DJ Manny - Signals In My Head (LP out 23rd July)
https://planetmu.bleepstores.com/release/223122-dj-manny-signals-in-my-head
https://djmanny1.bandcamp.com/album/signals-in-my-head

DJ Manny is both known and unknown. Despite being firmly embedded within the Footwork elite and being regarded by many as a DJ's DJ, Manny has yet to receive the kind of attention his peers have. His joyous new album for Planet Mu "Signals In My Head" is set to alter that for good.

Born in March 1990 in Chicago but raised in Robbins/Harvey, IL, Manuel Gaines first encountered Juke/Footwork before he was 10 years old while out with his brother at a party he was too young to be at. Dancing became a big thing for him, then throwing parties, then meeting Rashad and DJ Spinn when he was in middle school, then making his first recordings at his cousin Jonathan's house (R.I.P.) using FL Studios. His first release "Kush On Deck" came about in 2010 with DJ Rashad's help, when he was already a ten year veteran of the scene.

Here we are eleven years later and "Signals In My Head" marks a long worked for new chapter in DJ Manny's career. Now based in Brooklyn, New York, where he lives with partner SUCIA! Manny's sound has widened out and taken on a more romantic edge. He openly admits that his goal for the new album was "to do something that nobody (in Footwork) had ever done before which is an R&B love type of album but still keeping it footwork, juke, house, techno, with a few breaks. I just want people to know it's love out there." Tracks like "U Want It", "Never Was Ah Hoe" and the title cut "Signals In My Head" are strong standouts that show what DJ Manny means when he says 'R&B love.'

"Signals..." also brings in a drum & bass flavour, something you'll find on cuts like "Good Love" and on "Havin' Fun" made with DJ Phil. When asked about D&B Manny shouts out LTJ Bukem as a inspiration. Tracks like "Club GTA" and "That Thang" also call back to the classic Chicago house of the nineties while "Smoke 'n' Fade Away" and album closer "At First Site" both recall the golden era of Detroit techno. Meanwhile "Wants My Body", created with DJ Chap, and "All I Need" are classic Footwork workouts sure to ignite dancefloors.

Looking back at the selection, DJ Manny says he was "actually able to get the sound I wanted." His set up, a mixture of MPC, Abelton, Boss drum machine and synths like the Triton and Omni has served him well. Well aware that some in the past have thought of him as a sleeper - he notes "It's not a problem to be low key at all with your music, when you trying to better yourself and your sound." DJ Manny has succeeded in moving himself forward. "Signals In My Head" brings us back to the joy of Footwork as a dance, as a mid-west American movement and most importantly as a mental and spiritual boost.

Signals In My Head

DJ Manny - Signals In My Head

https://mikeparadinas.bandcamp.com/album/secret-garden

In Spring 2021, Mike Paradinas (µ-Ziq and the owner of Planet Mu) spoke to long time friend and past label signing Hannah Davidson (Mrs Jynx) about the therapeutic power of writing music when times are tough. Both had recently been dealing with the loss of a parent due to cancer, and fresh from writing Scurlage, Paradinas suggested a collaboration.

“I’ve always thought Hannah’s melodic sensibilities chime well with my own," says Paradinas, "and I've wanted to collaborate with her for a long time, since [her 2010 album] 'Shark Carousel' in fact, because she'd written some melodies that I wish I had.”

In a matter of weeks the two collaborated online, sending stems back and forth, each encouraging the other and fitting perfectly together. 

“After about ten days we had ten tracks we were happy with." adds Davidson, "It was exciting to hear what Mike would do with the stems I sent, and equally exciting to see what he thought of my additions to his stems.”

Overall the result is an opus of deeply personal moments of grief, depicted in a feeling of serene, misty tranquility that makes it easy to get lost in. Davidson and Paradinas settled on the title 'Secret Garden' due to the melodic vista which unexpectedly opened up before them on the final track. The album truly is a melodic exploration that is so often missed in this genre. 

