When this is going to be released officially? Want it already!!

kind of gary numan-y, but a little less whiney and production that has eaten a few steak sandwiches. marvellous

From the Bloodgroup - Disquiet EP
Remixes by Com Truise, Keep Shelly in Athens, Girl Unit, and Renaissance Man
iTunes Link: bit.ly/185vR9x
Juno Vinyl: http://bit.ly/1aozFgK
www.sugarcanerecordings.com

BLOODGROUP - LINES (KEEP SHELLY IN ATHENS REMIX)

From the 2010 album Drowned in Light released on CD/LP/DL on Darla (US) and Make Mine Music (EU).

Get it from manual.bandcamp.com/album/drowned-in-light or www.darla.com


Manual - "Afterimages"

LYRICS : 
[Written By : NV]
[Produced By : Jewelerbeats]

[Intro]

I know, that you did, 
me wrong,

But why do I feel, 
Like it’s all my fault

[Chorus]

I know, that you did, 
me wrong,

But why do I feel, 
Like it’s all my fault,

You keep, playing games,
All over again,

You were my lover,
But I’m just your, monster

[Verse]

I know, what you said,
Said, I’m better off dead,

Maybe I’m, fucked up then!

But I’m doing better, Since I left,
Said you, we’re not like, All of the rest, 

Now I’m dead!

[Chorus]

I know, that you did, 
me wrong!

But why do I feel, 
Like it’s all my fault!

You keep, playing games,
All over again!

You were my lover,
But I’m just your, monster!

(Why do I? Feel this way!?)

(Why don’t you, feel the same!?)
(I am, your monster!)

[Mixed & Mastered By : Jewelerbeats, NV]

MONSTER

Timo Kaukolampi, Tomi Leppänen, Anssi Nykänen and Tuomo Puranen together make one of the most potent and psychedelic forces in 21st century music. As K-X-P, they deliver ultra-intense live shows where krautrock, industrial and disco collide together in one brain-melting surge of energy – a direct continuation of Kaukolampi and Puranen's previous bands, the truly legendary Op:l Bastards. This track from their forthcoming III Part One album is an unholy collision of Hawkwind, Front 242, Spacemen 3 and something skyward-bound and ecstatic that we can't quite put our fingers on – but whatever that might be, it transcends influences to create something streamlined and dangerous. Blow away your Monday cobwebs with this. 

K-X-P "Space Precious Time" - Boiler Room Debuts

DOWN IN DARKNESS

Words: CW Mullins
Music: Fogey

Light approaches and I see your face appear
But I step back as I watch your hand come near
Any hand that takes another takes a life
Where you take it is the cutting edge of the knife

Down in darkness with a new world to explore
Down in darkness and I can't look any more

I've been waiting
I've been waiting

When the wind howls overhead I crouch down low
When the sun beats down I hide in a shadow
I do not remember coming to this place
I cannot even remember my own face

Down in darkness with a new world to explore
Down in darkness and I can't look any more

I've been waiting
I've been waiting
Waiting for the light

Down in darkness with a new world to explore
Down in darkness and I can't look any more

I've been waiting
I've been waiting

Down In Darkness

Borealis - Nightfall (Somfay Live Version) [2014-10-07 Rehearsal]

What Is Love [uncut]

from 'Oneirogen - Convivium'
Denovali Records · den261
available on all formats at [http://denovali.com/oneirogen]

"Convivium" is Mario Diaz de Leon's third album under his ONEIROGEN alias, and follows the "Plenitude" EP, released in 2015. It was developed over a period of two and a half years, primarily through live performance in the metal and noise underground of NYC. Like its predecessor, the album's core instrumentation is an array of hypnotic synthesizer riffs, pummeling percussion, distorted vocals, and surging noise. With "Convivum", Diaz de Leon has crafted a powerful and singular work of heavy electronic music.

A charged sense of anticipation permeates the music, sustaining tension and mystery through spans of repetition and moments of rupture. The songs build towards hedonistic climaxes, which yield to sparse, expansive passages in which every sonic detail is vividly heard. Inspired in part by Bataille's "Erotism", which connects the "rupture of boundaries" common to sex, mystical ecstasy and ritual sacrifice, as well as the work of psychologist Stanislov Grof on the impacts of birth trauma on the human psyche, "Convivium" is an incantatory journey through primal and dark creative forces.

The artistic output of Mario Diaz de Leon spans a wide range. In addition to his work as Oneirogen, he is highly active as a composer of modern classical music (with a 2016 commission from the LA Philharmonic and releases on Tzadik and Denovali), and is the frontman of Luminous Vault, his recently formed death metal band. Envisioning all of his activity as part of a spiritual practice, he considers Oneirogen to be the most personal side of his work.

"It's just me producing everything, and of course I perform it alone as well." he explains. "Each album is a kind of personal trial or rite of passage. As someone who also works in the classical tradition, I think of them as my symphonies. Its a project where i'm open to all my influences, and i'm entering into mystery and the unknown, battling to carve essences out of formlessness." 

Convivium

Oneirogen - Rupture

Irrepressible Dutch electronic producer Kettel steps up to deliver his unique take on Lost Idol's Mechanically Void, a track lifted from the forthcoming new Lost Idol longplayer Chrome Machine Tales. End of summer vibes abound on Kettel's remix as he rouses the discotheque with sprightly beats and his unique melodic flair from the get-go.

Mechanically Void Kettel Remix

Rayanne (Indian Wells remix)

Keep Shelly in Athens - Hover

Connecting club culture to the wider world, on screen and irl through parties, film and video.

K-X-P "Space Precious Time" - Boiler Room Debuts

Boiler Room

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