You know, this track has a very sexy waveform.

Trabajo realizado con un cruce entre la impronta vanguardista de la musica concreta y electroacustica con tecnicas de digitalizacion de muestras analogicas y sintesis granular.
año 2022.

Suite Industrial Acusmatica

Venturing into the blur_01

As per the instructions, the track starts and ends with the sound of a turn signal, which is then processed, cut up and re-arranged and then over ruled by a funky beat. Except the beat is interrupted by the occasional failed connection, to remind me of the dodgy sound systems I had in my car when I was young. And then the beat stops, the turn signal returns, first in bits and then steady and strong. I turn into my driveway, and I am home.

disquiet270

springtime woods
even birds of prey
nestled asleep

Takakuwa Rankō was a haijin from Kanazawa and a student of Wada Kiin. Born into a wealthy merchant family, he travelled all over Japan and finally settled in Kyoto, practising as a doctor. A great admirer of Bashō, he erected a small shrine (the Bashō-dō 芭蕉堂) in his honour in 1783. Among his main pupils was the poet Sakurai Baishitsu.

Haiku by Takakuwa Rankō

even birds of prey [naviarhaiku565]

Through Veins

Hiding Place In The Jungle * Instrumental

🔜↔🌎⁂©All Rights Reserved 11-2024
©Lyricist & Creator: Lady ElectroTrek 
***
TITLE: SUBTLE RECONDITIONING
_________________________________________________________
LYRICS:
VS1) Woke up with that feeling that things are being somewhat rigged for a bigger reason. Really? What's to come?
VS2) When you start to see people are more fake inside than out in a day of digital haze; it's got me feeling it's more difficult to find the real ones without having any doubt. 
(Chorus) If the spirit realm opened up & told us what they see, would we confirm our suspicions of what is or will be? 
(OUTRO) How can we ever have true peace of mind when nothing solidly aligns? Without unity hope lays near dead. Isn't this why so many have dread? Not much of a world if all we can do is be left to be grateful for just our daily bread. Need more from life, this is just us being conditioned to kill what's inside our own heads. Cut the cords, full speed ahead.

Our Daily Dread

Subtle Reconditioning

The promise of conneqtion_02

Simple Gifts - full

after the rain

Crama (2006) for flute, clarinet, piano, violin, viola and violoncello.
Duration 11' minutes.

Ensemble Holophony Project
Preview Full Score at http://www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

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Crama [fl cl pno vln vla vc]

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), Guggenheim (New York), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 98 distinctions and prizes in international competitions and have been selected by juries in more than 350 international calls for scores. He is president of the International Confederation of Electroacoustic Music (ICEIM-ICEM) and a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). Currently, he is Regents Professor of Composition at the University of North Texas and director of the Center for Experimental Music and Intermedia (CEMI).

Crama [fl cl pno vln vla vc]

Panayiotis Kokoras

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