massive release, used on my last podcast! :)

Techno 2

Debris Fields

Xtrakshion

WRD0241 - AngelGround (Col), Paul Render - Clown (Under The Fx Remix).

10 PRINT"ZUM DRITTEN TAGE - PT.2"
20 GOTO 10
RUN

analogsynth (arturia minibrute 2s) & SID 6581 - level beginner ;)

Zum dritten Tage - Pt. 1

Cd compilation to celebrate 5 years of the label.
Pre order: https://involve-records.bandcamp.com/album/5-years-in-love-with-involve-cd

Jeroen Search - The Regions Beneath

Homistaa

Uskoa

Out now on Beatport
https://www.beatport.com/release/bettah/2330746

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell, and the new release is a techno focused EP from Eats Everything.

As his fans already know, Eats Everything is an eclectic artist who is hard to pigeon hole, and recently his chunky sound tailored for the dance floor has started to incorporate a lot more techno.

Having first broken onto the scene following EPs on labels like Dirtybird and Petz Records, he has quickly risen through the ranks adding labels like Relief, Hypercolour and Crosstown Rebels to his impressive back catalogue.

Eats Everything is a successful solo artist but many will also be familiar with collaborations working with people such as Justin Martin, Green Velvet, Tiga, Totally Enormous Extinct Dinosaurs, Catz 'n Dogz and Claude VonStroke.

His first Essential Mix for Radio 1 is still widely considered one of the best, and his techno tracks and remixes have already found homes on labels including Pan-Pots Second State and Matador's Rukus.

Having already rubbed shoulders with many of electronic musics most iconic artists and arguably becoming an icon himself, its only logical that Carl Cox would be the next person to welcome Eats Everything into the fold, with this being his debut on Intec.

First on the EP is Bettah which centres around the thump of a thickset kick drum and filtered synth stabs. All about the down beat, the tracks jackin groove and rigid sound is brought to live with the energy of the soulful vocals stabs. Straight up techno with a party vibe this track is sure to set the dance floor alight.

Appropriately titled No Seatin Available the second cut on the EP makes you want to be on your feet while punching the air to the beat. Using tom drums to build a rolling groove, the tracks raw funk and dark atmosphere will have people rushing to the dance floor from all parts of the club once this gets hold

ID158 2. Eats Everything - No Seatin Available

Look who's back:

Balthazar + JackRock + Filth on Acid = Acid Kiss.

Enjoy the trip.....This is Filth on Acid NOW!

More

Balthazar & JackRock - Acid Kiss (Original Mix) [Filth On Acid]

UCR001 Unconformist - Limits Of Social Norms EP 
Release date: September 2018 

Unconformist is not conforming to some norm or socially approved pattern of behavior or thought.Here they come with heavily stomping techno cuts, with two relentless remixers : Joton well known for his hypnotical pounding techno, and Endlec for raw hitting and disorientating strength.

Tracklist: 
A1. Deconstructive Society (Original Mix)  
A2. Deconstructive Society (Endlec Remix) 
B1. Dissidence Policy (Original Mix) 
B2. Dissidence Policy (Joton Remix) 

fb.me/Unconformist.techno   

Mastered by: Push Up Audio  
Artwork: Camilo Rivera
 Distributed by: Decks

Unconformist -  Limits Of Social Norms EP

Almost one year in the making, Bulgaria’s outstanding techno talent lands his return to Drumcode with a four-track EP. 

Timmo (aka Valeri Ivanov) doesn’t do things in half measures. Since the release of his excellent ‘System’ EP last year and ‘Muzik’, his inclusion on A-Sides Vol.6, he’s committed himself to crafting, refining and polishing a quartet of cuts inspired by the cosmic realms beyond planet earth. Titled ‘Meteorite’, its release marks 10 years since he first began producing and stakes its claim as a resounding career highlight with tracks already highlighting gigs for Adam Beyer at Tobacco Dock, Awakenings, Future Kappa Festival and Junction 2.

Beginning with the title track, the streamlined work throbs with a searing synthetic pulse. ‘Black Moon’ sees the EP land its first blow, kicking with a mixture of undulating synths and understated hoovers. ‘Spacetime’ stays true to its name delivering intergalactic techno vibes. ‘Cosmos’ concludes the work, taking us into extra-terrestrial dancefloor territory, with a barrage of trippy synth work and a melodic underbelly the makes the track both beautiful and heavy-hitting in equal measure.