There are twists and turns in mood, from the pastoral loveliness of 'Jynxiq' and 'Unheard Melodies' which fall away to the dubby beats of 'Hi Jynx'; the sadness of 'Loss' leading into the beatless forlorn 'The Ballad of Darth Vader. The album ups the pace with the muffled kicks and warm atmosphere of 'Afternoon Sunshine', which sets the tone for the happier mood of the second half. This all leads up to the album's denoeument in final track 'Secret Garden' whose naïve meandering synth melodies, orchestral accompaniment and glockenspiel end the album in happy resolution.

µ-Ziq & Mrs Jynx - The Secret Garden

https://planet.mu/releases/embryo/
Jlin - Embryo EP is released 10th December on Planet Mu Records.

Jlin’s new EP “Embryo” marks a key point in the multi-platform artistic growth of the Indiana-based producer.

The title track “Embryo” features a bold and fiery sound palette recalling the futurism of nineties Detroit techno and British IDM without succumbing to their cliches. The track was written for the Chicago-based new music ensemble Third Coast Percussion who are set to release their version of the composition on Cedille Records in May 2022. The bumping “Auto Pilot” takes her mutant techno stance even further. With faint echoes of classic Model 500, it sounds like music for automated cars, robot cop junctions and virtual freeways in the air. A fifth wave techno? “Connect The Dots” is one of the standouts from her recent lives sets, with the kind of rhythmic complexity only Jlin can bring, underpinned by a glitch reborn and transmuted into something utterly of the here and now. Its final segment will catch listeners by surprise with it’s changing time signatures effortlessly rendered. 

Looking back on the new EP Jlin comments “I was just writing trying to get out of my own head. I wrote all these pieces in between commissions and trying to stay afloat mentally.” She singles out final track “Rabbit Hole” as a highlight for her – describing it as “a track I truly enjoyed making. It made me feel nostalgia yet connected me to my own evolution.” “Rabbit Hole” is the most laidback track on the EP. Its sound palette is one people know her for but the delivery is like a new kind of supercomputer live rendering of a panoramic widescreen landscape of pluto.

The new EP is of course only one aspect of her ever-prolific continued growth and despite lockdown she managed to record a live set for The Met museum in New York earlier this year. She’s also undertaken remixes for Jazz musician Steve Lehman, Depeche Mode’s Martin Gore, rising star Marie Davidson and violinist Galya Bisengalieva amongst others. She also created a remix of Beethoven for BBC Radio 6 as well as being commissioned by the Kronos Quartet to create a composition for their ’50 For the Future’ series. In addition, this past August, New York based dance company A.I.M by Kyle Abraham revealed a new work “Requiem: Fire in the Air of the Earth” featuring her music.

Jlin is currently working on a new full length album for Planet Mu.

A:
Embryo
Auto Pilot
B:
Connect The Dots
Rabbit Hole

Embryo

Jlin - Embryo

From 'µ-Ziq - Goodbye EP' (out on Planet Mu - 1st April 2022)
https://planetmu.bleepstores.com/release/242667-ziq-goodbye

µ-Ziq says hello again with 'Goodbye'. The six track EP is the first in a series of releases by Mike Paradinas this year, which are all centred around the 25th Anniversary Edition of 'Lunatic Harness’, his classic 1997 album. 

Inspired by going back through the archives while he was remastering the Lunatic Harness reissue, 'Goodbye' sees Mike revisiting the nineties, taking on jungle and it's precursor jungle tekno and upgrading them with the benefit of hindsight and contemporary software. Imbued with Mike's lush sense of melody and his knack for striking contrasts (don't be shocked to hear maudlin piano, 303 and amens in the same track), 'Goodbye' approaches these old genres like a sandpit, and stretches them in directions only Mike might take.

Goodbye

µ-Ziq - Goodbye

@basicrhythm
https://basicrhythm.bandcamp.com/album/cool-down-the-dance

Basic Rhythm returns to his Jungle roots for his final release with Planet Mu. Harking back to the golden era of the mid 90s, but with a contemporary slant, Basic Rhythm hands in three dance floor killers, with a remix from the grim reaper himself, Loxy.

