the melody slinks between world-weary crooning and bright, almost vaudevillian hooks. It’s the sound of a philosopher nursing a whiskey, laughing at their own heartbreak—because if what goes up must come down, you might as well sing about it.

[Verse]
What goes up comes down
That’s the law of physics
I can’t go home with you
That’s the law of attraction

[Verse 2]
I fell off the barstool and cracked a tooth
That’s the law of gravity
I keep singing to the void
That’s the law of averages

[Chorus]
You might as well love the one you’re with
‘Cause the last one was a walking regret
You’ll do something dumb again
If what goes up comes down

[Verse 3]
All my friends are married with kids
That’s the law of inertia
The bartender slipped me his number
That’s the law of entropy

[Verse 4]
My doctor said I ought to stop
That’s the law of time
I stepped off the treadmill, took a shot
That’s the law of heat exchange

[Bridge]
Maybe laws were made to break
Maybe I’m just a loose particle
Spinning out of orbit again
Crash into me like an accident
And call it chemistry

[Break]

[Chorus]
You might as well love the one you’re with
‘Cause the last one was a walking regret
You’ll do something dumb again
If what goes up comes down

[Break]

[Outro]
You might as well love the one you’re with
‘Cause the last one was a walking regret
You’ll do something dumb again
If what goes up comes down
You’ll do something dumb again
If what goes up comes down

[End]



Laws of Life

"Fall Into You" is a tender, dreamy ballad about finding solace in love after exhaustion and chaos. The lyrics paint a picture of someone physically and emotionally drained, seeking refuge in their partner’s presence—where the world’s noise fades, and all that’s left is the warmth of coming home. With intimate metaphors (falling like a tide, shadows dissolving into light), the song blends vulnerability and devotion, wrapped in a lush, cinematic soundscape that sways between minimalist verses and soaring choruses. it’s a soundtrack for quiet car rides at dusk and the moment you collapse into the arms of the one who feels like home.

[Verse 1]
Driving home, my thoughts get a little restless
Been a long day, but the night melts when I’m near you
Everything else feels a little useless
My mind is yours, and there’s nothin’ I wouldn’t do

[Pre-Chorus]
The world fades out, just a whisper of sound
But your voice is the tide pullin’ me down

[Chorus]
When I’m tired and when I’m done
You pull me closer
And when I’m fallin’
I fall into you
You are the moment
The only light that I see
And when I’m fallin’
I fall into you
And it feels like home

[Break]

[Verse 2]
You are the one I need
Like the air, like the dawn breaking through
You are the one I need
And it feels like home with you

[Pre-Chorus]
The world fades out, just a whisper of sound
But your voice is the tide pullin’ me down

[Chorus]
When I’m tired and when I’m done
You pull me closer
And when I’m fallin’
I fall into you
You are the moment
The only light that I see
And when I’m fallin’
I fall into you
And it feels like home

[Bridge]
Every shadow fades when you hold me
My mind is yours, there’s no line I wouldn’t cross for you

[Chorus]
When I’m tired and when I’m done
You pull me closer
And when I’m fallin’
I fall into you
You are the moment
The only light that I see
And when I’m fallin’
I fall into you
And it feels like home

[End]



Fall Into You

"Round in Circles" is a minimalist Alternative R&B track that explores the cyclical nature of self-sabotage in relationships and existential uncertainty. The lyrics paint a vivid picture of emotional detachment, comparing love to an endless loop—like a Ferris wheel or carousel—where intimacy leads nowhere but the same repetitive heartache. The chorus deepens the theme with striking metaphors of existential dread, framing life as fragile and chaotic ("a house of cards on a concrete bed"). Yet, the bridge introduces a glimmer of hope, questioning whether staying in the cycle could somehow make it meaningful. The haunting, repetitive outro mirrors the song’s central motif, leaving the listener suspended in its hypnotic, unresolved tension.