Timmo - Spacetime  - Drumcode - DC194

[Live recorded at Katharsis Night in Brno, Cezh supported by Hedone crew]

Originally from Kochi prefecture, now residing in Tokyo. He started organizing his own nights in 2011 where he honed his dj skills. Playing anything from classic to cutting-edge tracks, his smooth mixing brings a unique tension and intonation to the ﬂoor through individualistic loops. By gaining his reputation through his dj sets and an insatiable pursuit of the techno scene led him to play regularly in Osaka as well as various venues in mid and West Japan. As an organizer he has brought over many prevalent modern techno artists such as Claudio PRC, Ness, Luigi Tozzi and Refracted, in order to evolve the techno scene in Japan. In 2014 he moved to Tokyo where he linked up with his main partner Kannabi to start the techno party Katharsis. In recent years his music production skills have ﬂourished, hence, set up the label Katharsis Recordings. The ﬁrst release is sprit 12 from the Label founder Masafumi Take and Kannabi. Also include Iori and Takaaki Itoh remix. He is recognized as the next generation to take up the techno mantle in Japan.

https://soundcloud.com/masafumitake
facebook.com/MasafumiTakeOfficial/
residentadvisor.net/dj/masafumitake
https://katharsis.bandcamp.com/

SCOPÁVIK 088 | Masafumi Take

Paul Ritch & Giorgio Gigli 
Shadow Never Sleep EP 
PRRUKBLK031
A1 - White // B1 - Grey / B2 - Black

Vinyl Release Date: September 28th 2018
Digital Release date: October 8th 2018

Paul Ritch and Giorgio Gigli team up for the first time for the 31st release in the Planet Rhythm Black series. They deliver three powerful, deep and, acidic tracks.

Planet Rhythm:
www.planetrhythm.audio
@planetrhythmrec
www.facebook.com/planetrhythmrec
pro.beatport.com/label/planet-rhythm/3022
www.discogs.com/label/347-Planet-Rhythm-Records

Follow us on spotify: goo.gl/wxITRf

Paul Ritch & Giorgio Gigli - Shadow Never Sleep EP [PRRUKBLK031]

The notorious London White is back. This time tracks selected by Gareth Wild. 

So far being played and supported by the likes of: DVS1, Marcel Dettmann, Jonas Kopp, Kwartz, Dax J, Rodhad, Etapp Kyle, DJ Pete, Aiken, Rem Co, Peter Van Hoesen.

This cut through VA sees excellent additions to the series via standout material from Gareth Wild, SP-X, Kessell and exciting London based newcomer End Train. 

Tried and tested, dance floor killers >

All tracks written and produced by the artists.
Out mid September.

LDNwht 006 - SP-X/Kessell/Gareth Wild/End Train - Audio clips

premiere of "Steam" by William Arist
taken from the upcoming EP "Steam", released soon on Tauten 

EP Details:
https://novafuture.blog/2019/07/04/william-arist-steam-ep-tauten/


------------------------------------------------------------------------------------------------------------

Artist: William Arist | @williamarist
Label: Tauten | @tauten

Info & Buy

William Arist - Steam [TTN056 | Premiere]

Sawlin's debut EP on Delsin off shoot Ann Aimee went down so well it only made sense to have him craft another. 'Eviment' is that EP, made up of three more deep and subterranean techno cuts that play with plenty of textures.

Title track 'Eviment' is a tortured and paranoid offering that has a nagging vocal stretched out over splashy claps and a foreboding bottom end thud. It's vast and dark, spare and haunting where 'Kretze' is a bigger and bolder track. The analogue percussion and serrated lines all sound old and aged as they mark out a scraping, dystopian vision of a world well away from here.

'Sour Tear' has a more syncopated, techno-funk groove but is still padded out with plenty of dubby undercurrents. Sawlin's percussion sounds are wholly non standard, from clanking metal to twanging strings, everything sounds like a real world sound, which makes his music as arresting as anyone's, despite being made firmly for the techno backroom. 

Buy at Delsin Webshop

Sawlin - Eviment [ann017]

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Existenz

Buy on Tresor Store

Function - Vampir

Emmanuel presents his '𝑻𝒉𝒆 𝑬𝒏𝒅 𝑰𝒔 𝑵𝒆𝒂𝒓' Mix to close this 2019. The Mix includes many tracks that he played during the year, & many new ARTS upcoming records in 2020. (1:55.41)

No Tracklist due to many Unreleased / Inedit / Unheard
This mix has only a listening purpose, no Download and no Lucrative intentions.

Paul Ritch & Giorgio Gigli - Shadow Never Sleep EP [PRRUKBLK031]

Planet Rhythm

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