Giữa Đại Lộ Đông Tây - Ngô Lan Hương

Video hướng dẫn guitar: https://youtu.be/4RLo8JLbF0U

Thich em hoi nhieu cover
Hợp âm: Am7, D7, G, E7 - capo 4

Album của Bùi Vũ

Thích em hơi nhiều - Wren Evans | Guitar cover

Kathy Kathy (Katy Katy) - Orange & Wren Evans | Eye Contact LIVE

Giấc Mơ Rất Thơ - Mer ft Thaison | LT4 mix

youtube: https://youtu.be/h9nzrez8iFw

beat: https://youtu.be/QE1Osql6zw8

gmail: lt4radio40thing@gmail.com

enjoy :))

Giấc Mơ Rất Thơ - Mer ft Thaison | LT4 mix

STEREO!

A poem by Edna St. Vincent Millay accompanied by original background piano music:

        "The Singing-Woman from the Wood's Edge"

                       ***

    What should I be but a prophet and a liar,
    Whose mother was a leprechaun, whose father was a friar?
    Teethed on a crucifix and cradled under water,
    What should I be but the fiend's god-daughter?

    And who should be my playmates but the adder and the frog,
    That was got beneath a furze-bush and born in a bog?
    And what should be my singing, that was christened at an altar,
    But Aves and Credos and Psalms out of the Psalter?

    You will see such webs on the wet grass, maybe,
    As a pixie-mother weaves for her baby,
    You will find such flame at the wave's weedy ebb
    As flashes in the meshes of a mer-mother's web,

    But there comes to birth no common spawn
    From the love of a priest for a leprechaun,
    And you never have seen and you never will see
    Such things as the things that swaddled me!

    After all's said and after all's done,
    What should I be but a harlot and a nun?

    In through the bushes, on any foggy day,
    My Da would come a-swishing of the drops away,
    With a prayer for my death and a groan for my birth,
    A-mumbling of his beads for all that he was worth.

    And there'd sit my Ma, with her knees beneath her chin,
    A-looking in his face and a-drinking of it in,
    And a-marking in the moss some funny little saying
    That would mean just the opposite of all that he was praying!

    He taught me the holy-talk of Vesper and of Matin,
    He heard me my Greek and he heard me my Latin,
    He blessed me and crossed me to keep my soul from evil,
    And we watched him out of sight, and we conjured up the devil!

    Oh, the things I haven't seen and the things I haven't known.
    What with hedges and ditches till after I was grown,
    And yanked both ways by my mother and my father,
    With a "Which would you better?" and a "Which would you rather?"

    With him for a sire and her for a dam,
    What should I be but just what I am?




An analysis of the poem:

Edna St. Vincent Millay's poem "The Singing-Woman from the Wood's Edge" depicts a solitary woman who finds solace and expression in song amidst nature. Through vivid and lyrical imagery, the poem explores themes of isolation, resilience, and the transformative power of music. The singing woman symbolizes an enduring spirit and the deep connection between humanity and the natural world. Millay's portrayal highlights the beauty and strength found in solitude and artistic expression.


Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, Avant-Garde, and Contemporary music, it standw as a tribute to the limitless possibilities to poetic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations. 

The Ethereal and Ambient qualities infuse the music with an almost otherworldly aura, creating an immersive and transcendent listening experience. 

The Minimalist approach adds depth and complexity through simplicity, allowing each note and sound to carry profound significance. The Fusion elements weave together a rich and diverse sonic palette, transcending genres and conventions. 

Enigmatic and Reflective, the music invites listeners to explore the depths of their thoughts and emotions. It serves as a catalyst for introspection and self-discovery, leaving an indelible mark on the soul.

Thích em hơi nhiều - Wren Evans | Guitar cover

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