"(What Would You Do) For Love" is a deep House track with a kind of minimalistic attitude focusing mainly on the piano and vocals. The breakdown features a lovely arpeggio and culminates in a melodic peak while the delay slowly fades away.

Plo.berger - (What Would You Do) For Love SNIPPET

My Remix for the great track "Human Race" by Dealirium out now on his "Human Traffic EP" on Electrophil Records!
Get it here: http://www.beatport.com/track/human-race-plo-berger-remix/4874239

Dealirium - Human Race (Plo.berger Remix) SNIPPET

Free download to mark Swing O'Clock's first podcast mixed by me! Sweet Berries is a laidback track with a funky groove and blues-inspired guitar licks. Hope you like it.

Cheers

Plo.berger - Sweet Berries (Free DL)

My take on this timeless classic because I wanted to be able to play it in my DJ sets.

Written by  Bill Withers, William Salter and Ralph MacDonald, performed by Bill Withers and Grover Washington Jr.

Samples used:
Just The Two of Us (Cover) by Hannah Cho - https://www.youtube.com/watch?v=aYH21HtKAQo
Just the two of us on instrumental electric piano (Korg SV-1) by Julien Apelian - https://www.youtube.com/watch?v=JxILPR0OVk8
Grover Washington - Just a Two of Us by jazzijazzful - https://www.youtube.com/watch?v=QDHJkKkLsbI

Cheers

Bill Withers & Grover Washington Jr. - Just The Two Of Us (Plo.berger Edit)

„Nins" is Plo.berger's first EP on Beatwax Records and also the first one after a creative break from releasing new tracks, which Plo.berger used to broaden his musical skills and redefining his style. The "Nins EP" is undoubtedly his most personal and experimental record so far, laying a new focus on vocals, recorded sounds and sometimes also abandoning the typical four-to-the-floor beat that was found on his previous releases. It therefore certainly is a step forward in Plo.berger's musical development, opening new chapters in his musical career. Most of the tracks on this EP are geared towards the dancefloor with his trademark driving basslines and grooving percussion but the tracks "Interlude" and "I Can't Even Say It" take a new direction that is suited for downtempo DJ sets as well as a home listening environment. The fact that many instruments on this release are recorded live without quantizing often gives the grooves a rather fragile and personal feel that is not often found on straight club records these days. 
The opening track "Demons" is the musical equivalent of a restless night of tossing and turning on the bed, wrestling with your thoughts and the disturbing sensation of not being alone. It's in the dark hours when your personal demons are the biggest and if you listen very closely through the surreal landscape of obscure sounds and distorted vocals you will be able to hear the clock strike midnight in the track's break.
Even though the second track "Those Nights" also deals with the time of day when most people sleep, it paints a completely different picture. "Those Nights" is a straight up dancefloor-track in traditional Plo.berger style - the intricate, swinging percussion and the forward-pushing bassline make it impossible to stand still. The dreamy melody line during the break lifts the track up to new heights until the thumping bass brings you right back to the dancefloor.
"Interlude" is a very deep and experimental track that just grabs you and takes you on a mental journey. The perfectly established balance of electronic and acoustic sounds and the blurring of the boundary between the melody and its distorted delay in the break to a point where they become indistinguishable as one serve as powerful symbols for the two sides that exist to any story.
The fourth track "Gaelle Est Bonne" once again takes this EP back to the club environment as it contains all the elements you would expect to find in a Tech House track by Plo.berger - the thumping kick, the driving and pushing bassline and lots of percussion that ties the groove together harmoniously. The humorous lyrics give the track a light and feel-good vibe, perfect for sunset beach parties and early evening sets.
The last track which is titled "I Can't Even Say It" once more shows the versatility and the readiness to experiment in Plo.berger's musical style. A certain lo-fi sound aesthetic meats a vocal-driven track with a classic song structure to come together to a conglomerate situated somewhere between Pop, Rock and club track.

Plo.berger - 01 - Demons

Leave My Head (Free Download)

Moody, dreamy, deep & heavy.
Like those early morning hours.

Resonate (Free Download)

A homage to one of the most beautiful cities I know - Lisbon.

Alfama (Free Download)

A short melodic interlude to capture the vacation vibe. Featuring a guest performance by: the mediterranean sea.

Plo.berger - Flow (Interlude)

Monotonous yet always changing, pushing you foward with no destination in mind - a track like a highway, the soundtrack of a roadtrip.

Plo.berger - The Long Road

Da Funk takes you straight back to the good ol' days of early House music with a heavy influence from Funk and HipHop

Plo.berger - Da Funk

My Love ist ein Deep House Track mit ausgeprägtem Groove, eigenem Gesang und mit viel Liebe gemacht. Außerdem ist er der erste Track meiner neuen EP "Körperlichkeiten". Ab heute im Downloadportal Ihrer Wahl erhältlich.

Plo.berger - My Love (Preview)

100 followers - 1 download
It's an inofficial remix, just my take on this excellent track.

cheers

Pleasurekraft - Tarantula (Plo.berger Remix) FREE DOWNLOAD

Since starting to release his own music in 2012 Plo.berger's tracks have been released and featured on compilations of a continuously growing number of international labels like Electrophil Records, Budenzauber, Beatwax Records, Tretmuehle, Doppelgaenger and many more. With the growing attention for his work by DJs all over the world his tracks are getting steadily increasing playtime in clubs and on the radio. As a DJ aside from playing in clubs and on events he is also involved in the Goodmind Moving Project "Dance First - Think Later".

Plo.berger, originally from Graz, is currently living and working in Vienna. He discovered his love for music at a very early age by playing saxophone in various orchestras for many years before moving to electric bass in Punk and Indie-Rock bands, like Kulturschock or Mediocrazy, in Graz. At the age of 18 he started playing guitar and keyboard. 
When he was 19 he bought an audio interface and a masterkeyboard and got into making his own tracks ranging mostly from Tech House to Deep House and beyond to Techno and other sorts of things musical.

Plo.berger

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