Name: Niño Árbol Boiler Room Guadalajara Live Set by Boiler Room
Duration: 1 h 4 min 10 s
Description: “Tracklist & download available here: http://boilerroom.tv/recording/nino-arbol/

out of control. love your work Niño arbol!

Lunes 29 de Agosto de 2022

Ya esta disponible MEDELLIN TECHNO PODCAST 126

Presentado por DERAOUT
Especial 2 Horas Set, Freedom Festival, In da Jungle !



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www.instagram.com/deraout


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Design: www.boldbravestudio.com

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#medellintechnopodcast #medellin #techno #podcast #djset #deraout #freedom festival #technodemedellin

MTP 126 - Medellin Techno Podcast Episodio 126 - Deraout

“Tracklist & download available here: http://boilerroom.tv/recording/nino-arbol/

Niño Árbol Boiler Room Guadalajara Live Set

Oscar Mulero @ Awakenings ADE Closing party (23-10-2016)
SoundCloud: @awakenings
Facebook: www.facebook.com/awakenings
Instagram: www.instagram.com/awakenings
Twitter: twitter.com/awakenings
YouTube: www.youtube.com/user/awakeningsevent
Website: www.awakenings.com

Oscar Mulero @ Awakenings ADE Closing party (23-10-2016)

Fabrizio Rat has clear ideas. « My project is simple» he affirms. « Take a piano, the classic and romantic instrument par excellence, and project it into the hypnotic and powerful soundscape of techno music ». As a matter of fact, the 34 years old comes from a double background. He’s a classically trained pianist who practised improvisation and composed contemporary music, but since his teenage years he has produced electronic music, and spent hours and days with computer, synthesisers and drum machines.

« After many years of practice my musical path seemed to be planned. ». « The ‘traditional’ way of playing the piano had bored me. I knew too well the instrument, I couldn’t be creative any more with the codes and rules I had learnt. I was looking for a new way to approach the instrument, a balance between chance and control, similar to the feeling you get by working instinctively on synthesizers. I realized I had many things to learn from analogue electronic instruments, which represent more than just strictness and precision. These machines, far from being ‘perfect’, almost have feelings I believe, and they behave unexpectedly and unpredictably at times. I thought that by studying and trying to discover their secrets I might be able to push to new boundaries my ‘machine’ from the very beginning, the piano. »

Following two Eps, ‘’La Machina’’ and ‘’Technopiano’’, Fabrizio Rat releases his first album of hybrid techno, with an innovative sound palette. The Pianist combines the acoustic sounds and weird harmonics of his prepared piano with the acid loops of the TB-303 and the beats of the TR-909. « I’m much attracted by a certain type of techno, based on the purity of sound. This music can really approach abstraction, the immateriality of thought and ideas. » A track like “Aimard”, for example, is characteristic of his ambition. « It’s a sort of tunnel. It does not develop apart from a few ‘turning points’, in a similar way to lots of tracks by Jeff Mills, who has been a big inspiration to me for a long time. I feel attracted to his radical approach to techno and his taste of sonic exploration. Many tracks by him have an incredible character. As the records starts, you’re all of a sudden facing a new world. That’s exactly what I am most interested in, to find a strong vibe of a track, much more then constructing a form with evolution and surprises. »
“Gould”, just before “Aimard” in the record, has the same strength but plays with rhythmic elements in a more subtle way.
« It’s not really techno, but still hypnotic. The first version of it had lots of 909 in it, which has been little by little removed, following the advices of Arnaud Rebotini who co-produced the album and released it on his label. Arnaud pushed me towards a more radical and extreme direction, putting the piano on the forefront and simplifying the rhythmical patterns, to be more effective. This gives to the final result more impact I think. »

Unsurprisingly, it’s in front of the dancefloor, in clubs or festivals, that Fabrizio plays his live sets. With the right hand he plays repetitive rhythmical patterns while the left one handles the machines (effects, TB-303, TR-8) and manipulates the piano strings.
His goal is to reach « the trance, to project on the dancers the hypnotic state of my right hand moving on the piano ».

Facebook: https://www.facebook.com/pg/fabriziorat.lamachina/
Soundcloud: https://soundcloud.com/fabriziorat

GENAU Podcast #054 || FABRIZIO RAT (Involve -  Blackstrobe / IT) || 21.06.2017

Merino @ Red Light Radio x Doce (23-11-2017)

A part of their 4 hour b2b set at LMNTS party in Sugarfactory Amsterdam

Shinedoe b2b 2000andOne @LMNTS Sugarfactory Amsterdam

VCI 60 min live in the studio

59 min DJ Set Closing Malora Fest

To download visit:

www.techno-livesets.com/set/deraout-2019-freedom-festival-medellin-2019-day-2-02-02-2019/

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Deraout Freedom Festival Medellin 2019 (DAY 2) 02-02-2019

My live set @ la machine du moulin rouge / 75021 / May 2013



ZADIG LIVE@LA MACHINE-75021 May 2013

Revelation of Sound is pleased to present Gotshell. A mysterious and dark sound producer coming from Pereira region in Colombia, Gotshell aka Alessan Main is one of the ambassadors of the scene in his country. Unpredictable rhythms, chaotic and psychedelic soundscapes describe his live sets, which are composed by sounds produced mainly by his own mouth live in front of the crowd. All this set of skills have brought him to most parts of the world, and to release on labels such as Mord and Blueprint.

Release date: February 3, 2021.

Follow Gotshell:

SC: https://soundcloud.com/gotshell
FB: https://www.facebook.com/gotshell.col
Instagram: https://www.instagram.com/gotshell.col/

Revelation Session # 173/ Gotshell (CO)

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Niño Árbol Boiler Room Guadalajara Live Set

Boiler Room

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