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Murteza - Arekstep

From 'Why do people vomit?', out February 23rd on TT.

For to purchase: https://eye-measure.bandcamp.com/album/why-do-people-vomit

@eyemeasure 🤢
@rian-treanor 🤮
@tobago-tracks 🤑

To stunt perchance to go off or maybe to run it up and possibly go ham on business. To do that and feel perfectly, to enter a state of unimpeached resolution. To listen to Rian Treanor's remix of eye measure's 'Why Do People Vomit', to like and share and engage by every possible means. To do it now.

Why Do People Vomit

For to purchase

eye measure - Why do people vomit? (Rian Treanor Remix) [MK PREMIERE]

@renslink

The final katharsis release of 2024 is the 26-track compilation “Physical Force” featuring a wide range of affiliated artists from both the international and local Copenhagen electronic music scene. As the title hints, Physical Force delves into the visceral, bodily aspects of music, inviting its contributors to explore the theme of movement as a central element in their compositions. Each artist was encouraged to focus on rhythm, groove, energy, and the physicality of sound, which resulted in drum-heavy release from start to finish. While there is a consistent emphasis on rhythm and a bodily connection to the music, the tracks vary widely in style and sonic texture, ranging from big melodic anthems, gritty experimental techno, heavy jungle bangers, and beyond.

releases December 23, 2024

mastering by jjjacob
artwork by jjjacob

Physical Force

Peace On The River

premiere: Renslink - Peace On The River

Older Brother and Iceboy Violet steer by stars to navigate to AIOA.

georg-i takes the coordinate, Metrist moves the dial.

Twice bitten, undone, and weighed. 

@olderbrotherolderbrother
@iceboy_violet
@georg-i

☺︎ Art direction from Joshua Costar
☺︎ Mastered by Beau at Ten Eight Seven

⟢ SOSOSO ⟣

AIOA

SOSOSO3

Older Brother Ft. Iceboy Violet - AIOA (Metrist Retrace)

A collection of edits, remixes, bootlegs. Some originally circulated online under my previous alias Lithe, reworked and remastered for this release.

Original Ariana x Barker blend by séverine:
soundcloud.com/s3v3r1n333/look-how-hard-im-into-you

Sent out as a free dl via the home away from home newsletter
hafh.online/newsletter

Shed Theory - Beaver (Prior Self Edit)

@mossambi

Mossambi starts 2025 with a bang, delivering four new tracks on Time To Quit Music. On his third EP on the label, Mossambi delivers his most melodic work yet, infusing complex dancefloor compositions with abstract, autotuned vocals and lively hyperpop-inspired synth lines.

TiSAM introduces the record with stuttering vocals and shimmering pads before propelling into a sub-driven groove adorned with playful percussion and angelic chords. Syncopated bass hits and percussion build intensity throughout before the track ends in blissful ambience.

Time To Quit Music sees abstract sound design manipulated over sub-driven percussion. Sounds whirr and transform across the frequency spectrum, whilst an addictive vocal hook lifts the track up to ethereal heights.

LLPS opens with whiplash-inducing percussive patterns accentuated by crashing cymbals. An earworm synth line morphs its way through the arrangement, with a compelling vocal sample rising and falling as the track progresses.

HDT closes the record with a stirring chord progression, interspersed by alien vocals and manipulated camera clicks. Whilst rooted in the dancefloor, the track twists and transforms in unexpected directions, locking into a firm, stepping groove before rushing forward with precision-chopped breaks.

Mossambi - HDT

Produced by x3butterfly (@sorellem)
Mastered by @annafruit

buy here

[PREMIERE] x3butterfly - Emulation [PLOT RECORDS]

produced by @katia-curie
mastered by @annafruit

[PREMIERE] Katia Curie - Sugar Low [PLOT RECORDS]

Produced by @limbicsis
Mastered by @annafruit

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Produced by @regfant 
Vocals by @frankieteardrop1
Mastered by @annafruit

[PREMIERE] Regularfantasy - I Partied Too Much I Can't Party feat. Frankie Teardrop [PLOT RECORDS]

Produced by @audreydanza
Masterd by @annafruit

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Brussels-based imprint Maloca is proud to present percussive connoisseur Coen’s sophomore mini-album, Moshpit: an 8-track exploration where focus and intensity rules all. As the title suggests, the release marks a more abrasive turn after 2023’s Slop Drop & Roll.
 
Feeling like a new direction was needed for his second mini-album, Coen went back to his roots. There, the artist re-discovered a love for Slayer and the brutal, near out-of-control power found in thrash metal. Through this recapturing of his teenage years, he found his approach, developing methods for transposing the genre’s raw aesthetics into his stripped back, drum-forward sound.
 
The result is a listening experience dominated by double-time kicks, corroded walls of texture and a level of intensity not heard before in the London artist's work. Moshpit acts as an ode to Slayer and the brutal, relentless energy of thrash metal, taking the genre on a conceptual level and translating it into Coen’s universe. 

Despite this aesthetic turn, the album also stands as an evolution, rather than a revolution, from Coen. The orotund percussive tones and lethal high energy grooves of Headbanger and Roll Play are nods to 2023 standout Pressure Roll - weapon of choice for DJs across the spectrum including Bonobo, Bambounou, Ahadadream, Toumba & Lu Su.
 
Moshpit also sees Coen at his most concentrated, distilling what he does best down to its most vital and essential form. Each track bristles with a cinematic, metallic sheen and never feels too busy, with the artist getting the most from recordings of his studio’s collection of percussion instruments – with many of the textures on the album becoming distorted abstractions of drums found in it. 
 
The artwork, made by Coen himself, bristles with coarse texture, without becoming drowned in noise - an appropriate visual guide to the sonic landscape to be found in Moshpit. 

[PREMIERE] x3butterfly - Emulation [PLOT RECORDS]

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