1-heavyrotationdump

available now on brownswood bubblers three and also forthcoming on emanative// time which drops on april the 5th 2010

Turn Your Lights On

By Lindsay Olsen

Austin Antoine - Vocals
Lindsay Olsen - Vocals
Robert Finucane - Keys
Bradford Tidwell - Guitar
Mike Rocha - Trumpet
Joe Salcedo - Bass
Etienne Rivera - Percussion
Amir Oosman - Drums

Mixed & Mastered by Amir Oosman

Touched The Ground

Brass Fever - Djingi (1975)

Svansikh - I Wannabe Your Lover

NEO: VII

In The Sun

Koln by The Sure Co. from the 5ives EP (Jazz Refreshed).
Richard Spaven - Drums
Grant Windsor - Keys


Koln

No Peace without Justice, No Justice without Return

Max Graef's still unfuckwithable 2014 debut    Rivers of the Red Planet  was the site of various pleasures. It had smoked-out soul by the blunt-load. It juggled boom-bap with neo-soul and rubbed together dusty jazz with the heft of house. It was the kind of statement record where a young producer was able to lay out his aesthetic touchstones and play them off each other in casual synthesis. It was also where we had the pleasure of meeting Nigerian-born vocalist extrordinaire Wayne Snow – an androgynous, mellifluous falsetto that wound perfectly into Max's half-time haze.    

After expanding album standout 'Running' into a fully-fleshed EP, the pair continue the chemistry with 'Rosie' – a new five-tracker coming out via Copenhagen label and shared home Tartelet Records. We're glad to say the same magic's still there in spades – the thick thud of Graef's signature kick, the warbling warm basslines and ever the star of the show, Wayne's tenderly acrobatic vocal lines. 

Peep the EP's title-track above and cop the whole thing on June 1st.

Wayne Snow "Rosie" - Boiler Room Debuts

112 kbps files for preview - don't be a dunce! 4 all things POOLS >>> @poolsmusic

For their first ever double-LP outing Razor-N-Tape presents POOLS, with a sun-drenched and laid-back collection of tunes called Innertubes. POOLS, the moniker of Los Angeles duo Thee Mike Bee and DJ Morsecode, craft a sound that conjures up the easy going swagger and soulful grit of the left-most coast. The first two sides of original versions read like an album, perfect for a lazy Sunday rooftop BBQ with beers, bros and blunts, (although no doubt some of these gems will find their way into DJs' warm-up and boom-bap sets). Sides C & D elevate the juncture to dance floor level, with smooth and varied remixes from RNT stalwarts Luvless and DJ Vas, plus label newcomers thatmanmonkz and Junktion.

Buy on Deejay.de

POOLS - Tubin'

This is the newest single from the "Braxton Cook Meets Butcher Brown" record!!! Full project dropping this SUMMER!

Braxton Cook - Alto Saxophone
Devonne Harris - Keyboards/Rhodes
Keith Askey - Guitar
Andrew Randazzo - Bass
Corey Fonville - Drums

Ft. Marcus Tenney - Tenor Saxophone

Braxton Cook & Butcher Brown "OOOOO"

from Chapter Music's reissue compilation How Far Will You Go? - The S&M Recordings 1973-81, released on vinyl, CD and digital on 23 June 2015.

www.chaptermusic.com/store/smokey/far-will-go/
iTunes - http://radi.al/SmokeyiTunes

Chapter Music is excited to present the first ever reissue of wild and outlandish 1970s LA pre-punk icons Smokey. Featuring cameos from James Williamson of the Stooges, Randy Rhoads of Quiet Riot/Ozzy Osbourne and members of the Motels, King Crimson, David Bowie’s Tin Machine, Suburban Lawns and many others, the Smokey story has to be heard to be believed.
In 1973, two wide-eyed young music fans made their way to Los Angeles and were introduced by a notoriously touchy-feely road manager for the Doors. They fell into a relationship that would produce five of the most criminally neglected singles of the decade, as well as a treasure trove of unreleased recordings.
John “Smokey” Condon was a bewitchingly beautiful Baltimore transplant, himself no angel after spending his teenage years partying with the John Waters crowd. EJ Emmons was a budding record producer from New Jersey, already starting to work in small studios around Hollywood.
Condon had marched in New York the night after the Stonewall Riots in 1969, and so by the time he and EJ created Smokey, they weren’t about to hold back. Released in 1974, first single Leather b/w Miss Ray wasn’t just openly gay, it was exultantly, unapologetically gay, examining front-on the newly-liberated leather and drag scenes thriving in America’s urban centres.
The single was shopped around to labels using Emmon’s industry contacts, but doors were regularly slammed on the duo. “We can’t put this out, it’s a fucking gay record, what’s the matter with you,” said one record exec, while adding “it’s really good though.”
So Smokey formed S&M Records, with a logo featuring a muscular arm encased in studded cuffs, and “S&M” tattooed on the bulging bicep. They went on to self- release five singles that span pre-punk, stoner jams, disco, synth-punk and more, all stamped with Smokey’s fearless candour. 1976 single and compilation title track How Far Will You Go...? features guitar from EJ’s studio buddy James Williamson, fresh from his adventures recording Raw Power with Iggy & the Stooges in London with David Bowie.
The live band played almost weekly at Rodney Bingenheimer‘s English Disco, with a band featuring 14 year old future Quiet Riot-ers Randy Rhoads and Kelly Garni.
Then there’s the raft of unreleased recordings, including a 9 minute disco workout entitled Piss Slave, and two versions of Million Dollar Babies, an ode to New York’s notorious trucks where men would go late at night to trick.
All-in-all, How Far Will You Go? is a revelation, lovingly restored by Emmons from original master tapes, and even mastered for vinyl by Emmons on his own cutting lathe. With extensive liner notes and photos, How Far Will You Go? tells the story of America’s greatest 70s should-have-beens, a band so amazing that the only reason you haven’t heard of them is because they were faggots, and they didn’t give a shit.

Smokey - Leather

PARADISE DESCENDED

Playing with Dilla's beats is just another way for me to practice and improvise, guess I'm not the only one doing that.
 
There's no losin' game when playin' with Love 
that's what I've learned from you, Dilla.
 
Blessing

1. What's up (Detroit 98)
2. I believe in a love Supreme (Let me be the one)
3. What a color (Colors of you)

Art Work by J.Lamotta Suzume

About Love #1 (Dilla Tribute)

'Oooo Lala' (Feat. Kaidi Akinnibi) taken from Blue Lab Beats' debut album 'Xover'.

Pre-order the album/stream the single here: BlueLabBeats.lnk.to/Xover

Follow Blue Lab Beats:
www.bluelabbeats.com
www.facebook.com/BlueLabBeats
www.twitter.com/bluelabbeats
www.instagram.com/bluelab_beats

Oooo Lala(Feat. Kaidi Akinnibi)

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Wayne Snow "Rosie" - Boiler Room Debuts

Boiler Room

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