The titular track, Cool Down The Dance, opens with a jittery fragmented drum pattern and wooshing stereo effects, lending a slightly disorienting feel to the intro before the well known vocal refrain leads into a monster amen drop. Deep subs, amen breaks and steely stabs roll out this dance floor banger. This is followed up with an absolute behemoth of a track. Horse Mout’ utilises an infamous vocal sample in a fresh way, building upon the intro with waves of dubwise effects before launching into a devastating onslaught. With support from scene stalwarts DJ Storm and Flight this one has been smashing up dance floors! The third track is a remix of Cool Down The Dance by Loxy, bringing his inimitable cool production style to the fore, stripping away the amen layers to reveal something for the darker corners of the dance. One for the head noders and the eyes down crew. The final track, Satta, is a nod to the dub of Augustus Pablo, King Tubby, and On U Sound. A slow boiling minimal intro that drops into the extreme minimalism of just a kick drum and sub bass line belies the swagger of the eventual drop. Swinging drums in an almost military pattern tumble and stagger around the core line of kick drum and sub bass, lending this an almost drunken air.

Basic Rhythm - Horse Mout' (ZIQ 437)

From 'Herva - Seez' (out on Planet Mu - 16th September)
https://planetmu.bleepstores.com/release/287325-herva-seez

Herva started to work on 'Seez' right after the release of his last Planet Mu album 'Hyper Flux' back in 2017. He was experimenting with home-made hardware and after the album release wanted to raise the bar, challenging himself to build a point-to-point mixer from scratch. This task took almost a year of intense soldering and forced him to scrap music production. Eventually all this hard work grew into making studio hardware properly and he co-founded a new company making mixers and compressors that work with Eurorack, called Audio Gear Obsession.

On 'Seez' Herva moves away completely from the sample-based music he's most known for and into programming and computational production, which he mixes and compresses with his newly-built hardware tools to give them the life and feeling he requires. There's also an element of randomness in 'Seez' as the music is generative, defined with numbers and ratios from his own software, tuned by ear rather than to set scales, with unexpected outcomes.

To make the record, he spent more time digging between the different iterations of each track than coding the programs that generated them. He says "How I make music is kind of weird for most producers, but I like it, and I plan to dig further. You can think of 'Seez' as the alpha version of what I and my system are able to do."

The new music still retains Herva's laid back airy feel. Each track is like a small ecosystem of chiming tones, wafting drones and skittering rhythms, hinting at formal patterns and melodies but developing on its own abstract terms. It feels as if it's the audio equivalent of watching sped-up recordings of a camera capturing different combinations of plants growing, a pleasant and curious experience to let yourself enjoy.

Seez

Herva - Xid

Room(s)

She Died There

Kuedo returns to Planet Mu with his long awaited second album ’Slow Knife’. It’s been five years since his acclaimed debut ‘Severant’ and time has proved it prescient; its futuristic trap influence is now ubiquitous. ‘Slow Knife‘ seems to return to where ‘Severant’ left off, but with the intricate sound design of last year’s haunting EP ‘Assertion Of A Surrounding Presence’ subsumed into the compositions, making them more exacting and beautifully crafted.

Between albums Kuedo has been working as a sound designer and composer for hire and the application of intent and widescreen rigour that commercial work requires has definitely found its way into the new album. ‘Slow Knife’ has the subtlety, ambition and pacing of a brilliant soundtrack - a sense of an album of scenes, that easily lends itself to an impressionistic narrative. But, as with ‘Severant’, the title suggests relationship unease, with the slow knife being a metaphor for the building resentment in any close relationship.

‘Slow Knife’ is almost two albums; the first half, according to Kuedo, invokes the seduction of the city, taking the music of Michael Mann’s ‘Manhunter’ as a cue, with the latter half being inspired by the bloody starscapes and voodoo wilderness of films such as ‘Angel Heart’, ‘Night Of The Hunter’ and more recently the ‘True Detective’ series. Both halves of the album are also in thrall to Mica Levi’s inspiring ‘Under The Skin’ soundtrack, especially in the turbulence of the mid-section. 

