on wilson st. -kyle feat.miriamdola prod. dertbag

“With the emergence of spring, James King and TeePee unveil the first output on Plaza in 2022: a split release featuring two works from both artists. As a four-panel, these versatile compositions function like a sonical springboard - fertile ground for future projects to prosper on.”

Music is written, produced, composed and mixed by James King & Thomas van der Putten
Additional production on track 4 by Willem Feltzer 
Mastering by Rupert Clervaux 
Cover by Tommy Smits 

PLAZA004 
© PLAZA 2022

TeePee - 3en Fin

Contain Musical Release #2

Recorded and produced by Alex Talan aka Coolwater

Music from the show

A Breeze With A Face

Lost And Found

galore

solace statim

Mix by Ana Jikia

Harvest

HAV LYFE - THOWBACK

Nunu - 'SCUM'
APR117 | Out Now

Cassette/digital available here: https://astralplanerecordings.bandcamp.com/album/scum

Even though it has been over two years since the release of Nunu’s Mind Body Dialogue, the Strasbourg-based artist’s influence has been a constant. Bootlegged endlessly, you’ve almost certainly heard his piston drums and insectile sound design pop in countless edits and DJ sets, not to mention his own hyper-specific mix work. SCUM marks the return of Nunu, an EP comprised of four, condensed efforts shorn from a much larger collection of work. With a limited runtime of just over 14 minutes, Nunu explores brutality and emancipation in microscopic detail, suturing organic and electronic material together in an uneasy marriage. 

This time, London’s Organ Tapes and Cologne’s DJH are introduced to the fold with the former emerging like a phoenix on opener “SCUM 2” and the latter channeling Chopin on “SCUM 6”. Both artists slide comfortably into Nunu’s angular, often unforgiving aesthetic, exploiting both its insularity and cacophony with stunning results. “SCUM 4” and “SCUM 9” round out the release, the former a natural extension of Mind Body Dialogue’s “Hateful” and the latter a fitting follow-up to Nunu’s ecstatic remix of SHALT’s “Nid De Guêpes”. Nunu sees the SCUM body of work as a personal purge and its hard not to see its exorcistic potential. SCUM is out on November 16 on cassette (art by Isaac Chabon, design by Caleb Ali Miller) and digital.

Follow:
@nunununu
@organtapes

SCUM

Nunu - SCUM 2 (ft. Organ Tapes) [APR117]

After releasing her first tape “Fugue: Some Temporal Patterns Other Than the Forward March” on Genot Centre in 2017, artist and musician Johanna Odersky returns with another full-length album. The Städelschule sudent, who works primarily with sculptures, continues to explore the silhouettes separating internal and external worlds and the mechanisms of inclusion, exclusion and domestication they reveal, on her self-titled album ‘Iku’. Her audio work can be described as a mishmash of associative samples, which Iku carefully weaves into a complex entanglement of emotionally charged sounds. While her first album relies heavily on blissfully arranged ambient pieces, the artist began to involve her own voice as a center piece in the “Body Horror” EP, which was released by berlin-based Creamcake last year. 
The self-titled album feels like a sophisticated continuation of tracks like “À Tes Yeux” and her early work on Fugue, combining french pop vibes with classical instruments and gloomy spoken-word snippets, forming sonic material, which arises from sketches of Iku’s inner. Odersky takes us on a travel through a hypnagogic realm, which is full of contrasts and uncertain atmospheres. 

Iku’s self-titled album ‘Iku’ will be released on May 17th, 2019 and will be premiered at Hyperreality 2019.

Mastered by Hari Stojan. 
Cover by Iku

TeePee - 3en Fin

PLAZA

Recent comments

FEFE

Related tracks