Les Spirales Messmer

DHE001 Disco Halal Exclusive

100 Hand Stamped Vinyl Press, One Per Costumer 
Release Date 1.4.16
Moscoman Remix of Calexico - Roll Tango 

Disco Halal / City slang 

Pre-Order Now

Calexico - Roll Tango (Moscoman Remix)Snippet

Capsule's Pride • http://smarturl.it/LMW0006
From Capsule's Pride EP available March 25

[LMW006] Bwana - Capsule's Pride (Bikes)

Thrilling music from the cassette deck of Brian Shimkovitz.

Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=517

@awesometapesfromafrica

RA.517 Awesome Tapes From Africa

first excerpt from Vanessa Rossetto | The way you make me feel cd on Unfathomless.

this release is limited to 200 hand numbered copies and comes with an extra art card.

U35 | Vanessa Rossetto | The way you make me feel | 1. I Cut My Own_excerpt

Mix traditional albanian music

Opa Opa - Buongiorno Italia

SPCTR006 - Petit Singe - Akash Ganga - out April 28, 2017

 Two years have passed since “Tregua”, Petit Singe’s debut on Haunter Records. A key moment for both the label and the artist, it represented Hazina Francia’s move out of the shadows, introducing her unconventional taste for hybridization. Unnumerable gigs and experiences later, Francia’s vision and artistic capability have grown richer and broader, leading her to new path. The 5 tracks that compose “Akash Ganga” are here to testify an unresting spiritual investigation. They construct a sonic scenario that brings her mix of post-club sensibilities, and reminiscences of her native India directly into space, injecting her tabla-led polyrhythms with cinematic sound design. Francia’s talent for gracious meditative moments is here constantly mutating into unprecedented heavier tones, letting the moments of melodic reverie and those of sheer percussive intensity strengthen each other. All this elements fuel the impressionistic narrative Francia has decided to arrange: mixing elements of her personal biography (like naming one of the tracks after the date her foster parents brought her to Italy from Bengala) with fragments from the history of digital experiences and elements of her eastern heritage. This allows her to use music as a mean to explore themes of personal and cultural identity, as well as technological evolution and gender.

Out april 29th Comes in a 12"  wrapped in a poster by designer Giorgio Di Salvo.


Pre- order: https://haunterrecords.bandcamp.com/album/petit-singe-akash-ganga

Petit Singe - Hue And Cry

Stefano Tamburini is the great absentee of Italian culture, chemical ghost of Italian media laboratories, where they create myths for the present generations, ready to be parcelled up in astonishing series to be included in national newspapers or TV shows that breastfeed the thousands of Millenniums depressed by cerebral onanism caused by encephalic absence.
Stefano Tamburini was, but he especially wasn’t. Incessant denial. But not as an act of disobedience. That attitude belongs to the winners, the Italian race par excellence, devoted to the constant and servile adoration for the “strong” and to the constant scorn for the weak. Instead Tamburini dedicated himself to the narration of constant disavowal, creating an extremely personal code of No! always and anyways: not to conquer spaces of recognition, but to lose his conscience and presence right in those very spaces, to recreate a reality that’s denial of the present, so more true than the truth.
Stefano Tamburini was many things: comics author with the marvellous invention of Ranxerox (a monumental screenplay on Frigidaire entrusted to the Michelangelesque pencils of Tanino Liberatore: the synthetic chav Ranx with his teenage girl Lubna in a grim cyberpunk Rome) and Snake Agent (absolutely revolutionary for the time, created using Xerox Art techniques and the
use of détourment inherited from Situationist International). Creator of magazines, graphic designer and non-musician.
A kinetic vortex that united the New York of Mars and Contortions with Mario Schifano, Tano Festa and Franco Angeli. The Throbbing Gristle and Cabaret Voltaire with Residents and Aldo Piromalli, Pere Ubu with Alberto Grifi and Victor Cavallo.
Stefano Tamburini wrote a column on Frigidaire entitled RedVynile. In this column, Tamburini played the part of a ruthless music critic, precisely RedVynile, who inevitably tore to pieces any musical proposal, using a rude style that bordered on obscene language. Because of this column, many upcoming musicians started to send their tape-recorded music to Tamburini asking for his opinion and advice. Tamburini, submerged by tapes and annoyed by their poor quality, decided to create a musical collage by cutting and destructuring the tracks he received. He published the result under the pseudonym Mongoholy-Nazy, playing the part of an imaginary Hungarian musician. This was the genesis of Thalidomusic for youngbabies, which was released on cassette in just a few dozen copies.
But what is Thalidomusic for youngbabies? First of all it’s Italy’s biggest “no wave” work, in fact anti-wave work, The Apotheosis of No! But even more importantly Thalidomusic for youngbabies is the most true and sincere (so crude, violent, dirty, but unbearably romantic) narration of Italy in the very early 1980s. Try to read Thalidomusic for youngbabies with your ears and you will suddenly be catapulted into the most harrowing generational film ever made in Italy. Yes, because Thalidomusic for youngbabies should be lived like a visual story, but made one’s own and experimented on one’s own skin. A non-fiction work about the lost generation that emerged from the 1970s devastated. Suburbs, blood, shit, love and hormonal cataclysm. An escape route towards closed and oppressing spaces. Destroy and don’t rebuild. Getting lost. Have a good journey towards nowhere with Thalidomusic for youngbabies.

Mongoholy Nazy - Thalidomusic For Young Babies

Stefano Tamburini: Mongoholy Nazy - Thalidomusic For Young Babies (extract)

Plastica Marella issues limited-edition vinyl records and cassettes. It is not an independent record label however. The epitome of the unconventional, Plastica Marella publishes books on pre-printed paper and tales for narrators without words. Yet it is not a publisher. Autonomy is a non-existent flag for Plastica Marella and it rejects independence as fake and without meaning.  Plastica Marella is free from the constraints of fashion, culture, sounds and contemporary words and of everything that contradicts the above concept. Plastica Marella issues and distributes the missing links that help us to understand modernity, providing a constant flow between the distant past and the near future. Plastica Marella seeks to liven up the wait for the inevitable end, hurling itself into the chaos of ideas. Plastica Marella issues and distributes sounds that we listen to in a different kind of way.

Stefano Tamburini: Mongoholy Nazy - Thalidomusic For Young Babies (extract)

Plastica Marella

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