The songs of the albums first half are synthetic and seductive, a gelatinous veil with shades of the pseudo-sophisticated trance of Enigma, of all things, underpinned with dusky unsettling shadows and atmosphere. ‘In Your Sleep’, perhaps surprisingly, features the vocals of Hayden Thorpe from Wild Beasts, who settles his dark, whispered vocals into the moonlit shadowy atmosphere. ‘Floating Forest’ is the first track to allow back some of Kuedo’s experimentation with the Southern rap template, which he explored before it became commonplace, with echoed drum splashes and a sinister repetitive motif, ending with a haunting growl.

The second half of the album enters wilderness territory with ‘Approaching’s slow descending notes, before ‘Broken Fox - Black Hole’ throws the record into the cathartic darkness, as undulating chords play hide and seek with riotous reeds and scratchy strings grown from challenging collaborations with cello player Koenraad Ecker (from Lumisokea). ‘Breaking The Surface’ shivers and coils, before metal and strings dominate while ‘In Your Skin’ feels like being lost in a vast hinterland before ‘Warmer Light’ introduces some memories of sunshine, with its plucked bassline and spiralling dub. ‘Halogen Light’ opens with the sound of crickets and a clear piano, cleansing the soul before ‘Lathe’ brings things down to earth with a short, yet powerful coda.

Slow Knife

Kuedo - In Your Sleep (ft. Hayden Thorpe) from 'Slow Knife' released on 14th October

Jlin returns with the first fruits of her new work since last years ‘Free Fall’ EP. ’Dark Lotus’ is a transition between 'Dark Energy’, her debut album, and her forthcoming ‘Black Origami’ full-length. 

A-side ’The Escape of the Blvck Rxbbit (ft. Avril Stormy Unger)’ is the more traditional of the two tracks, starting off proceedings with a constantly switching rhythmic structure and a stop-start sweeping hoover stab panning between the speakers, descending bleeps and Avril's vocals cut into shapes and pushed through effects.

B-side ‘Nyakinyua Rise’ races headlong into uncharted territory, with a fierce barrage of djembe drums over pounding bass, punchy war cries and jubilant uluations that paint a tension between hot aggression and weightless ecstasy.

Nyakinyua Rise

Planet Mu are very excited to announce Jlin's long awaited second album “Black Origami”. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music.

“Black Origami” is driven by a deep creative thirst which she describes as “this driving feeling that I wanted to do something different, something that challenged me to my core. Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound. I chose to title the album "Black Origami" because like "Dark Energy" I still create from the beauty of darkness and blackness. The willingness to go into the hardest places within myself to create for me means that I can touch the Infinity.” 

Spirituality and movement are both at the core of “Black Origami”, inspired largely by her ongoing collaborations with Indian dancer/movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival – ”There is a fine line between me entertaining a person and my spirituality. Avril, who collaborates with me by means of dance, feels the exact same way. Movement played a great role in Black Origami. The track "Carbon 7" is very inspired by the way Avril moves and dances. Our rhythms are so in sync at times it kind of scares us. When there is something I can't quite figure out when it comes to my production, it’s like she senses it. Her response to me is always "You'll figure it out". Once I figure it out it's like time and space no longer exist.” 

Similar time shifting/folding/disrupting effects can be heard throughout the record – especially on “Holy Child” an unlikely collaboration with minimalist legend William Basinski. She also collaborates again with Holly Herndon on “1%”, while Halcyon Veil producer Fawkes' voice is on “Calcination“ and Cape Town rapper Dope Saint Jude provides vocals for “Never Created, Never Destroyed“.

Jlin will be touring extensively this year and is currently lining up appearances including Sonar festival. Later this year she will be collaborating in London with acclaimed UK choreographer Wayne McGregor who played her music recently on Radio 4's Desert Island Discs and described her music as “quite rare and so exciting".

