100221002 Rs Serge

101821001 Rs Serge Krell

Phantom Distinction Fallacy represents an effort to write songs with intentional composition, but one might argue that these tracks sound pretty similar to my improvised music. A distinction without difference, if you will. I approached these songs as a series of jams that were later stitched together and twisted into something resembling leftfield electronic music. Analog modular synthesizers, digital signal processing playgrounds, esoteric stomp box effects, over processed acoustic drums, electric guitar and electric bass were used and abused during the recording sessions and then forged through glass and iron during the mixing process. Phantom Distinction Fallacy was written, recorded, edited and mixed in Bitwig Studio. It was mastered by Gregg Janman at Hermetech Mastering. 

Released by TheseKidsAreNice.
released May 2, 2022

Phantom Distinction Fallacy

Without

Started with a base beat in Propellerhead Figure with sync/clock track direct to tape from Korg SyncKontrol. Added layers from Matrixbrute, Make Noise Morphagene, and Mutable Instruments Rings. Recorded to cassette on Fostex X18.

2023-01-01 Jamuary

This work makes use of recordings of a number of pianos, including two extended range Bösendorfers, one in the UK, one in Montreal, as well as a disintegrating Blüthner of somewhat questionable provenance. It uses a number of techniques for composing for variable numbers of channels and for large-scale loudspeaker systems. Böse was premiered at the 2010 Inventionen Festival in Berlin. This version is stereo/binaural.

Böse

ongoing work for an art+astronomy research

Nebula - A

8 Weekly Beats 2024 Kiss Scene

An unattended recording of a procedural rhythmic system composed with c++ and supercollider

Pulsation And Holes

Sketch #27

Jamuary 2025-01-06

Prompt: One – Make a jam using just one instrument
Key: A major
Tempo: 136 bpm

For this jam, I finally used my OP-1!!!
So you could say, it is the 1st real jam I made.

I was planning to use it the whole time, but it was the 1st time since many years I powered it up and I had to watch tutorials again to make sense of it 😅. Plus it is the 1st time I finished a track with it, and the 1st time I imported something from the OP-1 into Ableton. All the Ones I could wish for. 😛

All the sounds were made on the OP-1. I used Ableton mainly for arranging, adding some reverb, panning etc. Plus a litte bit of EQ to tame the oriental circular saw a bit. 😹

Jamuary 2025-01-06

plusch

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