[Verse 1]
If you want it,
You can get it,
But I'm tellin' you to never fall in love with me.
Like a Ferris wheel, I’m spinnin’,
You’ll just go round in circles if you come with me.

[Break]

[Verse 2] 
If you need it,
I’ll regret it,
‘Cause I’ll only let you down eventually.
Like a carousel,
No winner—
Just the same old view if you ride with me.

[Chorus] 
It’s a traffic jam of existential dread,
Red lights flash but no one stops to stare.
Life’s a house of cards on a concrete bed,
One wrong move and we’re all just
Nowhere

[Verse 3] 
If you want it,
You can get it,
But I'm tellin' you to never fall in love with me.
Like a Ferris wheel, I’m spinnin’,
You’ll just go round in circles if you come with me.

[Bridge]
But if you stay…
Maybe we’ll spin forever,
Maybe the wheels will rust.
Maybe the dread won’t matter,
When it’s just us.

[Chorus] 
It’s a traffic jam of existential dread,
Horns are blarin’— do you even care?
Life’s a house of cards on a concrete bed,
I can’t breathe… but who isn’t scared to be there?

[Outro]
Round… and round…
Round… and round…

[End]


Round in Circles

A haunting, slow-burning critique of modern spectacle wrapped in a lover’s escape plan. Twisted circus metaphors—gaslighting lion tamers, smartphone-clutching clowns—crumble under minimalist production: sub-bass hums, ghostly vocal harmonies, and sparse percussion that flickers like a dying neon sign. The chorus soars unexpectedly, a bittersweet plea to abandon the chaos ("Let’s run where the stars still glow"). Ironic yet aching, it’s a lullaby for the doomscrolling generation.

[Verse 1]
Step right up to the greatest show on earth,
Ladies and gentlemen, witness the modern clown’s worth.
Every jester’s got a smartphone in hand,
So immersive, you’ll feel it deep in your glands.

[Verse 2]
These freaks are insane, I swear to God,
Tightrope walkers trippin’ on ego so hard.
Jugglers toss hate like it’s confetti,
While ringmasters scream, “Look at me!”

[Chorus]
But it’s still a beautiful world,
So come on, little girl,
Let’s run where the stars still glow,
Yeah, let’s fade away.

[Break]

[Verse 3]
Ringmasters fight for a sliver of fame,
Lion tamers whisper and shift all the blame.
Bearded ladies trade secrets so sharp,
Tattooed men burn out like a dying spark.

[Break]

[Chorus]
But it’s still a beautiful world,
So come on, little girl,
Let’s run where the stars still glow,
Yeah, let’s fade away.

[Bridge] 
The tents are on fire, but nobody cares,
Just another hashtag lost in the glare.
Take my hand before the crowd swallows us whole
We’ll disappear where the chaos can’t go.

[Break]

[Final Chorus]
Oh, it’s still a beautiful world,
But they’ll twist it, little girl.
So let’s run where the stars still glow,
Before we’re just part of the show.

[Outro]
The greatest show on earth
And we’re all the clowns now.

[End]




Greatest Show on Earth

"Digital Colosseum" is a brooding dark synth-pop / electro-industrial anthem that pits the gladiatorial brutality of ancient Rome against the hollow spectacle of social media. Haunting synths pulse like a dying server, while distorted basslines mimic the roar of a bloodthirsty crowd. The vocals slither between icy detachment and desperate screams, embodying a performer trapped in an algorithm’s arena—begging for connection but drowned out by the thunder of thumbs-up verdicts and gold-plated streams. A song for the loneliest generation, where every scroll is a sword swing, and the only escape is the glow of the exit button.

[Verse 1]
Spin the wheel and place your bets,
No skill required—no regrets.
You swear I’m the one who fled,
But my heart’s the one you bled.

[Pre-Chorus]
Just keep your screen glowing bright,
I’m a ghost in your spotlight.
Wherever you go, I’m down below—
So I’ll see you at the show.

