เก้า

Produce by Thanart Rasanont (Piit)
Record at PlernPanPerth Studio
Loakai 188 , Sukhumvit 65 ,Bangkok 10110
(c) 2013 PlernPanPerth Record

Arranged /Recorded / Mixed /Mastered / Writen / Acoustic Guitar
by Thanart Rasanont (Piit)

PLERN PAN PERTH - Creation (2013)

Produced slowly and meticulously over the last 12
months, these seven tracks are the closet thing we've
had to a new album from Andy Stott since the release
of his debut full-length Merciless five years ago.
Taking influence from an array of seemingly incoherent
noises, from the indefinable and unforgettable mindtricks
of Arthur Russell to the slowhouse of Kassem
Mosse, from the alternate VHS realities of James
Ferraro and Jamal Moss to the Linn Drum classics of the
vintage Prince era - these seven tracks create their own
pace and agenda, largely shying away from the
dancefloor in favour of something more complex and
hard to define.
Following on from the tribal malfunctions of opening
intro Signature, New Ground heads into a chasm of
layered loops, creating a decimated and re-wired funk
template coloured in with frayed percussion and
dislodged vocal samples. North To South starts off from
similar ground but adds a shuffling vibe at a deceptively
intoxicated 110 bpm.
Intermittent is something altogether different, taking
perfectly formed Boogie templates and screwing with
them until nothing quite fits, brittle elements floating in
and out of time yet somehow keeping it together,
before Dark Details delivers the most dancefloor
compatible six minute stretch of the set, all clanging
stabs and dense percussion, somewhere between
Shackleton and Bam Bam.
Execution and Passed Me By end things off on a slowed
down tip, the former deploying an anaesthetised and
padded 4/4 template sunk deeper into the abyss by
deformed, time-stretched vocals, the latter ending off
proceedings with a more delicate palette, letting go of
all that pent-up emotion with nothing but that rumbling
low-end and some strings for company.

Dark Details

คืนหนึ่งวันเสาร์ ฉันเฝ้าคอยเธออยู่พะวง
พลั่นคิดพาลหลงคงได้พบเจอ 
ไม่พบเธอฉันจึงได้แต่เพ้อ เก้อคนเดียว
ไม่พบเธอฉันจึงพร่ำเพ้อ เธอจะมาไหม
นึกถึงที คนที่คอยอยู่ตรงนี้แทบสิ้นใจ
คืนและวันผันฝันนึกถึงคราวเศร้าใจ
เคยเป็นจริงไหมที่ได้เอ่ยกับเธอ คำละเมอ
คิดถึงเธอทุกคราที่ต้องเจอ เสียงเพลงเก่า
ค่ำคืนแล้วเล่าใจเฝ้าโหยหาเลือนลอย
จนเมื่อเธอนั้นเดินเข้ามา
วันเลวร้ายผ่านเลยไป
เธอเท่านั้นเธอคนที่ฉันยังคงเพ้อละเมอ
แด่เธอผู้เป็นพลังและความจรรโลงใจ
จึงมีก็เพียง ความจิงในใจ
แต่มันก็เป็นเพียงแค่ฝันไปจนไกล
มันเพราะเราไกลทั้งที่แลดูเหมือนจะอยู่ไกล้
ทั้งที่แลดูเหมือนว่าเราอยู่ไกล้

new thai version of Singing in Bars made for short film by sedthawat aoudtha
คำร้องโดย เศรษฐวัฒน์ อุทธา และ จีน มหาสมุทร
ทำนองโดย จีน มหาสมุทร บุณยรักษ์
mixed and Mastered by Shin Jungsuk a.k.a NoA หรือ APoLo
เพลงประกอบภาพยนตร์สั้น โดย เศรษฐวัฒน์ อุทธา แสดงโดย จีน มหาสมุทร บุณยรักษ์ 2 ในศิลปินงานนิทรรศการ ตรรกะสังสรรค์ : ศิลปะแห่งการสนทนา
จัดแสดงในวันที่ 21 กรกฎาคม - 25 กันยายน 2554
ห้องนิทรรศการ ชั้น 8 หอศิลปวัฒนธรรมกรุงเทพมหานคร 
Film will be shown at Bangkok Art and Culture Center, 8fl, 21 July - 25 September 2011 
Also another version of Singing in Bars http://soundcloud.com/little-fox/singing-in-bars-66 

Singing in Bars หนุ่มร้านบาร์นำ้ตาริน

Analog Bass Machine

LaB - Analog Bass Machine - SemiAnalogSession1

YVES TUMOR — Serpent Music
Format: LP / Digital
Cat.No: PAN 73
Release Date: 23 September 2016

http://p-a-n.org/

The enigmatic Tennessee-raised, Turin-based Yves Tumor presents a poignant new album, recorded between Miami, Leipzig, Los Angeles and Berlin over the past three years. 