Black Origami

Jlin - Challenge (To Be Continued)

Planet Mu are very excited to announce Jlin's long awaited second album “Black Origami”. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music.

“Black Origami” is driven by a deep creative thirst which she describes as “this driving feeling that I wanted to do something different, something that challenged me to my core. Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound. I chose to title the album "Black Origami" because like "Dark Energy" I still create from the beauty of darkness and blackness. The willingness to go into the hardest places within myself to create for me means that I can touch the Infinity.” 

Spirituality and movement are both at the core of “Black Origami”, inspired largely by her ongoing collaborations with Indian dancer/movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival – ”There is a fine line between me entertaining a person and my spirituality. Avril, who collaborates with me by means of dance, feels the exact same way. Movement played a great role in Black Origami. The track "Carbon 7" is very inspired by the way Avril moves and dances. Our rhythms are so in sync at times it kind of scares us. When there is something I can't quite figure out when it comes to my production, it’s like she senses it. Her response to me is always "You'll figure it out". Once I figure it out it's like time and space no longer exist.” 

Similar time shifting/folding/disrupting effects can be heard throughout the record – especially on “Holy Child” an unlikely collaboration with minimalist legend William Basinski. She also collaborates again with Holly Herndon on “1%”, while Halcyon Veil producer Fawkes' voice is on “Calcination“ and Cape Town rapper Dope Saint Jude provides vocals for “Never Created, Never Destroyed“.

Jlin will be touring extensively this year and is currently lining up appearances including Sonar festival. She also has plans to collaborate with acclaimed UK choreographer Wayne McGregor who played her music recently on Radio 4’s Desert Island Discs and described her music as “quite rare and so exciting”.

Jlin - Nandi (from 'Black Origami' - out 19th May)

This summer Tom Scholefield a.k.a. Konx-om-Pax will release the very welcome 'Refresher' EP, his follow up to last year's album, the popular 'Caramel', which explored and disassembled the afterglow of warm rave memory.  

The EP kicks off with the joyous actual rave of Cascada, a piece of sunny techno with a modulating, catchy stab riff over strong kicks. Next up, 'Species with Amnesia' starts of with hazy bells and synthetic, warped bird-like sounds, before dropping into a chugging Italo disco bassline and a relaxed synthline which snakes around the chords in unexpected ways as the track progresses. 

The first of two remixes, the µ-Ziq mix of 'Caramel', is recast to maximise it's airiness, its soft chords building into epic slabs of choral sound over loose breaks. The EP finishes on the slowly evolving dawn ambience of Huerco S.'s 'Extended Stay - The Morning Version' of 'Beatrice's Visit', eleven pure minutes of gentle bliss to get lost in.

Refresher

Konx-om-Pax - Cascada (Aug 11th)

Purchase the 'Devout Remixes' E.P here: http://smarturl.it/devoutremixes
@mrmitchmusic x @palmistry x @silkroadassassins

Mr. Mitch - VPN ft. Palmistry (Silk Road Assassins Remix)

Mu store: https://planetmu.bleepstores.com/release/98147-sami-baha-discreet-ft-dimzy

Bandcamp: https://ssamibaha.bandcamp.com/album/discreet-ft-dimzy

Sami Baha - Discreet (ft. Dimzy)

Thugs ft. DJ Nate out Friday 
Mu store https://planetmu.bleepstores.com/release/98148-sami-baha-thugs-ft-dj-nate
Bandcamp https://ssamibaha.bandcamp.com/album/thugs-ft-dj-nate

London-based producer Sami Baha brings Chicago legend DJ Nate (aka Flexxbabii) back to Planet Mu for this massive tune. 'Thugs' features soaring string stabs and booming 808s with DJ Nate's vocals floating above the melancholy melody of this trap anthem. From Sami's forthcoming album 'Free For All'.

