minimal techno

Plonge dans une atmosphère immersive et épurée avec ce track aux textures hypnotiques. Des grooves ciselés, une basse profonde et ondulante, et des rythmiques fines viennent s’entrelacer dans une ambiance organique et des effets aériens, créant une vibe à la fois intime et percutante.

Parfait pour un warm-up set, un late-night vibe ou tout simplement pour une écoute introspective. 🌙✨

Dive into an immersive and refined atmosphere with this minimal house track, featuring subtle and hypnotic textures.
Crisp grooves, a deep and rolling bassline, and delicate rhythms intertwine with organic textures and airy effects, creating a vibe that is both intimate and impactful.

Micro-ondes

Micro-ondes [FREE DL]

sharing this in reverse. this is first two hours of my allnitelong set at The Carpet Shop in London. lots of Stingray jams in the beginning but thats what i had on repeat all day so could not resist giving them a spin on a big sound later. very cool night overall.

you can find the last three hours of this set on Pieces soundcloud since few weeks ago.

All Night Long at The Carpet Shop Opening | 22 Aug 2025

It’s not so often that a record finds its way to you that truly resonates at your core, I’m sure you have had that feeling, where time and space melts away, transforming your immediate surroundings, making you question if you really knew who you were as what you are hearing just transports you to another realm. ‘Avoidance’ is that record for us at PS HQ by Francesco Kay or as he is better known, Fall Shock. The Italian electronic music producer, drummer and singer is an all encompassing musical artist transcending his physical bounds, drawing from higher planes of the creative ether, a place only few humans know how to tune into and draw signals from. I would say this is due to his long career crafting his output. Striking the balance and complexity of human emotions, interwoven between urgency and restraint, specific intentions to engage, to make you listen, to make you dance, to make you FEEL. We are psyched to announce the first EP and a new era from Fall Shock.

In the Age of Clowns - most clowns no longer work in the circus but their offspring now live amongst us, following their past lineage, using the tools of social media to carry out their deep primal desires to want the spotlight, at any cost, for a day, for a month only to throw is away after a year. The clowns are all around us, subverting all factions of society, subverting the fabric of what we love, democracy, freedom, art. We didn’t ask for this version of reality. The overall arching theme of the track interprets this current dilemma we find ourselves in like a failed social experiment, spiraling through a vortex of confusion, following the command to Copy, paste, repeat, because everyone else is doing the same thing. Gibberish high pitched voices phasing in and out before we are struck down by the iron kick and bass, grounding ourselves in the now, a reminder that not all hope is lost in the age of clowns.

I have found myself once again toying with the idea of music as magic, maybe even hypnosis, a point in case with Avoidance which is the namesake EP title and is a potent club banger. Existing in a space undefinable, with an overly machine driven sonic palette, nostalgic influences of 90’s and early 2000’s dance music emitting from the UK but ultimately existing as its own sonic piece. Once we arrive at the pitch bend lead that slowly rises we’re here, energetic, aggressive but safe, as if it were a living being with a rebellious mind that has awakened after a period of glaciation. Now everything is hope and new life, I feel you.

Avoidance and The Age Of Clowns are part of a single path, a single concept of tracks suitable for people who never give up. Francesco masterfully crafts his past lineage, hinting nostalgic dance floor feelings while zooming into the zeitgeist of the future for his project Fall Shock.

Buy Now

Avoidance (Kris Baha Remix) - Fall Shock

Sharlese at Sustain-Release Yr. 11

30 Years of Interdimensional Transmissions Tour came to Karmen Camina in Strasbourg on August 23, 2025 – celebrating 30 years of summoning music from the other side. We brought a special lineup reflecting the context of that city and artists we connect to, focused around BMG & Erika with venue transformations by Amber Gillen & the Infinite Dimensions Crew. For the show in Strasbourg, in addition to DJ sets from Ectomorph along with solo sets from Erika and BMG, we were pleased to welcome one of our musical heroes: the genre transcendent genius from The Hague: Intergalactic Gary. This was the final DJ set of the 30 Years of IT Tour. This set really aces the mission of the whole tour, and after guests like Rrose, dBridge and Clarisa Kimskii at other shows, we really feel like we expressed so many sides of our vision. IT’s first record launched with Ectomorph in February 1995, and we have been devoted to the left hand path of Detroit Techno to this day, striving to create music and environments that are both timeless and inspiring.

IT Podcast

IT.podcast.s14e08: Intergalactic Gary at 30 Years of IT – Strasbourg

BUY VINYL: clawsisthebastard.bandcamp.com/album/splat-city-ii
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes. 


C.L.A.W.S. - Splat City II CLIPS

This is the first recording of me entering a new decade and it happens to be at one of my favorite parties: Buka in Milan. Over three hours of mixed intensity and emotions exploring all the fine nuances of Trance under a disco ball with my back to the dancefloor and the crowd by my side... Thanks to Stefano, Alessia, Enrico and the rest of the team for putting on such a great party and to all the dancers that made it what it was, looking forward to the next one!

