p*dis sampler 2017.03

Ben Cardew interviewed Chicago's finest, Jana Rush, at Primavera Sound 2023 to talk footwork, depression, jazz and so much more.

Line Noise Episode 132 (Jana Rush at Primavera Sound 2023)

Ready To Go.

Tune into Ghost Notes Worldwide for that post-twilight sound. Night time music of all strains, with blunted R&B and hip hop instrumentals, neo-downtempo productions, slow jams, and hazy dancefloor sounds. 
https://www.nts.live/shows/impey/episodes/impey-24th-august-2023

Ghost Notes Worldwide w/ billdifferen: Funk Special 240823

For the past few years, RA cover star Jlin has been churning out complex percussion compositions that sit at the intersection of IDM, trap, mutant techno and sound art. Her tracks are tactile and structurally complex, stacked drums interlocking with glistening melodies and heaving basslines on groundbreaking albums like Dark Origami. Her rhythms gracefully crosscut over one another like towering blocks in an architecture sketch for a truly cerebral experience.

Growing up in Gary, Indiana, the former steel factory worker wears many hats. She produces mind-bending club music—usually for Mike Paradinas's label Planet Mu—scores modern dance performances and arranges for instrumental ensembles. Her process of collaboration is deeply symbiotic, as shown on her new EP, Perspective The acoustic version of the record, written for and performed with Chicago's Third Coast Percussion, was nominated for a Pulitzer Prize this year, an unprecedented honour for a dance music artist.

Jlin's style is sometimes described as avant-garde, but modernist is a better word. She originally started out making footwork and despite moving away from the genre in recent years, footwork's jittery energy still flows through her productions, a testament to her ability to experiment across styles. Being a math whiz only adds to the angular, carefully calculated feel of her production.
 
In celebration of Jlin's career, Mike Paradinas serves up a 40 minute mix that shows off her range and most importantly, her passion for this music.

@mikep @jlinnarlei

Read more at https://ra.co/podcast/903

RA podcast

RA.903 Mike Paradinas (ft. Jlin)

The Precision Of Infinity (ft. Philip Glass)

µ-Ziq - HYPER DADDY (SLIKBACK REMIX)

Gastro

Remix of Goodbye, Goodbye by µ-Ziq. As endorsed by the man himself: https://youtu.be/qlaQpymmVu8?t=5102

μ-Ziq - Goodbye, Goodbye (New City 16 remix)

Welcome to Line Noise. My guest this week is Catherine Backhouse aka DJ Bunnyhausen aka Xylitol, aka the winner of the first ever Line Noise album of the year for her absolutely divine Anemones, released by Planet Mu. And a very worthy winner she is too. We talk about “Gutter Kosmische”, prog jungle, Gesamtkunstwerk, Yugoslav pop culture, the Belgrade Bananarama and everything in between. I hope you enjoy the interview. And do give Anemones a spin. Line Noise is with the support of Cupra.

Line Noise Episode 193  (Album of the year 2024 with Xylitol)

REPAIR AUTHORIZATION REQUEST |

this sopped up hymnal eats birds |

Authorize Repairs?

Taken from the forthcoming album 'Asylum For Eve', released February 10th 2017.

Featuring new material and reworked soundtracks, the album drifts from plaintive piano-led passages to brisk chamber music and back again, tied together by the textured layering of found sounds and instruments that distinguishes Thomas’s music.

After tracking down an old Bechstein Model 9 upright piano for ‘Asylum For Eve’, Thomas set about modifying and preparing it with cardigans, screws and nails in order to provide the textures and timbres which characterise the album’s dense, affecting sound. Techniques employed for the album include the intricate layering of bowed guitars and ukuleles, and fingerpicked violins, banjo and charango. It’s processes such as these, coupled with Hill’s high quality composition and musicianship, that see the album at once expansive and intimate.

Asylum For Eve

Buy on iTunes

Thomas William Hill - Cirrostratus

Hyper Flux

Herva - Solar Xub (from LP 'Hyper Flux' out Feb 24th)

Pre-order 'Find The Ways' on Vinyl, CD and DL here: http://phonofile.link/find-the-ways

Peter Broderick returns with Allred & Broderick – a duo project between him and his musical partner David Allred – and their debut album ‘Find The Ways’ out on April 7th 2017.

Armed with nothing but their voices, a violin and an upright bass, Allred & Broderick began their journey to create an album as minimal as possible. Recorded in Peter’s studio The Sparkle on the Oregon coast, the pair used this solitude to focus on creating something as raw and honest as possible, particularly in what some might deem unattainable during a time where complexity is sought most.

In a world full of noise and the anxieties of every day life, Find The Ways brings us together and reminds us to appreciate and confront the simple and fundamental facts of life, and that we as individuals will eventually find our way.

Words from Peter and David, January 2017:

“I sensed a truly unique character in David’s own music that is wonderfully heartfelt and sincere. With this recording David and I set out to make something raw which is an honest document of what we are capable of doing together at once, with just two acoustic instruments and our voices. The entire album was recorded live, with no overdubs and no edits. Just two guys playing together in a room. I have always dreamed of doing a project in which I only use my violin and my voice, and to do this alongside David’s upright bass and voice feels like the perfect fit. It is a truly 50/50 collaboration.“ — Peter Broderick

“It is such a pleasure to work with Peter. I feel that we're on the same page in more ways than one, both musically and non-musically. The making of this album was an incredibly fun challenge; writing music to be performed and recorded live with only violin, upright bass, and voices. It still amazes me that we managed to make a whole record with only those three elements. Over the years, I have felt a very strong connection to Peter's music and friendship, and I feel that this collaboration comes from a really good place. I hope this music gives the listeners a feeling of comfort, confusion and understanding.” — David Allred

Artist and long time collaborator of Erased Tapes Peter Liversidge was commissioned to paint the cover art as per his ‘Sign Painting’ project. Liversidge also painted the fragmented lyric signs featured in the official music video for ‘The Ways’, directed by label founder Robert Raths. Watch it here: https://www.youtube.com/watch?v=6heqiuHmvmM

Find The Ways

Allred & Broderick - The Ways

A clip from the album The Extinct Suite by Steve Jansen

The Extinct Suite Taster1

The Book of Wind

So He Got up and Ate and Drank

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Herva - Solar Xub (from LP 'Hyper Flux' out Feb 24th)

Planet Mu Records

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