With an ear for space age funk and an eye on the dance floor, Eli ‘Photocall’ Epstein and Jimmy Maheras fuse house and electro vibes with their latest project as Cazion.

Eli and Jimmy fittingly met at a Metro Area gig years ago. After running into each other at multiple LA dance events, the duo connected over classic NYC dance records...and classic NYC pizza.

No strangers to the electronic music scene, Eli has released music on Clone, Ghostly, Environ and his own Computer Life imprint, while Jimmy has released on RebelLion, Supernature and his own label, Plastic Love.

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Cazion - All The Way Thru EP [OUT NOW ON PLASTIC LOVE RECORDS]

Cazion's original cut from their debut EP, All The Way Thru, gets premiered on @breach-uk's Radio 1 Residency year end Christmas mix!

https://plasticloverecords.bandcamp.com/album/all-the-way-thru-ep

All The Way Thru EP

All The Way Thru

Buy Now On Beatport!

Cazion - All The Way Thru (BREACH RADIO 1 RESIDENCY RIP)

Also available at // https://clone.nl/item39042.html // http://www.redeyerecords.co.uk/vinyl/69047-plr-003-cazion-all-the-way-thru-ep // http://www.juno.co.uk/products/cazion-all-the-way-thru-ep/591145-01/

Bandcamp: https://plasticloverecords.bandcamp.com/album/all-the-way-thru-ep

Buy digital on Beatport here: https://pro.beatport.com/release/all-the-way-thru-ep/1702432

The giant energy of an early 90s rave meet classic hip hop beats straight from the dusty SP-1200 on Cazion's debut record:
"Rap music runs very deep in my veins; by the time I was fourteen I was making mixtapes and obsessing over the huge, funky, bombastic sounds of late eighties hip hop," says Cazion's Photocall. "I still aspire to capture the snap and the bigness of the kind of sound you'd hear on a Paul C record, a Public Enemy record, and I still use the the same machines those guys used to do it," he adds, gesturing at the wealth of vintage gear cluttering his retro spaceship of a studio, The Escape Pod. "When you hear the first bar of this song, you might expect some dude with a cameo flattop to start rhyming about the Benzi Box in his Suzuki Samurai at any moment."

"We wanted to take it all the way," adds Maheras, from the depths of a glowing neon couch. "Some people shy away from using certain sounds because they're afraid to sound cheesy - but they forget to have fun. I'd rather have so much fun making a song that I forget to worry."

"Like the dancers we sampled," Photocall agrees. "The vocal snippets are from a British video that was shot on New Years Day, 1993, the morning after a giant rave. It's the middle of some field, people are pushing their cars out of the mud, and this one couple is still dancing their asses off. They don't care that there's no music playing; they're totally in the zone. My man DJ Duane happened to send us the link as we were programming the drums for this record, and something just clicked. We knew we were making this record for those two crazy kids, wherever they are. Possibly still in that field."