Damn - I missed this on Bandcamp - anywhere else to get a copy of the track!?

The third release on Dubrunner's Menace label finds the soundsystem stalwart continuing to refine his distinctively modern club twist on dub sensibilities. Drawing elements of techno, trance, amapiano and dubstep into his lean and mean digi-dub workouts, Blackheart arrives as a laser-focused selection pitched at forward-facing DJs working the dance at peak time.

For all the weight powering the likes of 'Protocol', Dubrunner's distinctive style is rooted in minimalism. The tangible breathing room in the mix leaves plenty of space for every subtle synth flourish and spring reverb splash to shine while maintaining a seductive tension throughout, all the better to hold the dancefloor energy on a tight leash.

There's an even stronger sense of pressure bubbling under the surface on 'Blackheart' thanks to the looming low-end which purrs away underneath the crooked-but-driving drums, leaving the lead lines to add an emotive flourish as a foil to the introspective dub chords which shimmer through the track's latter stages.

'Bad Mind' is a precision-sculpted throw down shaped out by delicate percussive intrigue and snaking groove, leaning further into a dub techno palette to set the mood and offset by flickers of auto tuned vocals that nod to amapiano.

To round the EP off without easing up on sheer soundsystem impact, 'Night Shift' carries some of Dubrunner's most assured production work to date. The ramp up for the drop is undeniable, letting the bass snarl and the drums roll without losing that sharply-rendered restraint we've come to expect from one of the most inventive producers in the broad expanse of contemporary bass music. 

Dubrunner - Protocol

@CARREO
@addisongroove
@fastatwork

fastatwork.bandcamp.com/album/hover-capsule

pi premiere: Carré & Addison Groove - Shapes in Real Life [Fast At Work]

Dyslecta launches his new label, Tenuous Links, with a powerful debut release, Fulcrum.

Fulcrum demonstrates Dyslecta’s versatile selection of bass-heavy cuts designed for the dancefloor while maintaining his distinctive production style. As both a physical and digital imprint, Tenuous Links aims to push innovative club sounds forward—this release is just the beginning.  

Coming out on super limited 12” handstamped vinyl on April 11th
credits


Fulcrum

Bristol-based label and collective @amityclub deliver a bumper showcase of underground bass sounds on ‘RICOCHET’

Have an exclusive first listen to @kess1er’s contribution, ‘The Roots, The Truth’

More info: https://djmag.com/listen/premiere-kessler-roots-truth

Premiere: Kessler ‘The Roots, The Truth’

GTVA01 @ghsttwn
https://ghosttownsoundmuc.bandcamp.com/album/gtva01

Disorientation (Out now on Ghosttown)

Release date: June 20th 2025
Preorder: gridrecords.bandcamp.com/album/pigeons-ft-trim-transit-limb-ep
First single 'Pigeons' on your streaming platform : li.sten.to/jxwclbfb

@SSSLIP and @Betonbrutt have tapped up grime pioneer Trim to add his bars on 17th Grid release, pressed for the first time on vinyl !

Trim steps up to the mic for the lead track, 'Pigeons', which brings next-gen grime energy with raw, club-ready vibes and menacing bars that are underpinned by a wobbly low end, and it's all perfect for dance floor detonation. 'Transit Limb' dives into a nostalgic yet forward-thinking fusion of experimental grime and UK bass that subtly echoes the sounds of the early 2010s with twisted breaks and chopped vocals.
The boys also invited @Notiiton and @BeatriceMasters for two great remixes, Noti turned the lead track into a precise electro banger and Beatrice drowned Transit Limb to the darkest depths of the ocean to close the EP.

⚠️ Vinyl version only available for preorder on Juno website
Vinyl bonus : Pigeons (Instrumental Version)
Limited to 100 copies : www.juno.co.uk/products/ssslip-beton-brut-pigeons-transit-limb-ep-feat-vinyl/1091331-01

Track 1 & 2 produced and mixed by Charlie Maton-Presley and Zach Buckley
Track 1 vocals by Javan Daniel Winston St. Prix
Track 3 by Malin Anderson
Track 4 by Beatrice Masters

Mastered by Krikor Kouchian
Artwork by Unité Services

Supported by : Akanbi, Allecto, Anz, Atrice, Bas Dobbelaer, Breaka, Caldera (Loop LF), Christian Coiffure, Daisy Moon, De Grandi, DJ Martelo, DJ Plead, Dom Carlo, Ehua, Emily Jeanne, EONE, Ey.rah, Fonzo, Gramrcy, Hannah, Hassan Abou Alam, Flore, Fosil, Hypna, Jan Loup, Jess Hands, Jossy Mitsu, Jon Beige, Judaah, Kaval, Lu2k, Manaré, Martha, Metrist, Miley Serious, Monotronique, Mumdance, Nawme, Nico, Nile Ferreira, Nono Gigsta, Nyksan, Ophélie, Oxyd, Pearson Sound, Poor J'Darr, Pura Pura, quest?onmarq, Re:ni, Red Rack'em, Rhyw, Rowl, RS Tangent, Rougail Space Program, Saskia, Safiye, Sharnie, Small Crab, Souzo, Sybil, Sylvere, Toupaz, Tristan Arp, Troy Gunner, Useless Seconds, Valesuchi, Vladimir Ivkovic, Warzou, Yushh and more.

GRID017

Pigeons (ft. Trim) / Transit Limb EP

SSSLIP & Beton Brut - Pigeons (ft. Trim) / Transit Limb EP [GRID017] previews

Japanese explorer of the deep Dayzero is next up on Nerve Collect with his Step Inna EP, which brings six tracks of meticulously crafted post-dubstep rhythm and bass. 

Tokyo-based Dayzero has long been providing a link between the Far East and the UK underground. His futuristic sounds rewire dubstep, techno, breaks and bass with psychedelic colours and spaced out moods on leading labels like Livity Sound and ZamZam. He has a new album on the way this year, but first comes this latest intersection of body-driven, mind-expanding sounds.  

'Revival' is engineered for full-body movement. It's intelligent, instinctive and just a bit unhinged as watery droplets and a frazzled lead warp space and time while mangled bass drills down deep. 'Step Inna' skanks through a dystopian dreamscape with chanting dub vocals. They echo like encrypted mantras as calculated bass patterns ground the groove, percussive hits launch you skyward and then collapse inward. 'Antibody' has spring-loaded bass that rebounds under rogue circuitry while the rhythm stutters in broken, syncopated spasms below a smattering of wobbly toms.

'Remains' is highly pressured and kinetic, a thudding rhythm with overdriven tribal percussion pining you to the 'floor. 'Alignment' is a tectonic transmission sent back from tomorrow—mechanical yet organic, the bassline rumbles with subatomic weight beneath ghostly pads and static-charged synth lines. 'Gravity Phrase' is where ancient rag	a meets future bass culture. Stringy Indian melodies linger in the shuffling dub rhythms and wordless vocals drift like vapour trails in a soundscape where mysticism and machinery collide. 

This is an EP of precision-guided portals to the outer edges of bass music. 




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