Amazing! Really heavy to play also! And thank you for the score preview on your Website, that enlightened me about the  techniques you use here! :-)

Apeiron Wav

Unus Mundus

originally released on Engram Recordings' compilation "Light and Darkness".
https://engramrecordings.bandcamp.com/album/light-and-darkness

Light Ascent

28 September 2022

The road we travel on is the storm we survive.

In the sway of its language, shifting between the wind and the wood, its syllables hung in delicate harmony. A song of remembrance and lost memories humming out of mouths that were half-opened in a somber cacophony of whispers. They are alone, yet not on this sultry night. The darkness swallows up every half-forgotten sound save for its own rustling, glowering at them with eyes old.

It is not between the trees they walk and stand, but within themselves. Grains of dust and soil and long withered roots growing still; they have made the forest and their memory is their life. Twined and twisted legs of words grow out of the mulch mouths, learning to walk again in the darkness. The words carve themselves in their own way, pushing forward with an insistent strength towards becoming something tangible yet unseen. One syllable at a time they reach further and further out; a silent vow to make sure they won't be forgotten, but remain rooted in our minds.

The darkness is not silent but it still is. Bookshelf and sand stand in greeting, wings of ash and dust, as you moved away from the storm, glancing back at the still ruined inlet, asking to be remembered. At last the road you leave on opens to your words, imagination and wonder. Yet still, with all these doors open, the darkness draws its shadows closer in, calling you back with a dusty air that settles into your lungs.

The story, as heard, is both the gleaming forest of a thousand tree-mouths whispering and the whirlwind which keeps them still. It's a dry maw that carries away their remnants, the shards of an old life cut up like the wind, and it pulls in the story too. The journey they lay is a jagged, i

Their voices have changed, even after they have remembered to remember.

Though the words used by them now are different from back then, the vowels are still the same.

The road we travel on is the storm we survive.
https://www.youtube.com/shorts/YQ6H6fOvVfo

https://youtube.com/shorts/zgKrXyemtTw?feature=share

Mouldered https://soundcloud.com/vn820hbn20nb/iioso

nn~

RAVE

github.com/acids-ircam/RAVE

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quiet body

Sense (2013-14) for electroacoustic sounds.
Duration 8' 22 minutes

Sense [tape]

https://bruit-direct.org/product/les-modernos-ciutats/

Lès Modernos present a psycho-geographic trip to Andalusia, a journey recomposed in a green Corolla. Mechanized and pastoral collages. Miniature songs, luminous yet just a little heavy, from the great theater of life. Car radio samples, recorded from the passenger seat of the Father's vehicle.

Al-Mutreb Abul-Loul, Big City Orchestra, Eric Copeland, Bertold Brecht, Sachiko Matsubara, Hopeton ‘Scientist’ Brown, Cabaret Voltaire (Red Mecca), a French singer, resolutely of the now  (or Jonathan Richman).

Fears greater than us, heredity, death, love, oblivion. And this fever which always consumes us.

Released on purple vinyl by Bruit Direct Disques
Sleeve by Trigore

Lès Modernos - "laques2" from CIUTATS lp

https://loveloverecords.bandcamp.com/album/lord-rover

Thorstein Hold

Mosaicing (2016) for flute and electronics
Total Duration 7:40' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Mosaicing [fl elec]

Rhino (2017) for baritone saxohpone and electronics
Total Duration 8:55' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Rhino [bari sax & elec]

This piece plays with the listener’s sonic expectations of what is familiar by fusing sounds, which a person can easily recognize, with new previously unheard sounds generated by algorithmic processing. By using various sounds and sonic artifacts that are common to the human experience, the work directs the listener to draw upon his inner visual associations with specific sounds and paint a mental soundscape of the acoustic experience. The introduction of other, unfamiliar processed sounds into the composition, invites the listener to break away from this familiar associative chain of acoustic phenomena and push the boundaries of his perception, in the process forming new sonic combinations and auditory experiences.
The musical piece was fully recorded and compiled in the Tonshoom Studio in April 2020. Some sounds were recorded using musical instruments, sound props, and speech; others were synthesized with SuperCollider. The final track was mixed down in Pro Tools and WFSCollider.

03. hybrid by Ivan Yerofeyev

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 90 distinctions and prizes in international competitions and have been selected by juries in more than 300 international calls for scores. He is a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). He is Professor of Composition at the University of North Texas.

Rhino [bari sax & elec]

Panayiotis Kokoras

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