I never foresaw this coming, but since he dated Marcy: it was inevitable.

Here, at this moment, I start feeling some known... some looking like Aphex Twin🤷🏼‍♂️🤙👌✌🏻

tracing Rays [reality glo]

From 'µ-Ziq - Goodbye EP' (out on Planet Mu - 1st April 2022)
https://planetmu.bleepstores.com/release/242667-ziq-goodbye

µ-Ziq says hello again with 'Goodbye'. The six track EP is the first in a series of releases by Mike Paradinas this year, which are all centred around the 25th Anniversary Edition of 'Lunatic Harness’, his classic 1997 album. 

Inspired by going back through the archives while he was remastering the Lunatic Harness reissue, 'Goodbye' sees Mike revisiting the nineties, taking on jungle and it's precursor jungle tekno and upgrading them with the benefit of hindsight and contemporary software. Imbued with Mike's lush sense of melody and his knack for striking contrasts (don't be shocked to hear maudlin piano, 303 and amens in the same track), 'Goodbye' approaches these old genres like a sandpit, and stretches them in directions only Mike might take.

Goodbye

µ-Ziq - Goodbye

tr. ID: 232 from LOSTREKOS
archive music of RAAYA 1994-2024

catharsis of enlightenment

Gescom - KeyNell (Autechre Remix)

700358bc5 by Second Woman from the S/T album due out early summer 2016 on Spectrum Spools.

"700358bc5" by Second Woman

Glory Bitch

Maria W Horn - 'Kontrapoetik'
out October 19, 2018
Portals Editions / XKatedral
Buy: https://bit.ly/2nYaW3F

Kontrapoetik

Fides Minus

Taken from the 'Crab Suite', out 22nd June on Warp's sub-label Arcola.

Primitive Art will make an appearance this summer at Creepy Teepee Festival in Kutná Hora in July and at MoMA PS1 in New York City in September.

http://bit.ly/Primitiveart

Sequrity

Aquarian - The Snake That Eats Itself

Canadian born, Berlin based producer @Aquarian makes his full length album debut The Snake That Eats Itself on Bedouin Records. This record follows his collaborative EPs with Deapmash as 'AQXDM" and is his first solo release since his 2016 experimental mixtape for Quiet Time.

Nearly five years in the making,The Snake That Eats Itself is Aquarian's most complex, diverse and emotive work to date, plunging his trademark UK sound-system / techno hybrids into a self-contained, cinematic universe streaked with heavy influences from industrial, IDM, drone and dark pop music. Written in Brooklyn, New York, in a deeply transitional, yet seemingly endless period preceding his relocation to Berlin,the title of the album refers to the Ouroboros, a mythological serpent symbolizing the cycle of birth and death and infinity itself.

The Snake That Eats Itself pits Aquarian's most abrasive and brutal moments next to his most wistful and introspective. Viscerally thick layers of tape saturation envelop the album as sludgy synths ooze against brittle atmospheres; breakbeats fragment, explode and disintegrate into swarms of delay and noise; scorched, metallic percussion - sampled from a year-long demolition and construction project next to his apartment - forge the rhythmic backbone of the album. These elements, however, seamlessly make way to startlingly crystalline and shimmering ambient passages, offering a sense of reprieve and balance.

Tracklist:
01. End Credits
02. Blood Sugar
03. Sketch 2 (Song for D.O.U.G.)
04. Ouroboros
05. Tarp2
06. New York, An Eternity
07. Hate Is A Strong Word (Part 1)
08. Hate is A Strong Word (Bruxist Part 2) 09. Letting Go At Arm's Length
10. 365 Days And Counting

The Snake That Eats Itself​ is accompanied by art direction and a collaborative live A/V show by acclaimed artist and researcher Sougwen Chung.
Early support from Aphex Twin
Artwork by Sougwen Chung
All tracks written, produced and engineered by Aquarian unless otherwise noted. Tracks 4, 7, 8 & 10 mixed by Dean Grenier
Additional engineering by Dean Grenier on tracks 7 & 8.
Mastered by Goth Trad

'Hate Is a Strong Word, Pt. 1' taken from Aquarian's debut album titled 'The Snake That Eats Itself' that will be released on Bedouin Records on February 14th 2020.

Pre-order x2LP

Aquarian | Hate Is a Strong Word, Pt. 1

@aquarian's track "365 Days and Counting" will be released through @bedouinrecords on 24th of January: http://bit.ly/Aquarian365

The Snake That Eat Itself

365 Days and Counting

Aquarian - 365 Days and Counting

Taken from the album "John Frusciante - Maya" (23rd October 2020)
https://planetmu.bleepstores.com/release/200467-john-frusciante-maya

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. He says "Maya was with me as I made music for 15 years, so I wanted to name it after her. She loved music, and with such a personal title, it didn't seem right to call myself Trickfinger, somehow, so it's by John Frusciante." 

  'Maya' is inspired by his favourite music: '91 to'96 UK breakbeat hardcore and jungle. It’s a varied and personal take with sophisticated, authentic production balanced against John’s acute sense of melody, an inspired blending of machines and samples infused with a joyful energy.

  After discovering early UK rave music, John started dancing at drum & bass club nights in Los Angeles. He then got into Venetian Snares' music at the Autechre curated ATP in 2003, eventually becoming friends with Aaron resulting in the Speed Dealer Moms collaboration which boosted his confidence in making electronic music.

  The process of making his tracks changed over time as John explains; “For a full year before I started this record, I worked within self-imposed limitations and rules that made the music-making process as difficult as possible, programming for programming's sake. After a full year of that, I decided to make things easier, to the degree that I could regularly finish tracks I enjoyed listening to, while continuing many of the practices I‘d developed. Throughout the recording of Maya, I would prepare to make each track very slowly, but would finish tracks very quickly. I'd spend weeks making breakbeats, souping up a drum machine, making DX7 patches, and so on. By the time an idea came up that seemed like the beginning of a tune, I had a lot of fresh elements ready to go."

  John says his solo music has changed; "I don't have that interest in singing or writing lyrics like I used to. The natural thing when I'm by myself now, is to just make music like the stuff being released this year. I really love the back and forth with machines and the computer." The fun he’s having on 'Maya' is infectious.

John Frusciante - Amethblowl (TIMESIG011)

Planet Mu Records

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