Like a flower ready to transform itself upon spring's long-awaited arrival, Dandara & Tom Nikso's split EP 'Pédia' opens up to blossoms with colour and strength, marking the latest release on A Tribe Called Kotori.

Artist: Dandara & Tom Nikso
Title: Pédia
Label: A Tribe Called Kotori
Catalogue No.: ATCK018
Release Date: 2021-04-16

1. Dandara & Tom Nikso - Kuzco
2. Dandara & Tom Nikso feat. Lola Calvet - Pedia
3. Tom Nikso - Unik
4. Dandara - L-Za

The two collaborative tracks 'Kuzco' and 'Pédia' grow from the same oriental-leaning roots: while the irresistible groove of the former snakes into your subconscious like a tropical vine, the latter's desert-wind strings and dramatic vocal of Lola Calvet then rush to ruffle its lush leafs.

Tom Nikso's laidback 'Unik', meanwhile, shimmers richly with morning dew and 'L-Za' by Dandara feels like an ode to the warming rays of sunshine, ready to give the world a kiss of life.

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Pedia

Tom Nikso & Dandara - Pedia (feat Lola Calvet) [A Tribe Called Kotori]

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Artists: Depart
Title: Nesh
Label: Sol Selectas
Release Date: 2021-06-21

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Nesh

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Depart - Nesh [Sol Selectas] [MI4L.com]

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The Isha Upanishad (Devanagari: ईशोपनिषद् IAST īśopaniṣad) is one of the shortest Upanishads, embedded as the final chapter (adhyāya) of the Shukla Yajurveda. It is a Mukhya (primary, principal) Upanishad, and is known in two recensions, called Kanva (VSK) and Madhyandina (VSM). The Upanishad is a brief poem, consisting of 17 or 18 verses, depending on the recension. It is a key scripture of the Vedanta sub-schools, and an influential Śruti to diverse schools of Hinduism. It is the 40th chapter of Yajurveda. The name of the text derives from its incipit, īśā vāsyam, "enveloped by the Lord",or "hidden in the Lord (Self)". The text discusses the Atman (Self) theory of Hinduism, and is referenced by both Dvaita (dualism) and Advaita (non-dualism) sub-schools of Vedanta. Isha is also the name of my sister and is a sweet dedication to her wonderful being.

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Kapchiz - Isha (Sangeet's Lost In The Temple Remix) [kośa]

<< Ishtar selected by Goro >>

As many of you may know loving and caring for one another is something we stand by and is something much needed in these trying times. If this year has been hard on anyone it is those who unfortunately became a refugee. That is why we have decided to support those in need. Because there is very little we can individually do, our common goal is to raise money for various charities, so they can do the work we can not.
Because music has the ability to cheer up, heal and connect those who listen to it, it is music through which we hope to help. In the past year we have started collaborations with many artists. Every single one of them has made a masterpiece for us to put together into an album named “Ishtar”. 
This album is to celebrate the good things, heal and give hope to those who need it.

Follow the artists:
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@ali_termos
@erhanyilmazedits
@biralomusic
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@siaahmusic & @kiantek
@lev-tatarov & @sound_of_sinai
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Artwork by: @evanmars

Release: ISHTAR II
Artist: Various Artists
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Pre-order: December 26, 2021
Release Date: January 10, 2022

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ISHTAR II

Zor Çamaşır

Grab it ✺

✺ | Erhan Yılmaz - Zor Çamaşır [Orientaldeep]

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Release: Tell Asmar
Artist: Jarl Flamar
Remix: Evan Mars, Erhan Yılmaz
Label: Orientaldeep
Cat-No: ODR008
Release Date: October 1, 2022

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Master by: Vesela Nota

Artwork by: @immortalbassrecords

Jarl Flamar - Ziggurat (Evan Mars Remix)

Amram Solar Li Beirut(vocal cover Lina Sleibi)

Series of Albums made between 2018-2021, Relaxed easy-listening music. Enjoy!

Electro Twist 5

Lost Crops

this is my new edit sassuni oror song composed by Hasmik Harutyunyan with The Shoghaken Ensemble

Hasmik Harutyunyan is one of the most revered folk singers in Armenia. Her renown is based on performances of the very material found on this CD. Featured as a soloist on The Shoghaken Ensemble's Music of Armenia, and as a singer on the group's Traditional Dances of Armenia, she is also the director of the Mouradian Children's Song and Dance Folklore Group and travels throughout Europe performing. This collection of mostly women's lullabies features her renditions of Armenian lullabies from antiquity to the 20th century. Two of her pieces here, "Kessabi Oror" and "Nani Bala," are used on national Armenian radio as standards. The term "oror," translates as "rock, rock," and when hearing these pieces with their gentle, ethereal cadences and rhythms one can not only picture, but feel the image of a mother or even a grandmother rocking an infant gently to sleep in the darkness. These songs are slow, lilting, droning, and incantory pieces, where the human voice is accompanied by the duduk (Armenian oboe). The kanon (a zither to be played on the lap) and the three-string, vertical fiddle known as the kamancha, all of these are played by members of the amazing Shoghaken Ensemble. This is a singular collection, full of emotion, dignity, and grace, offered intimately and without the trappings of field recordings or the dryness of museum-quality interpretations. These sons are alive, full of breath and quiet drama. The liner notes by Cynthia Rogers provide not only fine historical information, but also music and title data, as well, and the lyrics to many of these lullabies are translated, heartbreakingly so. This recording will appeal to anyone interested in the depth of human emotion as well as Armenian music. Fans of Lisa Gerrard and Dead Can Dance, of the sacred minimalism of Arvo Pärt's vocal pieces, and of traditional folk music will all be awed and edified by the humble majesty in this set.










Unofficial remix
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sassuni oror (original mix)

Free Download

Hasmik Harutyunyan with The Shoghaken Ensemble - sassuni oror (jack essek re-work)

An adventure in Seattle and San Fransisco earlier this year, brought us to the guys of @tremulantcanhelp. That's when we discovered @RasiZ & @Pandhora and their track Sarab (released by @NCTRNLrecords). 
Its authentic vibe definitely moved us.

Back home in Amsterdam we decided to make our own interpretation of the track, so here it is!

We want to thank @deepfilip for connecting us in Seattle, @ptrahbar for creating a beautiful vibe in Seattle, @chromemastering for mix down & mastering, @krooks-amsterdam for the allround support and ofcourse @RasiZ & @Pandhora for supporting the edit!

Love and be safe

Sarab - Rasi Z & Pandhora (Mèraque edit)

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Ali Termos - Arezu (Jack Essek Remix)
[Tibetania Records] https://soundcloud.com/tibetaniarecords

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𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Ali Termos - Arezu (Jack Essek Remix)[Tibetania Records]

The lyrics of “Losing My Impatience” stems from the Persian poet Hafez (1315-1390) in ghazal 483. Almost any poem by Hafez can be read on at least three levels of significance. One interpretation of the lyrics in this song is that time and resistance are two inevitable preconditions to obtain knowledge and self-esteem. 

“A traveler in a strange land
took a stranger by the hand.
You will only see clarity of wine
if forty days you let it stand”

Persian Electro Orchestra
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Alvaro Suarez
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Persian Electro Orchestra - Losing My Impatience (Alvaro Suarez Remix)

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𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Ali Termos - Arezu (Jack Essek Remix)[Tibetania Records]

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