techno

Release info: ghostly.com/releases/hinterland

Recondite - Abscondence

http://www.delsinrecords.com/release.php?idxRelease=3797

Vril is still a relatively little known artist but already he has some great accolades to his name: He has released a couple of great EPs on Giegling sub label Staub, had a track on Marcel Fengler's Berghain mix, Dettmann's Conducted and now appears with the 103rd release on Delsin. What he serves up is three titanic techno tracks designed with maximum dancefloor damage in mind.

So big are these productions that we got a message back from that well known mastering company in germany. For some mystified causes some of our expensive equipment was crashing during the mastering session (!). They’ve been mastering records since over 20 years and that has never happened before like this.

The Vortekz EP starts with the title track and it's a dramatic bit of big room techno with nerve gangling chords and plenty of sonic grit. The dub version is slower and more purposeful and is buried in a much wider, deeper groove that snakes more than stomps. Finally comes 'y7/10', which rocks back and forth in the same rusted loop as percussion flutters like tin foil in a stormy wind. The track flows an ever-higher arc of tension that eventually erupts into a sea of analogue fuzz and hiccupping techno beats.

Vril - Vortekz [103dsr]
a1. Vortekz
a2. Vortekz Dub
b1. y7/10

Buy at Delsin Webshop

Vril - Vortekz [103dsr]

Juan Atkins & Moritz von Oswald Present Borderland: Transport

Lightyears

Donato Dozzy - Gol

Only The Good Times

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

BANCDACMP

Helena Hauff - Multiplying My Absurdities

Guess we were all hungry for this to come out, enjoy 🩷

Playlas - I’m Hungry

Mad Mike - The Final Frontier

Blawan - Peaches [Melting Flesh]

C1 Blawan - 993

Mdr 18

Calm Down

Listen / order: K7.lnk.to/K7Bjarki

An expressive electronic album with the kind of positive, stirring resolve that leaves you feeling utterly comforted, Bjarki’s new album ‘Happy Earthday’ is influenced by his home country Iceland as well as environmental issues.

Having released bodies of work on трип and his own label bbbbbb, Bjarki views ‘Happy Earthday’ as his proper debut album; he feels it’s a more coherent and conceptual body of work that finds him offering up music he never thought he would release. The album contains very personal material written over the last decade during fragile moments of introspection. Says Bjarki on the album: “You can consider this album as a window into my head and even my soul. It reflects my thoughts at the time I made this music. For me it is a bit odd, sharing it like this with the world. As a very private person I am not used to open my door so completely, it can be a little scary for me. What if … I tend to think, expecting all kinds of everything.

Releasing this album is also a kind of a farewell to music I made in a certain period in my life. It’s like I’m saying farewell to a grown-up child which is now ready to leave.

When facing the world, the music undergoes many changes from my point of view. It becomes global, ceased to be obeyed by my thoughts. Now it’s yours, the folks that listens, thinks, speculates about it, consumes and develops a private opinion. Not one, or two, but many, even thousands. And your opinion is equally as ‘right’ as mine, or maybe more.

That’s how art is. When published, the understanding or opinion is even more of the consumers than the artist. He has lost his control over it and for me that is the scary part. Again, what if …

My music is under a heave influence from my inheritance as an Icelander, my upbringing, my family, surroundings and of course the music and artists I have listened to all my life. That’s how things are.

Maybe you can feel the melancholy of my life, the nature overall. Volcanos and the lava flowing down the slopes, the frightening noise of the ocean beating the land, the strong wind in the mountain passes and a glimpse of the first ray of the rising sun over the glacier. Now that is the dawn of a new day.”

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Bjarki - ( . )_( . )

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► An essential summary of Berlin techno from the one and only Ben Klock.

Ben Klock Boiler Room Berlin DJ Set

Dense & Pika 
Move Your Body Back EP
HFT029

Chris Spero (otherwise known as UK house and techno producer Glimpse) and Hypercolour co-founder and producer, Alex Jones, return once again as Dense & Pika to the Hotflush fold with ‘Move Your Body Back.’

Having crept out of the shadows back in 2011 with a collection of white labels released through their own eponymous imprint, Dense & Pika went on to bolster their rising profile with the release of their Hotflush debut (‘Crispy Duck') which landed late last year as well as with their memorable live set at Hotflush's recent Boiler Room Takeover. 

There is nothing chin-strokingly complicated or needlessly over-worked about their productions. They make interesting techno aimed at the dance floor and ‘Move Your Body Back,’ continues with this central aesthetic. The three track EP plunders percussive depths by way of stern machine rhythms, swollen low-end grit and the echoing, anthemic elements of warehouse rave techno.

The title track of the EP may already be familiar to many having appeared on their Resident Advisor podcast in March and is already being played out by Maya Jane Coles, Boddika and Adam Beyer, amongst others.

Tracklist: 
A1. Move Your Body Back
B1. Lack of Light
B2. Backstage Mute

Release date: June 17th 2013

Dense & Pika - Move Your Body Back EP (HFT029 Preview)

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Connecting club culture to the wider world, on screen and irl through parties, film and video.

Blawan - Peaches [Melting Flesh]

Boiler Room

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