ELPB-00001
「HKG」（葉鍵アレンジCD）

曲目
01　Decisive Battle(4sk's technonized)/4sk（From Angel Beats!)
02　渚/waniwave (From Clannad)
03　夏影/inumoto (From Air)
04　White Album/y0c1e (From White Album)
05　Feeling Heart/y0c1e (From To Heart)
06　Boys Don't Cry/waniwave (From Little Busters!)
07　瑠璃子/inumoto (From 雫)
08　旅人(4sk's House cover)/4sk (From 誰彼）
09　Last Regrets/waniwave　(From Kanon)

ボーナストラックとしてヴォーカル曲はインストも収録　全13曲

・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・

お前は先に行ってくれ
オレはここで待ってるよ
漏れ出そうな泣き言は
堰き止めてるから、心配ない

大丈夫だ、もう泣かない
覚悟は決めた、おおかたな
世界に産まれて死んでいく
その意味と共に生きていく

もう間違えない　そう、かけがえない
この時間を絶対ムダにしない　
ヤケにならない　投げ出さない
マジ絶望だらけの青春を

遊びに変えるんだ　何事も
張り切っていけば　マンガの
中の惑星みたく楽しくなる
どうせ墓地まで一瞬だ

昔は野球をやったよな？
全然うまくいかなかった
でもそれなりなんとか楽しめて
ガラにもなく必死になったよな

本当は、こんなこと
が言いたいわけじゃなかったが
別れには、バイバイや
サヨナラなんかじゃ寂しいし

まあ元気でやれよと伝えとく
じゃあ、お前はあっちに走ってけ
平気だよな、大切な
ことは全部伝えたぜ。

このあたりは心地が良くってな
いつまでも子供のままならば
考えることなんか放棄して
ずっと遊んでたくなるよ
見ろこの空は　青く透明で
雨だっていつか止むんだから
うっすらと湿った校庭に
花が芽吹いてく

本当はその一秒を
永久に続けてたかったよ
みんなをホントに愛してる
でも愛には責任が伴って
いつかは絶対ここから
離れて遠くへ旅立つ
俺も、お前も、あいつらも
神様でさえも。

運命があまりに過酷で
味方が誰もいなくなって
繋いだ手は離され僕らの
落ちた体が転がってって
奈落の底にぶつかって
でも、忘れるな、その光を
いつだって行く先は見つかる
地獄に思える場所から

手を振って笑っている
みんなも一緒に立っている
誰もが祝福している
ほんとうに幸せな気持ちだ
もうやり終えた　疲れたな
エンドロールがまわってる
言葉を底まで尽くして
能力も全部使いきった

だから

お前は先に行ってくれ
そのために歩いてきたんだ
いいよな？　もう止まっても
もう心配しなくてもいいんだよな？

大丈夫だ　もう泣いた
涙は枯れ果てカラカラだ！
諦めだってついた
だってこのために産まれてきたんだ

いつもなら絶対考えない
自分の産まれた意味とか
すべきこと、自分の使命や問題と
向き合える。

BOYS DON'T CRY

Angels
Written and performed by Chance the Rapper, Saba, Lido, Peter Cottontale, Nate Fox & Donnie Trumpet for The Social Experiment.
www.Chanceraps.com


Free iTunes Download

Angels (feat. Saba)

Taken from the album "Compassion" out now on Sacred Bones Records.

LP/CD: http://bit.ly/1V0Vg89
Buy on iTunes: http://hyperurl.co/compassion
Bandcamp: http://bit.ly/1TMSmUP

Facebook: www.facebook.com/LustForYouth.Official
Twitter: twitter.com/Lust4Youth
TOUR DATES: http://bit.ly/1KPwMbc

Buy 

Lust For Youth - Stardom

静かな夜に

スリーパーズ・ハイ

セシウムさん

愛しのマシュマロッパ / ミキティ＆ザ・ローガンズ（feat.広報女子リズ）

"Historically, the split album has been a way for independent artists (and the labels that represent them) to share the burdens of production while sonically bolstering each other’s work. The reasons for a couple of punks to split a vinyl record are almost self-evident given the binary nature of the medium and its high cost of production. Such considerations are not entirely beside the point in the digital age, but the traditional half-and-half form of the split is almost arbitrated by our adapted listening habits (not to mention the can of worms that may come with rights to hosting, streaming, and direction of online traffic). It only seems inevitable then that those working at the fore of the new underground would modify the form inventively. 4 partners road is one such mutation.

The album volleys between the regal dreamstates of Lily and Horn Horse and zany episodes by Banny Grove. Each duo presents their own singular take on art pop. The resulting dialogue is confounding but exciting. Iconically absurd outbursts by dadaist diva Banny Grove soften the dry, mechanical precision that lends Lily and Horn Horse their sheen. Conversely, the bubblegum sensibilities of the latter bring out some of Grove and Co.’s tastiest work to date. 4 partners road is a whirlwind of an album birthed out of the closest of friendships. True affinity sits between these partners.

Banny Grove, the pop icon persona of Louise Chicoine, sits at the crossroads of Kate Bush, Hannah Montana, and Pee-Wee Herman. She lives in a material world, a Southern California doll house from which she comments upon the maladies–minor and grand–of the modern world. The work she puts forward with bandmate (and Nicey Music co-founder) Peter Nichols (a.k.a. Grape Room) reads at times like an American DIY response to PC Music: artificial and off-kilter but makeshift, approachable. Here, Grove takes her vocal performance to commendable new heights. The operatic soaring that punctuates her first contribution to the album, “So Happy So Good,” is a masterclass in how to make an entrance (Klaus Nomi anyone?). And little sums up Banny Grove’s disposition better than the melodramatic, tragic despair with which she delivers the condemnation, “I gave a damn for you/ Mr. Romeo,” atop a sugary ball pit soundtrack of an instrumental. One forgets that such sentiments aren’t typically expressed by the same voice that, only tracks earlier (and with equal lack of composure) boasted, “I feel so happy, I feel so good/ I want to tell the whole neighborhood.” Banny’s back and she’s got plenty to say.

Perhaps more centered in their expression (if all the more strange for it), Lily and Horn Horse hail from upstate New York. The still-young duo of Lily Konigsberg and Matt Norman unleashed their layered, expressive, mutant pop upon the world with their 2017 debut Lily On Horn Horse. Having sowed the seed for collaboration, they followed it up that same year with Next To Me, a perfectly distilled statement of their sound. Cruising through 19 tracks in 25 minutes, Next To Me was an accelerated take on the contemporary state of pop by a duo with equal admiration for both Herbie Hancock and Liz Phair. The duo’s contributions to 4 partners road are atmospheric and catchy, grooving yet mellow. Konigsberg and Norman sing with a calm demeanor, understating their more absurd lyrics, ones that might be just as comfortable on Banny tracks (“I went to school/ And then I bought a car”).

As a studied fan of both artists, I can’t help but hear each duo’s influence on the other, even if the resulting “sides” feel so distinct. It’s the sort of resonance between artists that comes from friendship and the exchange that occurs when you tirelessly share show bill after show bill at small venues across the USA. These groups recognized their affinity and managed to move ever-so-slightly nearer. Positive actual joy."

-- Ben Levinson

Mastered by James Krivchenia

Lily & Horn Horse - Unit And Bucket

80s
参考はこちら…
https://www.youtube.com/watch?v=l_4CSbtUiG8

picture
ストップ!! ひばりくん!

愛しのマシュマロッパ / ミキティ＆ザ・ローガンズ（feat.広報女子リズ）

plum records

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