Mu store: https://planetmu.bleepstores.com/release/98313-sami-baha-free-for-all
Bandcamp: https://ssamibaha.bandcamp.com/album/free-for-all

Sami Baha - Thugs (ft. DJ Nate)

https://planetmu.bleepstores.com/release/98149-sami-baha-when-the-suns-gone-ft-yung-lean
https://ssamibaha.bandcamp.com/album/when-the-suns-gone-ft-yung-lean

This collaboration between up and coming London-based producer Sami Baha and Sweden's Yung Lean has an almost nursery rhyme feel. Sami's signature detailed production with Lean's laid back rap really sticks in your head with repeated plays. On the b-side is Sami's own remix of the title track from his forthcoming album 'Free For All'.

Sami Baha - When The Sun's Gone (ft. Yung Lean) BBC 6music rip

Buy: 

http://smarturl.it/ViciousCircles
https://planetmu.bleepstores.com/release/103510-sinjin-hawke-zora-jones-vicious-circles

Planet Mu are very happy to be releasing 'Vicious Circles', the debut EP by Sinjin Hawke and Zora Jones, who aside from producing music also run the audio-visual production unit 'Fractal Fantasy'.

Zora released several collaborations on last year's 'Visceral Minds 2' including 'Dark Matter' with Planet Mu's Jlin, while Sinjin has collaborated with DJ Rashad, Just Blaze and MikeQ, and also produced music for monoliths like Kanye West and Frank Ocean.

Remarkably, given the breadth of their work, 'Vicious Circles' is their first collaborative EP, and the first time either have released on vinyl.

The EP is a great showcase for the duo's emotional, maximalist chimeras of abstract pounding beats. From the punchy, circular, grandiose build-ups of opener 'Vicious Circles', to the unyielding melancholy of 'God' with its sinister Bulgarian choir sample against a peak Timbaland-era rhythm, the record's potent synths and manipulated vocals are simultaneously fierce and friendly. 'Source of Conflict' is a poised dance between pulsing ambient textures and splintered 808s, while 'Lurk 101' pits a volley of abstracted juke toms up against a hammering drum-line. 'BabyboySosa' feels like drum-less drill, manipulating vocals into strange alien shapes before spiralling snares start to form a forceful march. The EP concludes on the love anthem 'And You Were One' with a pitched up vocal running through its chorus of bent sub tones and chimes.

Vicious Circles

Sinjin Hawke & Zora Jones - God (August 3rd)

https://planetmu.bleepstores.com/release/107937-richard-devine-sortlave
https://richarddevine.bandcamp.com/album/sort-lave
http://smarturl.it/RDSortLave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Opaque Ke (TIMESIG009)

Taken from Silk Road Assassins - State Of Ruin 
https://planet.mu/releases/state-of-ruin/

Silk Road Assassins, a trio consisting of Tom E Vercetti, Chemist and Lovedr0id, return to Planet Mu with their debut full-length 'State Of Ruin' two years after their first EP 'Reflection Spaces'.

The trio recorded over two years, working together to start with, then across different studios and via the internet when their lives became more separated. They also finessed the album at Abbey Road studios, making use of some short time to add in extra layers. 

The three producers day jobs are in production music, music designed and created specifically for film and games, and this album uses these skills to explore the musical forms that they love. The album explores how trap and grime's minimalist form can be built and curved into musical architecture: elegant, opaque and layered, turning the sound into lush melodic world-building.

The work put into the album is revealed upon repeated listens, every sound on this record feels built to sit within it's delicate ecosystem. The fundamentals of the music are given their own sense of purpose: hand claps spray, bells tumble, guitars splinter and lush melodies waft over and fill the track's spaces like light, glinting across snapping, crisp rhythms and deep bass tones.

The album also features two Planet Mu alumini, Kuedo who features on 'Split Matter' brings some of his bitter-sweet shimmering melodies and on 'Shadow Realm' Russian producers WWWINGS give the music a violent metallic edge, providing the record with an epic and unexpected twist towards the end.

Silk Road Assassins music is built to last, and a pleasure to indulge in.

