Incredible remix from one of the kings of underground music @ancientmethods 
Features on the brand new remixes album Systems, Souls & Societies, out now on bandcamp.

Vinyl due November 2021.

Also features remixes from @schwefelgelb, @cursesforever, @krisbaha, @cardopusher, @unconscious, @iamrougemusic, @pictureplane, @mind666matter, @illnurse, @gammaintelligence, @rendered-audio

The Light (Ancient Methods Remix)

Cassegrain & Tin Man 'High And Low' - Boiler Room DEBUTS

BITE is pleased to announce the solo debut of the label boss himself – Hayden Payne aka Phase Fatale – with his first EP in 5 years.

The New York native and Berlin-based BITE label founder has long made a name for himself as one of the main players on the heavy electronics arena. Berghain and Khidi resident with releases on labels like Jealous God, Ostgut Ton and unterton under his belt, Payne also is ½ of the Soft Crash duo with Pablo Bozzi.

‘Nailed To The Net’ is Phase Fatale’s first solo work on the label. The EP consists of five tracks canonical to Payne’s signature futuristic industrial style, including a remix by the interdisciplinary artist Rrose. Not deprived of romantic sensibility, and yet with punchy groove and heavy hitting arpeggiations, the record comes together as a flavourful mix of sci-fi-like electro, unsettling vocals, powerful industrial techno, and atmospheric guitar driven wave.

Nailed To The Net

Phase Fatale - Desecrating Vows (BITE025)

Release date (all formats): 2nd of June 2014

CD / Digital:
1. Narrative
2. Birth
3. Requiem
4. Plaintive
5. Lullaby
6. Vallecula
7. Winter
8. Petrichor
9. Aleph
10.NGC5128 

2LP:  
A1 Narrative
A2 Birth
B1 Requiem
B2 Plaintive
C1 Vallecula
C2 Winter
D1 Aleph
D2 NGC5128


From his first EP release in 1996, British producer Inigo Kennedy has built a sound which embraces both the traditional and the ambitious - as well as the emotional, the organic and the energy of live performance. Continuously studying the effects and capability of digital equipment, Kennedy has released in excess of 100 records, either as himself or through alternative monikers (Reducer, Tomito Satori). He has released these records on labels such as Missile, Semantica and his own Asymmetric. Since 2007 Inigo Kennedy and Belgian label Token Records have had a particularly close and fruitful relationship. Kennedy released three times on the Ghent-based label last year, including the thumping 'Emitter' and spiralling epic 'Cathedral'.

In April 2014 Inigo returns to Token - and with a project that feels like the culmination of all those years and all those records: a CD, 12'' single and 2x12'' LP under the banner of Vaudeville. In true, theatrical manner, Vaudeville is a collection of differing themes - from the abstract and freakishly odd to the direct and resonant. And just as the Vaudevillian shares a common purpose with his co-stars as the 'voice of the city'('voix de ville'), there runs through the centre of this record a clear narrative for urban experience.

'Narrative' presages the mood with a cold wind, before 'Birth' emerges with rain on the ground and a helicopter searching in the swirling darkness. 'Requiem', next, is more direct, as a warm kick and frenzied timbres interlock; the rumble recalls echoing and unhappy machinery. As one cornerstone of the record, 'Plaintive' is Requiem's anxious but happier brother: an organ winds its way down a slope, as soft toms herald the start of reflection on a heroic journey. 'Lullaby' has a deep and echo-laden undercurrent, building from afar but also warm and so incredibly close. 'Vallecula' is lower slung still, the atmosphere rough and moments before the morning light: the uncertain hour, the uncomfortable and unpredictable, a paranoid heartbeat. 'Winter' is the rolling patter of rain through clashing snare taps and dragging hi hats, solid thumps in haunted isolation. 'Petrichor' strides like a boss through his realm, again enwrapped in dank surroundings. 'Aleph' is the coolest act, a tremor of synth and an icy kick of determination. It's a race through the streets in sturdy boots, swirling in its certain melody. And at last there is the final cornerstone - 'NGC5128' (a galaxy in the constellation of Centaurus). A reflective end, this galactic rumble is late-of-bar heavy, and has a fitting space synth jagging in and out.

As a whole Vaudeville is a presentation of space, industry and enveloping urban darkness in a single, turbulent journey. It is the culmination of an organic and emotional approach to production. It is Inigo Kennedy at his finest. 

www.tokenrecords.com
www.facebook.com/inigo.kennedy.music
www.facebook.com/tokenrecords

Vaudeville

Inigo Kennedy - Plaintive

SEARCHING is a meticulously crafted, ten-minute instrumental odyssey within the darker side of electronic music. It uses high-octane rhythm to propel a heavy, introspective, and melancholic emotional state, perfectly suited for deep listening or the moodier hours of a club set.

SEARCHING

Nthng - In The Afterglow

nthng returns with a mysterious white label hint at the near future.. A very special hand-stamped vinyl sampler containing two tracks from his forthcoming album on Lobster Theremin plus the long-awaited remastered release of Untitled (Human Pt. II)

BUY RELEASE

nthng - Untitled (Human Pt II) [LT029.5]

Más info: http://www.clubbingspain.com/mp3/2017/primicia-david-carretta-never-control.html

Never Control

PRIMICIA: David Carretta - Never Control [GND Records]

More Info: https://www.xlr8r.com/news/2017/10/premiere-stream-a-mindbending-new-cut-from-dorisburg/

More Info

Premiere: Dorisburg - Venom

Support the label, buy it here:
lobstertheremin.com/album/it-n...

Artist: nthng
Album title: It Never Ends
Label: Lobster Theremin
Catalogue: LT029
Genre: Electronic
Style: Techno
Format: 12", digital
Release date: 24 February 2017

Album:

nthng - Touches 
nthng - Galaxy
nthng - It Never Ends 
nthng - Soms
nthng - Unity
nthng - In My Dreams
nthng - Abyss
nthng - Eternal
nthng - Last

nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.

Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work.

Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight.

Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.

The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb.

Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss.

Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depth-charged technoid closer.

For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.

It Never Ends

nthng - Eternal [Lobster Theremin]

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