Estudio de fenómeno II

Stone Age (2022) for violioncello and electronics
Total Duration 8' 40" minutes.

Ensemble Holophony Project
Preview Full Score at https://www.panayiotiskokoras.com/compositions/
Studio edited mix © Panayiotis Kokoras

2022

Stone Age [cello & electronics]

Demonic Animal (2021) for fl, cl Bb, pro, vln, vla, vc
Duration 8′ 30″ minutes

Preview Full Score at www.panayiotiskokoras.com

Ensemble Holophony Project
Studio edited mix © Panayiotis Kokoras

Demonic Animal [fl, cl Bb, pro, vln, vla, vc]

Du 8 au 12 novembre le festival l'Espace du Son vous emmène pour une expérience captivante de concerts au théâtre Marni à Bruxelles.

Plus d'infos : www.lespaceduson.be

Voix : Annette Vande Gorne
Musique :  extraits de "Sense" composé par Panayiotis Kokoras (Sense 2013, 8:30, album Métamorphoses 2014)

L'Espace du Son - festival acousmatique international (version longue - FR)

From the 8th to the 12th of November "l'Espace du Son" festival takes you for a captivating concerts experience at the Marni Theatre in Brussels.

More info : www.lespaceduson.be

Voice : Elizabeth Anderson
Music : extracts of "Sense" composed by Panayiotis Kokoras (Sense 2013, 8:30, album Métamorphoses 2014)

L'Espace du Son - international acousmatic festival (long version - EN)

Du 8 au 12 novembre le festival l'Espace du Son vous emmène pour une expérience captivante de concerts au théâtre Marni à Bruxelles.

Plus d'infos : www.lespaceduson.be

Voix : Annette Vande Gorne
Musique : extraits de "Sense" composé par Panayiotis Kokoras (Sense 2013, 8:30, album Métamorphoses 2014)

L'Espace du Son - festival acousmatique international (version courte - FR)

L'Espace du Son - international acousmatic festival (short version - EN)

Cymatics (2018) for cymbal
Total Duration 8:50' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Cover photo, Frequency by Tim Chrepta (https://flic.kr/p/ebTun8)

Cymatics [cymbal]

Cycling (2009)
Panayiotis Kokoras 
Flauta: Natalia Molina
Grabación y edición: Juan David Bermúdez

Cycling for solo flute

CECIA (Collaborative Electroacoustic Composition with Intelligent Agents) is an innovative music project that integrates the creative agency of 5 composers and Machine Learning algorithms, leading to the creation of a unique composition of electroacoustic music. The project explores collaborative music creation, harnessing the creativity of electroacoustic music composers and Intelligent Agents through an online platform. The collaborative process was conducted remotely in an iterative fashion, in which the composers anonymously submitted and evaluated sound material/ideas/suggestions. These data were used for the training of the machine learning algorithms, which generated new sonic structures, which in turn were fed back to the composers as suggestive material. The project implements a synergistic framework between human and algorithms, introducing a novel experimental sound practice for the creation of  electroacoustic music.

Composers
    • Panayiotis Kokoras
    • Mariam Gviniashvili
    • Juan Carlos Vasquez
    • Martyna Kosecka
    • Erik Nyström

Machine learning algorithms
    • Artemi – Maria Gioti

Project coordinator
    • Kosmas Giannoutakis

CECIA - Composition

Michelangelo's Empire Turbine (2020) for ratchet.
Total Duration 4' minutes.

Preview Full Score at www.panayiotiskokoras.com

Ensemble Holophony Project
Studio edited mix © Panayiotis Kokoras

Michelangelo's Empire Turbine [perc]

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 90 distinctions and prizes in international competitions and have been selected by juries in more than 300 international calls for scores. He is a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). He is Professor of Composition at the University of North Texas.

Cymatics [cymbal]

Panayiotis Kokoras

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