State Of Ruin

Silk Road Assassins - Bloom (8th Feb 2019)

Taken from DJ Nate - "Take Off Mode" Planet Mu April 2019)
https://planetmu.bleepstores.com/release/123722-dj-nate-take-off-mode
https://datrakgenious.bandcamp.com/album/take-off-mode
https://planet.mu/releases/take-off-mode/

In an unexpected turn of events Planet Mu welcomes back DJ Nate for a new album "Take Off Mode", a full nine years after his debut album "Da Trak Genious" was released on the label.

A quick update: DJ Nate is from the West Side of Chicago and was the label's first ever footwork signing back in 2010, when Myspace was still a place to contact artists. His strange, maximalist, trippy and sample-heavy sound was the acid test to introduce footwork to a wider audience, outside Chicago and certain aficianados, and it created the opportunity for Planet Mu to release the two "Bangs & Works" compilations and numerous albums and singles from the genre, introducing the world to such artists as DJ Rashad, Jlin and Traxman. 

In the decade since "Da Trak Genious" was released, DJ Nate has been a popular R&B and Hip Hop producer and performer with a strong local following. The highlight of this part of his career was "Gucci Goggles" which was an underground hit outside Chicago. His rise was slowed after he was paralysed from the neck down two years ago, an accident which he's recently recovered from. 

As well as his R&B, Nate has still been making the occasional footwork track, often putting videos out on youtube, and it's these tracks, uploaded between 2010 to now, which caught our ear. This selection of tracks feels like they're in direct continuity with his debut, perhaps not quite as chaotic as certain moments of "Da Trak Genious", but still with his trademark yearning vocal samples, cutting them into strange new pitched up and down musical motifs, his shout outs and rough beats intact.

Take Off Mode

DJ Nate - You Ain't Ready To Battle

https://planet.mu/releases/koh-ft-ecco2k-whitearmor/
https://planetmu.bleepstores.com/release/126479-felix-lee-koh-ft-ecco2k-whitearmor
https://felixleee.bandcamp.com/album/koh-ft-ecco2k-whitearmor 

Felix Lee, the producer formerly known as Lexxi and @5tarb01, Elysia Crampton collaborator and ex-organiser of the culture-clash Endless parties and its namesake NTS radio show, has signed to Planet Mu. The first fruits of his future album is 'KOH', a vocal debut from Felix, co-produced by Whitearmor with additional vocals by Ecco2k (@gravityboys)

Felix delivers his cascading verse through spiralling fx, as if in a haze of insomnia, "It's like I'm living inna daze", Ecco2k operating as a dual voice, as the delicate synths seem to shimmer back in response. "I'm the king of hearts I got missing parts"; the lyrics paint an ambigiuous picture of detachment and shapeshifting, dreamt through the lense of a petty thief; "I'm breaking thru your locks, jumper cable knots, run off with the engine block". A taste of what's to come.

KOH (ft. Ecco2k & Whitearmor)

Felix Lee - KOH (ft. Ecco2k & Whitearmor)

Taken from the album 'Ways Of Seeing' out 14th June 2019

Launch Events - 

05.06.19 - Berlin
07.06.19 - Glasgow
13.06.19 - London

Pre order via the label: https://planetmu.bleepstores.com/release/126501-konx-om-pax-ways-of-seeing
Pre order on Bandcamp: https://konx-om-pax.bandcamp.com/album/ways-of-seeing
Listen to LA Melody now on Spotify: https://open.spotify.com/album/61migHsxlWTUzLkm1bII83
http://www.konx-om-pax.net/

Ways Of Seeing

LA Melody

Konx-om-Pax - LA Melody

From 'Datach'i - Bones' (out on Timesig on July 26th)
https://planetmu.bleepstores.com/release/129760-datachi-bones

Having broken a decade's silence with 2016's 'System', LA-based electronic musician Joseph Fraioli, a.k.a. Datach’i, returns this summer with his eighth album 'Bones'. Released on Venetian Snares' Timesig imprint, 'Bones' features 12 tracks of mind expanding electronica, once again recorded on his custom-built Eurorack modular system.
	
