Good stuff. I would think this is more 'ambient' than drone. A very loose drone.

ELECTRO High and special 02

Ben Cardew interviewed Chicago's finest, Jana Rush, at Primavera Sound 2023 to talk footwork, depression, jazz and so much more.

Line Noise Episode 132 (Jana Rush at Primavera Sound 2023)

Ready To Go.

Tune into Ghost Notes Worldwide for that post-twilight sound. Night time music of all strains, with blunted R&B and hip hop instrumentals, neo-downtempo productions, slow jams, and hazy dancefloor sounds. 
https://www.nts.live/shows/impey/episodes/impey-24th-august-2023

Ghost Notes Worldwide w/ billdifferen: Funk Special 240823

For the past few years, RA cover star Jlin has been churning out complex percussion compositions that sit at the intersection of IDM, trap, mutant techno and sound art. Her tracks are tactile and structurally complex, stacked drums interlocking with glistening melodies and heaving basslines on groundbreaking albums like Dark Origami. Her rhythms gracefully crosscut over one another like towering blocks in an architecture sketch for a truly cerebral experience.

Growing up in Gary, Indiana, the former steel factory worker wears many hats. She produces mind-bending club music—usually for Mike Paradinas's label Planet Mu—scores modern dance performances and arranges for instrumental ensembles. Her process of collaboration is deeply symbiotic, as shown on her new EP, Perspective The acoustic version of the record, written for and performed with Chicago's Third Coast Percussion, was nominated for a Pulitzer Prize this year, an unprecedented honour for a dance music artist.

Jlin's style is sometimes described as avant-garde, but modernist is a better word. She originally started out making footwork and despite moving away from the genre in recent years, footwork's jittery energy still flows through her productions, a testament to her ability to experiment across styles. Being a math whiz only adds to the angular, carefully calculated feel of her production.
 
In celebration of Jlin's career, Mike Paradinas serves up a 40 minute mix that shows off her range and most importantly, her passion for this music.

@mikep @jlinnarlei

Read more at https://ra.co/podcast/903

RA podcast

RA.903 Mike Paradinas (ft. Jlin)

The Precision Of Infinity (ft. Philip Glass)

µ-Ziq - HYPER DADDY (SLIKBACK REMIX)

written by Adda Kaleh
produced by Adda Kaleh and Diego Herrera
mixed by Diego Herrera
mastered by Jake Viator
infinitexpansion.net/addakaleh.html

Haptic

Player Karma

Scotland's Claude Speeed first came to our attention via his epic 2012 remix of Kuedo's 'Work Live & Sleep In Collapsing Space'. With a history in various bands such as RUSSIA and American Men, his work draws from Scottish post rock, 90s and 00s electronica, American minimalism, noise & drone.

After a significant time travelling abroad he relocated to Berlin and released his debut album for LuckyMe, entitled 'My Skeleton'. Now he is releasing his follow-up EP 'Sun Czar Temple' on Planet Mu - an epic set of songs that distort emotional songwriting with textured synthetic ambience and computer noise. Dreams on hard disk.

The EP opens with the epic 'Traumzeuge', a piece for digitally obliterated piano and plugins taking its inspiration from territories of culture shock and insomnia. Starting with monolithic slabs of SOLAR PARALLAX distortion, the layers of intensity build until eventually dropping out, revealing gentle, warm guitar harmonics and tender vocals.

'Dr. Liz Wilson' begins with twinkling, bleeping arrays of electronics: implied interstellar communication. Warm sinewaves and rising tone clusters build up into a rushing wind tunnel of s||||ESCAPE TIME FRACTAL||ound. Hidden drums, ghost choirs, and geometric cryptophasia arpeggios disappear into chaos. An Adrián Villar Rojas memory of terraforming and futuristic DMT ruins.

'VIN', serves as an interlude, built on field recordings from a short trip into an empty forest, made with looped tape noises and crushed oneiric chords.

'Fret' draws from a story about an abandoned palace, far away from anything. Initially composed entirely visually in Logic, sound muted, without any timing grid. Dense pitch shifted chords and multiple random effects building into strangely unearthly pop with Ryuichi Sakamoto 80s drums and obscured vocalvocalvocal loops.

The final track, and the EP's most epic, 'RU Sorry?' (CITY CASTLE VICTORIES) opens with simple synth 5th interval figures evolving slowly into an enveloping, rippling, cosmic fuzz. building up to near noise, then falling away into blocks of buzzing chords. Distortion appears gently until a smashed out post rock crescendo bursts through. Afterlife / Angels.

Sun Czar Temple

Fret

4 Fret

Gastro

Remix of Goodbye, Goodbye by µ-Ziq. As endorsed by the man himself: https://youtu.be/qlaQpymmVu8?t=5102

μ-Ziq - Goodbye, Goodbye (New City 16 remix)

Welcome to Line Noise. My guest this week is Catherine Backhouse aka DJ Bunnyhausen aka Xylitol, aka the winner of the first ever Line Noise album of the year for her absolutely divine Anemones, released by Planet Mu. And a very worthy winner she is too. We talk about “Gutter Kosmische”, prog jungle, Gesamtkunstwerk, Yugoslav pop culture, the Belgrade Bananarama and everything in between. I hope you enjoy the interview. And do give Anemones a spin. Line Noise is with the support of Cupra.

Line Noise Episode 193  (Album of the year 2024 with Xylitol)

REPAIR AUTHORIZATION REQUEST |

this sopped up hymnal eats birds |

Authorize Repairs?

"Bubbles" from EP "Wandering" OUT NOW.
from First Word Records.

bandcamp
http://yosihorikawa.bandcamp.com/album/wandering-ep

iTunes
http://itunes.apple.com/gb/album/wandering-ep/id530796489

Bubbles

"Letter" from EP "Wandering" OUT NOW.
from First Word Records.

bandcamp
http://yosihorikawa.bandcamp.com/album/wandering-ep

iTunes
http://itunes.apple.com/gb/album/wandering-ep/id530796489

4 Fret

Planet Mu Records

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