Live @ Buka, Dopo? Aperiafter?!, Milan 25/10/25

Fade In Gently 4 November, 2025

Josh Cheon grew up in northern New Jersey, just outside New York City
where he spent his weekends dancing at goth clubs and digging for
records. He moved to San Francisco in 2006 and joined gay DJ
collective Honey Soundsystem from 2007 to 2017. His love of
underground ‘80s music pushed him to start Dark Entries in 2009, a
record label specializing in reissuing lost music from that era as
well as contemporary bands referencing those analog sounds.

THE RODZO w. Rodney guest mix Josh Cheon [05.11.25]

Dark Entries reissues archival and contemporary gems that prove to be crucial to our modern idea of bodily music that exists out of time. Electro, italo, cold wave, new beat, house, techno from a one-of-a-kind digger who visits dusty basements to rescue lost tapes.

From the host: _"This show is dedicated to Dave Ball (3 May 1959 – 22 October 2025)"_ 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dark-entries-record/episodes/dark-entries-record-13th-november-2025

DARK ENTRIES: Dave Ball Tribute w/ Josh Cheon 131125

Galactic Ecstasy

Acid Martin

#PK7
Available at iTunes: http://hyperurl.co/PK7
Listen on Spotify: http://bit.ly/PK7SpotifyPL
Mothertrucker Video:  http://bit.ly/MothertruckerVideoPK7
Cloud Rider: Video: http://bit.ly/CloudRiderVideoPK7 

Paul Kalkbrenner - Square 1 (Original Mix)

Order Here : 
www.juno.co.uk/products/exquisite-corpse-between-rhythms-i/709415-01/

Plaform 23 is delighted to release a compilation across 4 EPs of the music of Dutch producer Robbert Heijnen (Psychick Warriors Of Gaia / SUMUS) and his Exquisite Corpse project. First appearing as a one off contribution to a Katharos Foundation compilation cassette in 1986, Exquisite Corpse was resurrected in 1992 as Robbert left PWOG to concentrate on solo music. 

The first home studio sketches were developed as music to be incorporated in PWOG, the music was often having a more melodic and harmonic content.
With limited audio gear, much was created using tape loops and completed in parallel with mixing desk master, engineer and friend, Tim Freeman, as well as with contributions from partner Debbie Jones (The Mistress/DJ Venus).  Released on Dutch label KK Records, the tracks included in these 12”s are taken from a furtive two year period that saw six EPs and three LPs released.  

Starting with Inner Rhythm (Higher World Mix), taken from 1993’s Inner Rhythm EP, Between Rhythms I starts with intent.  Crisp percussion, relentless and interwoven sequences abound over a dark bassline, before the dub meet world sounds of Kupuri show the depth of EC’s outlook.  

This is backed by the rawness of X-Out from 1992’s Strange Attractor EP.   Recorded to cassette before Tim joined the project, the guttural bass and sharp percussion cross boundaries between house and techno.   This deep tribal sound, full of pulsing drums hightlights a sharper angle from much of EC’s output and as such, is a pure club machine.  

The first EP closes with Sitting In A Tree (Time Flies).  The first track to be taken from their debut album, Dream Night Dance Music, the album is rightly considered their strongest, more rounded record, seeing it now trading at spiralled prices.  With all 6 of it’s songs to be covered across the 12” series, the ambient influences and yearning keys here make for a perfect, first ending.

B1. Exquisite Corpse - X-Out

Order Here :
https://www.juno.co.uk/products/exquisite-corpse-between-rhythms-iv/713170-01/

The 4th and final EP of music from Exquisite Corpse brings to a close this series of rebirth and definition. Together, Robbert Heynen, Debbie Jones and Tim Freeman released in just 2 years a stream of sacred, serotonin beats and hypnotic tribal rhythms that shape shifted dance floors.  

Returning to the source, the debut Reassembling Reaility EP, with Hollywood.  A confluence of steppa rim, spoken mystics, found sounds, synth-strings and rolling basslines. Join us. 

Leading to Strange Attractor from the prized Dream Night Dance album, familiarity and progression. Euphoric onrush, bottom end pulsing, sentimental strings, serene keys, pitch shift, a master class of less becoming more.  Aural injection.  

Calling The Quarters off 1993’s Inner Light album starts the final side in bestowing beauty; above so below, in front, behind, around.  Raw, natural, fluctuating, moody, obscure.  The mystery.  

The release and series completes with Etoiles.  Again (aptly) drawn from 1992’s Dream Night Dance Music, the hallmarks’ of this underrated project are there. Detroit bass, lazy hats, counter claps, harmonies for modern times.  

Tribal. Ambient. Techno.  The terms do not justify the music included.  As it should be.  Primal, sanctified, conscious, living.  The journey ending.

A2. Exquisite Corpse - Strange Attractor

I’m Eddie and I like 2 shots in my coffee

Reissue label of a ethno-coldwave-post-punk-electro-techno-industrial and more sound.

A2. Exquisite Corpse - Strange Attractor

Platform 23

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