[Chorus]
I can’t stop, you can’t look away,
Blind to the role you play.
It’s a digital colosseum,
Thumbs decide if I stay.
The crowd’s a roaring fire,
You don’t hear me plead—
Too busy waiting on a savior
Who’s just another feed.

[Break]

[Verse 2]
Filter the pain, frame the lie,
Can’t be sad with flames so high.
We’re all stars in the neon fight,
Dancin’ deep in the pixel night.

[Pre-Chorus]
Just keep your screen glowing bright,
I’m a ghost in your spotlight.
Wherever you go, I’m down below—
So I’ll see you at the show.

[Chorus] 
I can’t stop, you can’t look away,
Now you’re the star of the bloodless play.
It’s a digital colosseum,
We’re all clowns on display.
The crowd’s a roaring fire,
The wires cut our dreams—
Holding out for heaven
In a gold-plated stream.

[Outro] 
Lights down, embers glow,
Servers hum the end credits slow.
One last swipe before you go—
Did I lose, or did you know?

[End]




Digital Colosseum

A haunting, apocalyptic anthem where Mother Earth herself rises in protest—her rivers, mountains, and forests screaming against humanity’s destruction. Blending dark folk grit with cinematic fury, the song builds from whispered warnings into a thunderous chorus, echoing the planet’s last plea: "Do you hear me now?" Raw, primal, and devastating, it’s a battle cry from the natural world—equal parts elegy and reckoning.

[Verse 1]
My name is Earth, and you belong to me
I’ve bled in rivers, choked on smoke and debris
You scar my skin with fire, poison my veins
I’m screaming through the wind, howling through the rain

[Verse 2]
My name is Earth, I cradle all you know
But my forests are gasping, my glaciers let go
You steal my breath, yet I still give you air
How long till you listen? How long till you care?

[Pre-Chorus] 
The sky’s gone dark, but you don’t look up
The oceans rise, but you won’t stop—

[Chorus]
Do you hear me now? 
The ground shakes beneath your feet
Do you feel me now? 
While you drown in your own heat

[Bridge]
The rivers rush—a pulse turned to flood
The trees whisper, "You’ve spilled too much blood"
The mountains rumble—a warning below
One last chance before they let go…
The rivers rush…
The trees whisper…
The mountains roar…
And you ignore…

[Final Chorus]
My name is Earth, and you belong to me
But you’re killing the hand that feeds
I’ll swallow your cities, reclaim my sands
Do you hear me now?

[Outro]
My name is Earth… will you remember me
When the last bird falls and the seas stand still?
I gave you life… now I’m taking it back…
Do you hear me now?
Now!

[End]




My Name Is Earth

A haunting eco-folk ballad told by Earth’s last standing tree as it watches its forest fall. With the sorrow of a whispered ghost story and the urgency of a dying wish, sparse guitar and a lone trembling voice unfold the tale. Bowed bass murmurs beneath verses, while tremolo strings swell into the chorus, deepening the anguish. By the final whisper, listeners are left chilled by the weight of what’s already gone.

[Verse 1]
First they took the willow’s sighs,
Then the redwoods, stripped and skinned.
Now the crows don’t call at morning—
Just the grind of steel on wind.

[Chorus]
Is there anyone who’ll listen?
Or am I the last who knows?
I can taste the diesel drifting…
Count my rings as the last one goes.

[Break]

[Verse 2]
They called it “better sunlight,”
Laid the concrete like a shroud.
Men in suits point at my branches,
Say, “It’s prettier as a cloud.”

[Bridge]
Do you hear my roots snap, cracking?
Does the earth still feel it too?
Or am I just a ghost already—
Just a shadow they’ll walk through?

[Final Chorus]
Now I know there’s no one coming…
No more stories left to grow.
Just the hush of falling timber—
Then the world they’ll never know.

[End]


Final Tree’s Lament

Today is a gift, that is why we call it present.

Final Tree’s Lament

Pei-Kang Hsu

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