Evolved from a diverse and prolific creative history under an expansive plethora of covert aliases via various forward-thinking labels, 'Yves Tumor' emerges as his most personal and matured incarnation to date.

With involvement across various artistic outlets expanding to fashion such as a visceral live performance for LA's Hood By Air earlier this year, the global artist has built a distinctly bold personal aesthetic both musically and visually as a performer.

Painstakingly written from pieces developed upon since 2013, the new record, titled 'Serpent Music', was initially composed as a soul record - based around delicate and emotive songwriting in various forms. It was a highly difficult project to undertake on both a creative and personal level, weaving thematic links through paranoia, social anxiety, and missing loved ones. "The songs come from a much more emotional and very vulnerable place... They're very close to me and I've been cautious of how I would eventually present them to the world." he explains. 

The album spans sonically diverse and richly-textured pieces, formed from live, organic instruments, samples and various field recordings. Dreamlike lo-fi psychedelia sits alongside broken electronic experimentations, ambient compositions between abrasive noise offer insight into a haunting otherworld. From melodic choral vocals and soaring synths, to screeching guitar riffs, dramatic spoken word samples and live drumming, 'Serpent Music' evidently moves through a strange and intriguing personal journey.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Daniel Sannwald.

Serpent Music

Yves Tumor - The Feeling When You Walk Away (PAN 73)

Burial - Ghost Hardware

A slow-techno bootleg edit of one of my favorite recent indie tracks. As with my other bootleg edit, this one's available as a free download.

When I first heard "Blend," I instantly knew I wanted to make an edit. The original is fairly stripped down, consisting just of an acoustic guitar lick, a simple drum pattern, and a haunting vocal. 

Yet somehow, my first draft late last year didn't feel right. It was too dancey and too bright, and somehow didn't reflect the bittersweet emotional quality of the original. So, a few months ago while on the road in Asia, I decided to give it another go. I kept only the synth pad from my first attempt and reconstructed everything else with the intention of fulfilling a 'less is more' approach.

I think I finally found a nice balance in adding just the right elements to breathe some new life and context into "Blend," while maintaining the qualities that made it such a moving track to begin with. I hope you'll agree - let me know what you think in the comments:)

soundcloud.com/jamesfish

facebook

[free download] Aldous Harding - Blend (James Fish's Problems of the Heart Edit)

From the album "Do Pilots Still Dream Of Flying" released in 2012 on WHITE

05 - Technicolour Dreams

Out in the Sun (some old demo on a rainy day)

ลองหลับตาดูกาลเวลาหมุนผ่าน เรื่องวันวานพ้นผ่านปล่อยวางที
นี่ก็ต้องทำ นี่ก็ต้องทำ พักก่อน พักก่อน
พรุ่งนี้ใครจะรู้ว่าจะมีรึเปล่า  
หนีไปสุดโลกนี้ หายไปในอวกาศ 
สุดแท้แต่ ใจเรา 
กลับสู่ดินกลายเป็นเถ้าธุลี เป็นดวงดาวแพรวพราวยามราตรี
นี่ก็ต้องทำ พักก่อน พักก่อน
พรุ่งนี้ใครจะรู้ว่าจะมีรึเปล่า 
หนีไปสุดโลกนี้ หายไปในอวกาศ 
สุดแท้แต่ ใจเรา 
เวรและกรรม ดวงและดาว อาทิตย์และจันทร์ 
ฉันและเธอ เพ้อไป เผลอไป เผลอใจ
สุดแท้แต่ ใจเรา


Per(สุดแท้แต่)

I've seen and heard enough today
or can we call it for today
if we could be other than what we are
when i'm home i feel no music
all alone what is the point
if we could be other than what we are
what we are what we are what we are
on a plane i felt the hope
but when it landed it was gone
if we could be other than what we are
too excited never sleep
take good care of tired body
if we could be other than what we are
what we are what we are what we are
no where feels like my place
i never like how it taste
if we could be other than what we are
i like my feet on the grass
not many places or faces last
if we could be other than what we are
they keep saying who we are
who can say what we are 
if we could be other than what we are
just because you knew my name
it doesn't mean you know me the same
if we could be other than what we are
what we are what we are what we are

What We Are

city life can eat your soul oh no
it shakes you up down from your goal
but if you listen to the the sound around
you'll hear pretty raga all around

too much junk can't feel my soul oh no
it chews you up spit you out cold
but if you listen to the sound 
you'll hear what they say and what goes around 

leaving it all leaving it all leaving it all 
don't you wanna be free

so much luck won't save a soul who knows
you're digging yourselves a deeper hole
but if you listen to the sound around
you'll see what goes around comes around

leaving it all leaving it all leaving it all 
don't you wanna be free


Keyboard by Noa Shin
addtional lyric by Jen Gural

**May you all find Peace** 
Lots of Love
Little Fox 


PLERN PAN PERTH - Creation (2013)

PLERN PAN PERTH

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