Much like its predecessor, 'Bones' manages to make the most of the possibilities modular systems offer, whilst avoiding their many pitfalls that can often turn such music into little more than a dry academic exercise. Indeed 'Bones' is a remarkably intimate album, written and recorded in the time following his father's death, and reflects this intense period of personal change in Joseph's life. "Creating this music was a therapy of sorts," Joseph recalls. "It was almost like a close friend being there for me, and it's something that I hope others can perhaps utilize in the same way."

The connection to his father is something that is reflected not just in the emotional intensity of 'Bones', but in the actual production itself. "My father and I were very close," he explains. "Whilst he was sick with cancer I bought him a guitar as he wanted to learn how to play, just to have something to do while he was getting treated. After he passed away my mother gave me the guitar to have as a sort of memory of him. I had the idea to record some sounds and music on the guitar and load it onto granular sample players on the modular synth so I could make new music from those sounds as a sort of tribute to my dad. You can hear some of those sounds on a few of the tracks here like 'Arrivals', 'Motion in the Living Room' and 'Undimension'." 

The resulting album grapples with the intensity of these emotions. But for all their weight, tracks like 'Saugerties Road', ‘Rockledge 3A’ and ‘Antumalal’ transform that heaviness into something warm and comforting whilst the aforementioned 'Arrivals' or ‘Wand’ ultimately achieve some kind of escape velocity and soar.

Even though 'Bones' is about endings and finding closure, it also looks forward to new beginnings. "It was something very much on my mind throughout recording this album," he relates, "ends being beginnings and beginnings being the end. Cycles of time and how time works, it's all reflected throughout the album right down to how the tracks are ordered."

Ranging from blissful ambience and guileless, starry eyed melodies, to intricate claustrophobic rhythms that forever sound close to collapsing in on themselves before expanding into bold new patterns, 'Bones' is the work of a producer who, twenty years on from his debut, continues to push the boundaries of electronic music.

Bones

Datach'i - Rockledge 3A

An intense 15 minute footwork mix by DJ Nate (photo by William Glasspiegel)

"Take Off Mode" out now https://planetmu.bleepstores.com/release/123722-dj-nate-take-off-mode

01 Demons In My Way
02 Planet Mu
03 I’m A Martian
04 We Lit
05 Get Embarrassed
06 Fuck Dat
07 Get Rid Of Em
08 I’m So In Love
09 Just Be Truu
10 Go Crazy
11 Oh Woooaaah
12 Free
13 Heat Squad
14 Bangs of Death
15 The Prayer
16 Talk 2 Me
17 Ima Burn Him
18 Aw Shorty

DJ Nate Footwork Mix

A remix done in October 2011 for Japanese band Vampillia http://www.vampillia.com/

Vampillia meets µ-Ziq

https://planetmu.bleepstores.com/release/207185-various-artists-planetm25

To celebrate their 25th anniversary, Planet Mu have compiled fifteen tracks by their current roster, showcasing a label in rude health. Committed to boundary pushing, Planet Mu's releases are diverse and exciting, moving towards the edges of genre or creating entirely new takes. 'PlanetMµ25' runs the gamut, from the deep listening of Skee Mask's Konx-om-Pax remix and Ital Tek's 'Deadhead' to the drifting tones of Bogdan Racyzynski or FARWARMTH; from the fired-up cubist experiments of Basic Rhythm's remix of DJ Nate to Gábor Lázár and Rian Treanor. The collection displays diverse experiments in footwork ranging from RP Boo's dancefloor acid and Jana Rush's amalgam of musique concrete and juke to Ripatti a.k.a. Vladislav Delay's grainy take on 'Flowers'. There's the head-on minimal grime of East Man, the foggy bass music of Eomac and the psychedelic angels-on-the-dancefloor trance of Meemo Comma, plus the sound of techno which has collapsed into free jazz on Speaker Music's 'Techno is a Liberation Technology (ft. AceMo)'. For long-time fans and those simply wishing to dip in, this is the perfect opportunity.

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