Unordered from across years & years of a++ grade material – hit shuffle & enjoy!

Boiler Room Debuts

A slight chill to this morning breeze

Image credit: https://widget-club.com/i/200bab74b61b406e8c45

Breezy Morning

Bradley Zero's swashbuckling efforts with Rhythm Section continue to induce pleasure across the office and beyond. His regular soirees at Canavans Pool Hall are typified by the type of loose, one-love community ethos that many club nights would starve for; red neon lit, set time-less and buoyed by an all-encompassing music policy. Naysayers need only check Edd Fisher this Saturday in Peckham. On top of that, the RS discography stockpile is quickly blossoming into a well-nurtured settling for talent; undeterred by genre or location, and instead driven by an unwavering feel good factor. There's already been woozy, drifting deep house from Melbourne's Prequel and the velvety hook up with Vancouver's Mood Hut rep Local Artist to digest. Just six releases in, and the air miles have definitely been totting up.

As the title suggests, RS007 resides a bit closer to home than previous entries. Good Morning Peckham is Henry Wu's (@wuesli) ode to his local area, built around his now recognised style of off-kilter, slacker house. "Dubplate Special" is a special lecture in groove; a marriage between succulent bass sways and radiant Rhodes piano that's oh so ripe for summer.

It's out on Monday July 27th and available to pre order here: http://bit.ly/RS007Bandcamp

Follow Henry Wu: 

www.twitter.com/akiwudon 

www.soundcloud.com/wuesli

www.facebook.com/wuesliwu

Pre-Order

Henry Wu “Dubplate Special” - Boiler Room Debuts

The first Musik For Autobahns was a delight: softly-softly ambient and subtle cuts from the likes of Move D, Suzanne Kraft, Roman Flügel and plenty more besides. Even amongst Rush Hour's bounty that year, it stood proudly out. A ripple of excitement went through BR HQ upon finding out Gerd Janson was lining up a second, with no shortage of marquee signings all coming correct with their A game.

A number of heads come together to translate these thoughts into sound - from Fort Romeau's Drive-esque "Seleno" joyride through to the propulsive "Melancholy" of Disco Nihilist. Perhaps none elicit as many feels as the enveloping opener from Leon Vynehall though.

As well as being a mesmeric mimic of accelerating down Bundesautobahn 5 at daybreak, "Midnight on Rainbow Road" got our Debut nod for three main reasons: firstly, it kicked off last year's sublime set from Gerd & Ata (so, about time); second, it's a welcome return for Mr Vynehall after a richly deserved breakout year; third, dude's got previous with N64 titling. And that's something we can all get behind.

Musik For Autobahns 2 is out in September. Pre-order it here: rushhourmusic.bandcamp.com (digital) + http://bit.ly/Autobahns_2 (physical)

Pre-order

Leon Vynehall "Midnight On Rainbow Road" - Boiler Room Debuts

Galcher Lustwerk - I Neva Seen

Kornél Kovács - The Bells (Studio Barnhus)

2x 12'' vinyl / CD / digital / Release: 26.08.2016

A1. Szikra Intro – A2. BB – A3. Dollar Club – B1. Gex – B2. Josey's Tune – B3. Dance... While The Record Spins – C1. Szív Utca – C2. The Bells – D1. Pop – D2. Urszusz

For the past seven years Kornél Kovács has been busy rocking dancefloors and boomboxes worldwide as one third of Stockholm’s Studio Barnhus alongside Axel Boman and Petter Nordkvist. The label and DJ trio is spearheading a new era of fearless Swedish off-centre dance music, straddling the line between the cute and the menacing.

Anticipation for Kovács' debut album has been rocketing following stand out releases like 2014's wistful Szikra, last year’s mad party anthem Pantalón on Glasgow's Numbers imprint and the late night groove of Space Jam on Smallville Records.

On The Bells, Kovács pops open his trunk full of sounds nicked from the lost and found bins of nightclubs all over the world. From the distorted organ chords of BB to the stripped down trancehall beats of Josey’s Tune and Szív Utca and the title track's cinematic romanticism, it's all of the bells and all of the whistles - further positioning Kovács as one of the most characteristic producers of modern house music.

The record was completed in an intense two-week session with Kovács' great friend and studio engineer Matt Karmil in the winter of 2016. Another close friend, artist Malin Gabriella Nordin, has created the album artwork together with her brother Jonas.

