Out now on Bandcamp
https://jafu.bandcamp.com/album/warpularity

My Spotify Catalogue:
https://open.spotify.com/artist/1SJSnoggDVPSbOqpIn2yAg?si=as-X8Ke4R0SwtPeZufAbsA&dl_branch=1

Warpularity

33reak

33reak (Out Now)

Luubria

https://soundcloud.com/sorzaofficial
https://soundcloud.com/azaleh

Sorza - Catharsis (Azaleh & Echo Map Remix)

Direction : Laure Deval
Musiciens : Orchestre de la francophonie
Prise de son : Dominic Jasmin

Salle Pierre-Mercure
Enregistré le 24 juillet 2023

Le soleil de Gabaon (2020/23)

On 18.10.2020, the Quatour Diotima premiered my string quartet “Code is poetry” as part of the first Barcelona String Quartet Biennale.


Quatuor Diotima
Yun-Peng Zhao, violin
Constance Ronzatti, violin
Franck Chevalier, viola
Pierre Morlet, cello

Code Is Poetry - Quatuor Diotima

- P U R E  0 2 -

Premiere of the piece in Ensems Festival
Performers: Arxis Ensemble

Sergi Bayarri, clarinet
Álvaro Prieto, bassoon
Adrián Albaladejo, trombone
Noè Rodrigo, percussion
Magdalena Cerezo, piano
Anna Grenzner, violoncello
Zacharias Fasshauer, double bass

.Conductor:  Nacho de Paz

Gran hotel abismo, for 7 instruments

IO Podcast Series Episode 059 mixed by Esgeem.
@esgeem

-

This precious mix by our dear friend Esgeem deals with the motif of submersion, - evoking the experience of delving into the dephts of consiousness. It embodies the profound yearning for freedom, symbolizing the journey of resurfacing and the breaking through shadows to once again revel in the light of newfound clarity.

-

Artwork by @mtrl_audio

Podcast 059 - ESGEEM

-___-___-___-___-___-___-___-___-___-

//  three texture studies for disklavier
//  no. 1, strobomites

//  daniel j. thompson (2018)


(  //  this SuperCollider program will possess a Disklavier to play the first study.

var mOut=MIDIOut.new(0),
vGen1 = {
	| numVoices=6, bpm=400, ampLo=0.5, ampHi=1 |
	c=60/bpm; a=[0,2,-4];
	p=((Array.fill(3, { |in| (Array.fill(42, { |i| (((10+(8*i))-10)%84)+10 })
		+Array.fill(6, { |i| [1,1,0,0,1,0].rotate(i) })).flat+a[in] }).flat-10)%84)+10;
	w=Array.fill(numVoices, { |i| \rest!(1+(6*i)+(36*(i*0.5)*((i+1)%2))+(36*((i-1)*0.5)*(i%2))) });
	d=Array.fill(3, { |i| (c * (0.5**(a[i]/12)))!252 }).flat;
	l=d.size; g=l*0.618.round;
	(d.sum/60).postln;
	Array.fill(numVoices,
		{ |i| x=w[i].size;
			Pbind(
				\type, \midi, \midicmd, \noteOn, \midiout, mOut, \chan, 0,
				\midinote, Pseq(w[i]++(p+12),1),
				\dur, Pseq((c!x)++d,1),
				\sustain, Pseq((c!x)++(d*0.25),1),
				\amp, Pseq((Array.fill(42, { |in| 1*(0.5**(in/(42+(2*i)))) })
					* (((0.75!10)++[1]).rotate(5*i))
					* Array.fill(l, { |i| if((i+1)<=g, { 0.8*(1.25**(i/g)) },
						{ 1*(0.25**((i-g)/(l-g))) })})).normalize(ampLo,ampHi),inf)
	)}).do({ |i| i.play })
};
vGen1.value(12,380,0.4,1);

)

three texture studies for disklavier (no. 1: strobomites)

A rendering of a realtime generative system based on the 12 tone row matrix rules developed by the atonal composers after Arnold Schönberg.

Developed in MAX/MSP, which sends MIDI signals to sampler libraries. The idea, though, is to sediment this into a readable score and have it interpreted by humans.

This composition could go on and on forever, but was stoped after 4minutes of recording.

Generative Dodecafonism

Playmodes is an audiovisual research collective. This is its sound repository.
www.playmodes.com

Generative Dodecafonism

Playmodes

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