hilarious. this makes the floor go ....weiiiiiird! lol

Endless Mow (@endless_mow) is a London-based DJ and producer. Mostly known for his releases on All Centre, Endless Mow can be found somewhere in between UKFunky, Bass and medieval folklore. Witchy vocal chops + subs.

Tracklist:

MTG - FAZ O PIX PRA ELA BROTAR ( DJ PEIXOTO ) 2K22
Dubh - The Destruction of Belor's Tower
Hildegard Von Bingen - Enixa est puerpera (hymne)
Anima - Say So
Duswunder - Adorned
Doubt - Friotaiocht
Amor Satyr - Kika Uma Vez
DJ Gran Turismo - ALLURE
Sully - 5ives
NCOG, Local Gods - Lunasa
Anima - DRMABTU
hironori nagatsuma - Formkedja (polerad)
ONY - 777
Anima - DRMABTU [REPRISE]
Local Gods - The Ascendancy (Uiscálainn’s Scendish Mix)
AEVA - Mysterious World
Kaval - Doubtful Mixture
Racine - Ibiza
Lithe & DJ Local Support - Rogue Cuts
Air Max '97 :') SIA - HPE Heart
Simkin - See You
Hildegard Von Bingen - O gloriosissimi lux
Tessela - Let Up
Endless Mow - Modern Automated Looms
AEVA - I Feel Blu
Racine - Sans Titre
Oravin - Eye, Iris

RA MIX 022 - Endless Mow - spectral Terra

El monstruo del lago sadness    v(ಥ ̯ ಥ)v
Art work x Vampireli @elissamariers

We are the laser makers

No Hope  v(ಥ ̯ ಥ)v

Hazard Sound

Hazard Sound (Danny Phr3ntic Remix)

Supercharged

RnP ATRIUM 125 BPM

Taken from the E.P '2 Da Core'

Bandcamp pre order: https://basicrhythm.bandcamp.com/album/2-da-core

Planet Mu Site: https://planetmu.bleepstores.com/release/134411-basic-rhythm-2-da-core

Basic Rhythm follows up his album 'On The Threshold' with an EP that lays out the explicit connections between hardcore and footwork. A connection made even clearer by the inclusion of a rare remix by Chicago footwork originator RP Boo.

2 Da Core's punchy rolling drums are levelled up against rough samples and a vocal hook pitched up and down in classic hardcore style. Get Up runs a tubby bass under hazy vocal samples and weird sound effects. RP Boo's remix of 2 Da Core disassembles the track into pieces, building a stalking helicopter-like rhythm which plays hide and seek with the samples, while the closing track Nuh Ramp rounds off the EP with tumbling micro-edited rhythms and a melody built from small colourful sounds that draw on the Caribbean roots of this music.

Basic Rhythm - Nuh Ramp

New Year's Substitution 2 out January 1st 2020

Loraine James x J Albert - New Year New Meh

Dreamcycles - Future Lights and Archetypes

https://sitequeeste.bandcamp.com/album/future-lights-and-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

Future Lights & Archetypes

Dreamcycles - Memory Laneways

On ACEN018 we welcome long-time friend of the label @Duswunder. Plated Body is the first four-track EP on All Centre, showcasing the breadth and versatility of Duswunder’s sound.

The EP kicks off with Adorned, immediately introducing Duswunder’s characteristically complex sound design. Enchanting pads lay the foundation before giving way to a disorientating DnB-adjacent rhythm. From here refined, abrasive textures dominate whilst tender melodies lurk beneath. The track reaches its peak with a dizzying arpeggiated melody, eventually giving way to the subdued choral pads.

The next track is Loccc, slowing the tempo but keeping the intensity strong. A range of meticulously manipulated percussive noises weave around intricate drum patterns. The track eventually breaks down, resembling something of a malfunctioning machine, as stunning melodic lines rise from the corroding rhythms.

We then find ourselves with the interlude Sprung. An exercise in space and weight, the track contrasts moments of enthralling intensity and near-silence, punctuated by shimmering synths and affecting vocal samples.

Duswunder closes the EP with Evo. The track gradually brings the energy back up to an apex with the introduction of driving kicks, accented by morphing percussion hits and alluring voices. Emotive melodic elements lie beneath the driving rhythms, brought to the forefront as the track breaks down, before closing out with another arresting rhythmic assault.

Plated Body is available across all platforms from July 3rd.

Basic Rhythm - Nuh Ramp

Planet Mu Records

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