Prompted directly by Kovács to give his report on the record, Studio Barnhus label boss Axel Boman had the following to say:

Kornél's bells will echo far beyond the nervous and trend sensitive ”dance" genre that our label sometimes is associated with, and into pop history. It’s one of our best, most innovative and creative releases to date, and the fact that one of my best friends has managed to do this on the label we share together makes me so proud that I want to cry. ”The Bells” is the reason I dreamed of starting a label in the first place.

twitter.com/KornelKovacs
www.facebook.com/kokokornel
www.discogs.com/artist/781095-Kor…3%A9l-Kov%C3%A1cs

BB (from album The Bells, out Aug 26 on Studio Barnhus)

Video here - https://www.youtube.com/watch?v=HUV-B0VsdDI

Completing a triptych of fantastic LPs for 2016, Will Saul’s Aus Music is delighted to announce the debut full length fromYouandewan. The Berlin based Brit’s ten track ‘There Is No Right Time’ lands in October 2016 and shows a distinct development of his musical style.

Youandewan is Ewan Smith, a DJ and producer who has quietly but consistently gone about forging his own tender brand of deep house. He has been doing so since 2009 and most recently settled on this label with tracks that are shy but seductive, and full of both motive and emotive forces. This album stays true to that narrative, but sees Ewan finding his feet with his mostaccomplished and elegant work to date.

Much of the music was sketched out during a wintery Berlin three years ago. Having left London, hungover from a breakup,Smith found himself broke and secluded in an apartment for four months. All this lent the music he wrote a melancholic vibe;one that nods to the lonely nature of the job and to the darker side of constant partying and all that comes with it.

A swelling, expansive piece of melodic atmospherics starts things off, then the soft hues of analog chords bring a neon glow to

the weightless whirl of ‘Be Good To Me, Poly.’ Soaring synths marry with a raw drum and bass combo on “Waiting for L,’ then ’Time To Leave (Can’t Mix)’ resets to a piano laced beatdown vibe that is wilfully wallowing. ‘10405 (Alice)’ is a shimmering, crescendoing piece, and from there the second half of the album begins to take an upward and optimistic swing through the floating, graceful harmonies of ’Our Odyssey.’

‘Something Keeps Me Real Quiet’ is a concession to the ‘floor with its rusted electro slither, ‘Left On Lucy’ calls upon friend Huerta for a hi-tech soulful house cut Derrick May would be proud of, and 'Earnest Kelly' nods to the ‘80s with its stomping retrosynthesis. Finally, ‘4D Anxiety’ allows all the pent up emotion and energy to dissipate with a playful hip-hop jam effortlessly tapped out on an MPC.

‘There Is No Right Time’ is a listening album which proves that deep house done well needn’t be reserved for the club. It’s a vulnerable and musical work that stays with the listener long after the final chords have dissipated.


There Is No Right Time

Youandewan 'Waiting For L'

Extra hands from Dusty on this one. Watermarked 4 your pleasure.

Grip the disc:
https://clone.nl/item41042.html
http://www.redeyerecords.co.uk/vinyl/76701-
http://www.juno.co.uk/products/project-pablo-one-for-some-ep/617244-01/

Physical

Dustman

Ransom Note's recent signing Bawrut has been making a bit of a name for himself. His debut Ciquita, which was released earlier this year, has already been devoured by the likes of Jackmaster, Optimo and Boys Noize like a crazed bunch of acid fiends, and the summer season happened to be super fruitful for the Madrid based, Italian born tune-wrangler. We know, intense. It's a piping hot acidic screamer specially crafted for peak times on the dance floor and you get to listen to it right here, right now.

"Rumba" is taken from The Rumba EP, which will be released on Ransom Note Records as a 12" on November 22. His debut EP Ciquita sold out instantly, so don't sleep — you can preorder the album using the 'Buy' link.

The Rumba EP

Bawrut "Rumba" - Boiler Room Debuts

Fresh new Bristol-based label @piff-records open their doors armed with a slew of gleaming, steaming hot wax. We got our mitts on the new To Adelaide EP featuring a compilation of fine Australian talent. Out highlight comes as "Jessica's Place", which offers nothing less than pure smouldering synth-house heaven from (fairly) newcomer @arthurmilesmusic.

Though still relatively unknown across the pond, Arthur has funnily enough already made his Boiler Room debut, as part of the Untzz 12 Inch showcase last April. With his newness on Piff, expect the distinct, dreamscape sound that fellow house producers down under have worked hard to establish (for more, see: Mall Grab and Francis Inferno Orchestra). A clean track with an ever-so-slightly futuristic sound that is sure to grab your attention — as it did with ours. Give it a spin.

"Jessica's Place" will be released as part of a compilation entitled To Adelaide EP on 12" in 21st November. There are only 500 copies available, so pre-order it quick!

Arthur Miles "Jessica's Place" - Boiler Room Debuts

The phrase 'one-of-a-kind' perhaps gets thrown around too much these days, but those that already know Auntie Flo (née Brian D'Souza) will join me in saying this is no overstatement. Building a reputation for having one of the most sonically eclectic and captivating live shows, and the revered ability to combine acoustic and electronic elements like no other, Auntie Flo has been excelling at his own game for a minute now.

And now, Auntie Flo is back with a new EP to feed our hungry souls with his beats inspired the sounds of the universe. This project, already with Four Tet's backing, is the product of D'Souza's yearning to share his love of traditional African rhythms, and a wish to bring them to the world's stage. Here, he employs an impressive array of session musicians and a Ugandan ten-string harp, recording it all at the Santuri Studios as part of the Ugandan Bayimba arts festival in Kamapala last year.

"Rainfall on Red Earth" is available in its full 16-minute beauty as part of The Soniferous Garden EP, which will be released in full exclusively on vinyl by Sofrito early next year.

The Soniferous Garden

Auntie Flo "Rainfall On Red Earth" (excerpt) Boiler Room Debuts

Following a run of releases for his Retrograde label and a track featured on the 100 Dirt Crew Compilation Berlin based DJ and producer Marlon Hoffstadt continues his upwards trajectory, once again enlisting the services of legendary Chicago vocalist Paris Brightledge who recently collaborated with Paranoid London on their "Paris Dub 1 & 2" records.  
 Stepping up first is the original mix of ‘Shattered’ with Hoffstadt and Brightledge delivered a raw, experimental house feel via broken drums breaks, sweeping synth chords and acidic bass chops, whilst Paris’ vocal stylings add a soulful edge to the record. An ‘Instrumental’ mix of ‘Shattered’ follows and as the name would suggest lays focus on the rhythmic and melodic aspects of the composition, shining light on the swinging breaks, emotive string melodies. Lastly to complete the package is ‘Elevate’ which sees Hoffstadt fuse weighty drums and ethereal pad swells with arpeggio synth leads and subtly unfolding intricacies, whilst Brightledge’s understated vocal contributions further fuel the records hypnotic feel.

Shattered EP

PREMIERE : Marlon Hoffstadt & Paris Brightledge - Shattered

"Houses in Motion" is a new australian label based in Melbourne and they drop their first compilation EP featuring a range of tracks from label friends new and forever. A. M. Limonata returns with "Siren", an atmospheric, crisp track, reminiscent of days spent sun-drenched on dancefloors. Roy Blues makes his debut on HIM with "Pyramid" premiered here, a euphoric slow burner . On the flip, daddy boy Oliver Francis takes the limelight with "How High", a funky, crunchy beast that will take you for a ride through space and time. The inappropriately named closer "Setting Pace", another by Oliver, rounds out the record; a bright yet melancholy disco track featuring reverbial guitars of the mysterious Deep Zoo.

listen on youtube : https://www.youtube.com/watch?v=vh8Gs3inPxY&feature=youtu.be

LISTEN ON YOUTUBE

PREMIERE : Roy Blues - Pyramid

Out April 3rd as part of the Ocean City LP ~ https://coastalhaze.bandcamp.com

@pacific-coliseum

pre order

Pacific Coliseum - Ocean City

out soon on Omena Records! vinyl 28/3 digi 6/4

https://www.juno.co.uk/products/seb-wildblood-the-one-with-the-remixes/675607-01/

https://omena.bandcamp.com/album/the-one-with-the-remixes

https://soundcloud.com/omena-records

Seb Wildblood - Wet Summer (Kornél Kovács Remix)

Mixed by: Project Pablo

Featuring:


Stacey Shopsowitz - Bass
Chris Edmondson - Saxophone
Beverly Glenn Copeland: Vocals

Record dropping Aug 24  on Sobo Records.

http://open.spotify.com/album/6TEGjfbCHY9m30PBjUt4H0
Itunes - https://itunes.apple.com/us/album/waterzone-single/1412857274?ls=1&app=itunes
Apple - https://itunes.apple.com/us/album/waterzone-single/1412857274?ls=

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Connecting club culture to the wider world, on screen and irl through parties, film and video.

Leon Vynehall "Midnight On Rainbow Road" - Boiler Room Debuts

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